Generations: A Review Of “Widows”
Fast and furious and Chicago-set and shot.
Vocalized: A Review Of “Maria by Callas”
Maria Callas in her own words.
Germany in Autumn: A Review of “Suspiria”
The blood of Germany. Generations of witches. Dance, dance, dance!
Magician at Work: A Review Of “They’ll Love Me When I’m Dead”
A celebration of Orson Welles’ joie de vivre in the face of stupid setback atop stupid setback
Timeless Lark: A Review of “The Old Man And The Gun”
Robert Redford’s smile remains gentle grace.
Free Falling: A Review of “Free Solo”
Thrilling… from this distance.
Life, Then Nothing: A Review of Chicago-Set “What They Had”
Loss, loss, and loss are on the menu, and it’s a smorgasbord of talk.
Film Top 5: November 2018
Vigo’s body of work is small, but one of the most essential in all of cinema.
All’s Welles That Ends: The Apparition of “The Other Side of the Wind”
After fifty years, “The Other Side of the Wind” is a fascinating approximation of one of Orson Welles’ best-known works he left unfinished.
Minor Fall, Major Whiff: A Review of “Border”
A sense of scent and a range of strange from Sweden’s best foreign-language film submission.
