The Running Jumping & Standing Still Film: A Review Of Soderbergh’s High Flying BirdFebruary 7, 2019 By Ray Pride
Generations: A Review Of “Widows” November 16, 2018 at 8:57 am by Ray Pride Fast and furious and Chicago-set and shot.
Vocalized: A Review Of “Maria by Callas” November 15, 2018 at 8:00 am by Ray Pride Maria Callas in her own words.
Germany in Autumn: A Review of “Suspiria” November 12, 2018 at 5:00 pm by Ray Pride The blood of Germany. Generations of witches. Dance, dance, dance!
Magician at Work: A Review Of “They’ll Love Me When I’m Dead” November 1, 2018 at 5:15 pm by Ray Pride A celebration of Orson Welles’ joie de vivre in the face of stupid setback atop stupid setback
Timeless Lark: A Review of “The Old Man And The Gun” October 31, 2018 at 10:00 am by Ray Pride Robert Redford’s smile remains gentle grace.
Free Falling: A Review of “Free Solo” October 30, 2018 at 2:28 pm by Ray Pride Thrilling… from this distance.
Life, Then Nothing: A Review of Chicago-Set “What They Had” October 30, 2018 at 11:00 am by Ray Pride Loss, loss, and loss are on the menu, and it’s a smorgasbord of talk.
Film Top 5: November 2018 October 30, 2018 at 10:00 am by Ray Pride Vigo’s body of work is small, but one of the most essential in all of cinema.
All’s Welles That Ends: The Apparition of “The Other Side of the Wind” October 30, 2018 at 9:01 am by Ray Pride After fifty years, “The Other Side of the Wind” is a fascinating approximation of one of Orson Welles’ best-known works he left unfinished.
Minor Fall, Major Whiff: A Review of “Border” October 29, 2018 at 3:00 pm by Ray Pride A sense of scent and a range of strange from Sweden’s best foreign-language film submission.