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Fiery Flowers: A Review of Fireworks

February 11, 2019
By Ray Pride

The Running Jumping & Standing Still Film: A Review Of Soderbergh’s High Flying Bird

February 7, 2019
By Ray Pride

Time on Earth: A Review of Tito and the Birds

February 4, 2019
By Ray Pride

Film 50 2018: Chicago’s Screen Gems

September 27, 2018
By Ray Pride

Generations: A Review Of “Widows”

November 16, 2018 at 8:57 am by Ray Pride

Fast and furious and Chicago-set and shot.

Vocalized: A Review Of “Maria by Callas”

November 15, 2018 at 8:00 am by Ray Pride

Maria Callas in her own words.

Germany in Autumn: A Review of “Suspiria”

November 12, 2018 at 5:00 pm by Ray Pride

The blood of Germany. Generations of witches. Dance, dance, dance!

Magician at Work: A Review Of “They’ll Love Me When I’m Dead”

November 1, 2018 at 5:15 pm by Ray Pride

A celebration of Orson Welles’ joie de vivre in the face of stupid setback atop stupid setback

Timeless Lark: A Review of “The Old Man And The Gun”

October 31, 2018 at 10:00 am by Ray Pride

Robert Redford’s smile remains gentle grace.

Free Falling: A Review of “Free Solo”

October 30, 2018 at 2:28 pm by Ray Pride

Thrilling… from this distance.

Life, Then Nothing: A Review of Chicago-Set “What They Had”

October 30, 2018 at 11:00 am by Ray Pride

Loss, loss, and loss are on the menu, and it’s a smorgasbord of talk.

Film Top 5: November 2018

October 30, 2018 at 10:00 am by Ray Pride

Vigo’s body of work is small, but one of the most essential in all of cinema.

All’s Welles That Ends: The Apparition of “The Other Side of the Wind”

October 30, 2018 at 9:01 am by Ray Pride

After fifty years, “The Other Side of the Wind” is a fascinating approximation of one of Orson Welles’ best-known works he left unfinished.

Minor Fall, Major Whiff: A Review of “Border”

October 29, 2018 at 3:00 pm by Ray Pride

A sense of scent and a range of strange from Sweden’s best foreign-language film submission.

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