Partially shot guerrilla-style at Disney theme parks but largely on soundstages or enhanced by green-screen work, Randy Moore’s amateurish labor-of-weird-love, “Escape From Tomorrow,” follows a single day in a middle-aged father’s life after he’s lost his job via phone call on a balcony overlooking the Magic Kingdom while his wife and two kids just want to see the park. Semi-surreal science fiction complications, botched horror and bad, flat acting erupt, as well as dad’s perverse and lecherous desire for two underaged French girls. Male middle-aged crisis writ large on a washed-out post-David Lynch palette, Moore’s subversive ambition is submerged by his project’s mere ickiness. While Disney has made no public comment, this version has been trimmed from its 104-minute Sundance debut. With Roy Abramsohn, Elena Schuber, Katelynn Rodriguez, Annet Mahendru, Danielle Safady, Alison Lees-Taylor. 90m. (Ray Pride)
“Escape from Tomorrow” opens Friday, October 25 at the Music Box. VICE’s 13’32” making-of, embedded below, shows full flavor of the film as well as its intentions.
Ray Pride is Newcity’s film critic, editor of Movie City News and a contributing editor of Filmmaker magazine. He is also a photographer: his history of Chicago “Ghost Signs” in words and images is forthcoming. Check a few signs on Twitter (@chighostsigns) as well as daily photography on Instagram (instagram.com/raypride). Twitter: @RayPride. (Photo: Jorge Colombo.)