French video artist Michel Auder’s four decades of self-video-ification makes for some self-serious solipsism in this “fictional biography” assembled from a reported 5,000 hours of raw footage by Auder and co-director Andrew Neel. “The Feature” constructs a life of a French bohemian and pioneering video artist who married Warhol muse Viva, and later, photographer Cindy Sherman. There’s explicit sex and drug use and reflections on a time past and time passed, and the most affecting aspect may be the quality of some of the video: degraded, fuzzy, buzzy, lo-fi in an HD world. Fame-dropping is rife. Over the course of time, Auder’s philosophy reveals itself as deeper than narration like “Usually, you eat, you get laid, you’re worried about money, you have money, you’re happy, you’re sad, you cry, you have more sex, if you’re lucky and then, you know, there’s nothing left in life, it’s just what it is.” This is raw stuff, elusively structured with the foreknowledge of mortality. 177m. (Ray Pride)
“The Feature” plays 8pm Friday, April 16, at Chicago Filmmakers, 5243 North Clark.
Ray Pride is Newcity’s film critic, editor of Movie City News and a contributing editor of Filmmaker magazine. He is also a photographer: his history of Chicago “Ghost Signs” in words and images is forthcoming. Check a few signs on Twitter (@chighostsigns) as well as daily photography on Instagram (instagram.com/raypride). Twitter: @RayPride. (Photo: Jorge Colombo.)