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	<title>Newcity Film &#187; Roger Ebert</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>Review: Film Socialisme</title>
		<link>http://newcityfilm.com/2011/06/10/review-film-socialisme/</link>
		<comments>http://newcityfilm.com/2011/06/10/review-film-socialisme/#comments</comments>
		<pubDate>Fri, 10 Jun 2011 13:06:21 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Christie Lemire]]></category>
		<category><![CDATA[Film Socialisme]]></category>
		<category><![CDATA[Ignatiy Vishnevetsky]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Patti Smith]]></category>
		<category><![CDATA[Roger Ebert]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=9038</guid>
		<description><![CDATA[RECOMMENDED The 80-year-old Jean-Luc Godard&#8217;s &#8220;Film Socialisme&#8221; is a disarmingly beautiful rash of video imagery that ranges from HD in gleaming blues on a luxury liner late at night to cell-phone images that stutter, blanch and bleed, accompanied by murmorous dialogues turning over familiar political idées fixe and the crisp musique concrète-style sound mixes of [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2011/06/10/review-film-socialisme/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Vincent: A Life In Color</title>
		<link>http://newcityfilm.com/2010/05/05/review-vincent-a-life-in-color/</link>
		<comments>http://newcityfilm.com/2010/05/05/review-vincent-a-life-in-color/#comments</comments>
		<pubDate>Wed, 05 May 2010 21:33:04 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Biopic]]></category>
		<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[Jennifer Burns]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Vincent P. Falk]]></category>
		<category><![CDATA[Vincent: A Life In Color]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=4402</guid>
		<description><![CDATA[Jennifer Burns&#8217; 2009 &#8220;Vincent: A Life In Color&#8221; is the future of documentary in the here-and-now: a hand-to-mouth portrait of a local eccentric with touching elements in the central character&#8217;s life story. There&#8217;s gonna be a lot more of them in the foreseeable future: anecdotes that could be shorts that are expanded to feature length. [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2010/05/05/review-vincent-a-life-in-color/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Subtitle Town USA: Can Music Box Films turn Chicago into a home for world cinema?</title>
		<link>http://newcityfilm.com/2010/03/16/subtitle-town-usa-can-music-box-films-turn-chicago-into-a-home-for-world-cinema/</link>
		<comments>http://newcityfilm.com/2010/03/16/subtitle-town-usa-can-music-box-films-turn-chicago-into-a-home-for-world-cinema/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 19:28:37 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[News and Dish]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[A Prophet]]></category>
		<category><![CDATA[Avatar]]></category>
		<category><![CDATA[Bill Schopf]]></category>
		<category><![CDATA[Brian Andreotti]]></category>
		<category><![CDATA[Ed Arentz]]></category>
		<category><![CDATA[Guillaume Canet]]></category>
		<category><![CDATA[Il Divo]]></category>
		<category><![CDATA[Music Box Films]]></category>
		<category><![CDATA[Music Box Theatre]]></category>
		<category><![CDATA[OSS 117]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Seraphine]]></category>
		<category><![CDATA[Shall We Kiss?]]></category>
		<category><![CDATA[Tell No One]]></category>
		<category><![CDATA[Terry Gilliam]]></category>
		<category><![CDATA[The Girl with the Dragon Tatto]]></category>
		<category><![CDATA[The Hurt Locker]]></category>
		<category><![CDATA[Tuya's Marriage]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3884</guid>
		<description><![CDATA[By Tom Lynch You’re probably sick of hearing it by now, but “The Hurt Locker” is the least-seen of all Best Picture Oscar winners in history. In an age when funding for modest pictures is scarce, and studios are less interested in taking risks with films lacking marquee names, an art-house action drama (of considerable [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2010/03/16/subtitle-town-usa-can-music-box-films-turn-chicago-into-a-home-for-world-cinema/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: For the Love of the Movies</title>
		<link>http://newcityfilm.com/2009/11/11/review-for-the-love-of-the-movies/</link>
		<comments>http://newcityfilm.com/2009/11/11/review-for-the-love-of-the-movies/#comments</comments>
		<pubDate>Wed, 11 Nov 2009 23:22:04 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[Andrew Sarris]]></category>
		<category><![CDATA[B. Ruby Rich]]></category>
		<category><![CDATA[David D'Arcy]]></category>
		<category><![CDATA[For the Love of the Movies]]></category>
		<category><![CDATA[Gene Siskel]]></category>
		<category><![CDATA[Gerald Peary]]></category>
		<category><![CDATA[Harry Knowles]]></category>
		<category><![CDATA[Janet Maslin]]></category>
		<category><![CDATA[Jonathan Rosenbaum]]></category>
		<category><![CDATA[Karina Longworth]]></category>
		<category><![CDATA[Kenneth Turan]]></category>
		<category><![CDATA[Leonard Maltin]]></category>
		<category><![CDATA[Lisa Nesselson]]></category>
		<category><![CDATA[Manny Farber]]></category>
		<category><![CDATA[Michael Wilmington]]></category>
		<category><![CDATA[Owen Gleiberman]]></category>
		<category><![CDATA[Patricia Clarkson]]></category>
		<category><![CDATA[Richard Corliss]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Stuart Klawns]]></category>
		<category><![CDATA[Wesley Morris]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=2859</guid>
		<description><![CDATA[RECOMMENDED Boston Phoenix film contributor Gerald Peary&#8217;s almost-a-decade-in-the making chronicle of twentieth-century American film criticism, &#8220;For the Love of the Movies,&#8221; provides glimpses of the faces and fracases of that storied time, suggestive of a much larger history that could run to volumes, footnoted endlessly, hyperlinked furiously, contested perpetually. I offer a &#8220;Recommended&#8221; rating for [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2009/11/11/review-for-the-love-of-the-movies/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Antichrist</title>
		<link>http://newcityfilm.com/2009/10/21/review-antichrist/</link>
		<comments>http://newcityfilm.com/2009/10/21/review-antichrist/#comments</comments>
		<pubDate>Wed, 21 Oct 2009 21:45:55 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Anthony Dod Mantle]]></category>
		<category><![CDATA[Antichrist]]></category>
		<category><![CDATA[Charlotte Gainsbourg]]></category>
		<category><![CDATA[Fantastic Fest]]></category>
		<category><![CDATA[Larry Gross]]></category>
		<category><![CDATA[Lars von Trier]]></category>
		<category><![CDATA[Reykjavik International Film Festival]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Serge Gainsbourg]]></category>
		<category><![CDATA[Yvan Attal]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=2665</guid>
		<description><![CDATA[RECOMMENDED A man (Willem Dafoe) and a woman (Charlotte Gainsbourg) make love tenderly. Classical music (Händel) plays. Their child is neglected, omitted from the primal scene. The loss of the child is intercut with orgasm. (Is it possible to be shocked by a tumble cycle? Yes.) Humanity has fallen. Grief prevails. Dafoe&#8217;s character is a [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Hughes: Please Please Please Let Me Get What I Want</title>
		<link>http://newcityfilm.com/2009/08/11/john-hughes-please-please-please-let-me-get-what-i-want/</link>
		<comments>http://newcityfilm.com/2009/08/11/john-hughes-please-please-please-let-me-get-what-i-want/#comments</comments>
		<pubDate>Tue, 11 Aug 2009 16:05:42 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Alison Byrne Fields]]></category>
		<category><![CDATA[Allie Sheedy]]></category>
		<category><![CDATA[Anthony Michael Hall]]></category>
		<category><![CDATA[Dede Allen]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[J.D. Salinger]]></category>
		<category><![CDATA[John Hughes]]></category>
		<category><![CDATA[John Sturges]]></category>
		<category><![CDATA[Judd Nelson]]></category>
		<category><![CDATA[Matt Weiner]]></category>
		<category><![CDATA[Michael Bay]]></category>
		<category><![CDATA[Molly Ringwald]]></category>
		<category><![CDATA[Quentin Tarantino]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Roy Andersson]]></category>
		<category><![CDATA[Simple Minds]]></category>
		<category><![CDATA[Steve Martin]]></category>
		<category><![CDATA[Steve McQueen]]></category>
		<category><![CDATA[Terrence Malick]]></category>
		<category><![CDATA[The Breakfast Club]]></category>
		<category><![CDATA[The Count of Monte Cristo]]></category>
		<category><![CDATA[Thomas Pynchon]]></category>
		<category><![CDATA[Uncle Buck]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=1870</guid>
		<description><![CDATA[By Ray Pride &#8220;Breaking News&#8221; from Variety on my phone on the 66 home: John Hughes dead at 59. Eyes sting a little and immediately I remember the Simple Minds lyrics, &#8220;Don&#8217;t you forget about me, no, no, no,&#8221; heard in &#8220;The Breakfast Club.&#8221; John Hughes, the man, had been all but forgotten as a [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2009/08/11/john-hughes-please-please-please-let-me-get-what-i-want/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Review: Sita Sings the Blues</title>
		<link>http://newcityfilm.com/2009/04/28/review-sita-sings-the-blues/</link>
		<comments>http://newcityfilm.com/2009/04/28/review-sita-sings-the-blues/#comments</comments>
		<pubDate>Wed, 29 Apr 2009 00:08:49 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Animated]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Nina Paley]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Sita Sings the Blues]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=1367</guid>
		<description><![CDATA[RECOMMENDED Producer-director-writer Nina Paley&#8217;s animated musical &#8220;Sita Sings The Blues,&#8221; about the tribulations of an Indian princess, is indie outside the lines, a sweet burst of color and imagination. Winner of the 2009 Gotham Awards&#8217; &#8220;Best Film Not Playing at a Theatre Near You&#8221; (I was on its jury), &#8220;Sita&#8221; almost didn&#8217;t make it to [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2009/04/28/review-sita-sings-the-blues/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Horror! The Horror!: Torture porn and the state of scary movies</title>
		<link>http://newcityfilm.com/2008/10/22/the-horror-the-horror-torture-porn-and-the-state-of-scary-movies/</link>
		<comments>http://newcityfilm.com/2008/10/22/the-horror-the-horror-torture-porn-and-the-state-of-scary-movies/#comments</comments>
		<pubDate>Wed, 22 Oct 2008 16:03:30 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Horror]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Beau Wanzer]]></category>
		<category><![CDATA[Eli Roth]]></category>
		<category><![CDATA[Jason R. Davis]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[Rob Zombie]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Simone Muench]]></category>
		<category><![CDATA[Tobe Hooper]]></category>
		<category><![CDATA[Wes Craven]]></category>
		<category><![CDATA[William Shatner]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=626</guid>
		<description><![CDATA[By Tom Lynch We all have nightmares. For some, it’s a dusty leather glove with knives attached to the fingers, a torn green-and-red striped sweater. Others, a hockey mask and the woods, or an eerie white mask shaped in the likeness of William Shatner. The overwhelming buzz of a chainsaw in the dark. For me, [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Still at the Movies: A death in the family</title>
		<link>http://newcityfilm.com/2008/08/20/still-at-the-movies-a-death-in-the-family/</link>
		<comments>http://newcityfilm.com/2008/08/20/still-at-the-movies-a-death-in-the-family/#comments</comments>
		<pubDate>Wed, 20 Aug 2008 22:29:23 +0000</pubDate>
		<dc:creator>cheryluce</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Akira Kurosawa]]></category>
		<category><![CDATA[Gene Siskel]]></category>
		<category><![CDATA[Howard Hawks]]></category>
		<category><![CDATA[Ikiru]]></category>
		<category><![CDATA[L'Avventura]]></category>
		<category><![CDATA[La Notte]]></category>
		<category><![CDATA[Lawrence of Arabia]]></category>
		<category><![CDATA[Manny Farber]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Sam Fuller]]></category>

		<guid isPermaLink="false">http://newcitytest.wordpress.com/?p=626</guid>
		<description><![CDATA[By Ray Pride Sunday night, after thirty-three years, the movie review show that first featured Chicago newspapermen Roger Ebert and Gene Siskel swatting at each other while offering spirited opinions, breathed its last. The only survivors are distant cousins of short attention span. One of the reasons Ebert is an essential voice in American film [...]]]></description>
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		<slash:comments>0</slash:comments>
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