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	<title>Newcity Film &#187; Robert Altman</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>Preview: The UCLA Festival of Preservation at Siskel</title>
		<link>http://newcityfilm.com/2011/08/31/the-ucla-festival-of-preservation-at-siskel/</link>
		<comments>http://newcityfilm.com/2011/08/31/the-ucla-festival-of-preservation-at-siskel/#comments</comments>
		<pubDate>Wed, 31 Aug 2011 21:45:13 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Alan Schneider]]></category>
		<category><![CDATA[Anthony Mann]]></category>
		<category><![CDATA[Barbara Loden]]></category>
		<category><![CDATA[Burgess Meredith]]></category>
		<category><![CDATA[Come Back to the 5 & Dime]]></category>
		<category><![CDATA[Douglas Sirk]]></category>
		<category><![CDATA[Jimmy Dean]]></category>
		<category><![CDATA[Rex Ingram]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[UCLA Festival of Preservation]]></category>
		<category><![CDATA[Waiting for Godot]]></category>
		<category><![CDATA[Wanda]]></category>
		<category><![CDATA[Zero Mostel]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=10111</guid>
		<description><![CDATA[Nitrate film, which movies used to be exhibited on, was flammable, explosive, prone to rot, unstable. 35mm celluloid as we still know it today is one of the most stable of preservation media. Yet the film industry is rapidly shifting to digital formats, much to its likely sooner-than-later regrets. Are you old enough to have [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Around A Small Mountain</title>
		<link>http://newcityfilm.com/2010/08/25/review-around-a-small-mountain/</link>
		<comments>http://newcityfilm.com/2010/08/25/review-around-a-small-mountain/#comments</comments>
		<pubDate>Wed, 25 Aug 2010 21:30:06 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[36 vues du Pic Saint Loup]]></category>
		<category><![CDATA[A Prairie Home Companion]]></category>
		<category><![CDATA[André Marcon]]></category>
		<category><![CDATA[Around A Small Mountain]]></category>
		<category><![CDATA[Hélène de Vallombreuse]]></category>
		<category><![CDATA[Jacques Bonnaffé]]></category>
		<category><![CDATA[Jacques Rivette]]></category>
		<category><![CDATA[Jane Birkin]]></category>
		<category><![CDATA[Julie-Marie Parmentier]]></category>
		<category><![CDATA[Mikaël Gaspar]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Sergio Castellitto]]></category>
		<category><![CDATA[Stéphane Laisné]]></category>
		<category><![CDATA[Tintin Orsoni]]></category>
		<category><![CDATA[Vimala Pons]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5739</guid>
		<description><![CDATA[RECOMMENDED (36 vues du Pic Saint Loup) Are characters ever offstage in movies by Jacques Rivette? The 81-year-old French director&#8217;s 2009 &#8220;Around A Small Mountain,” runs hardly eighty beautifully edited minutes, and its slightness resounds against his lifelong fascination with acting and role-playing. The two-and-a-half hours of &#8220;Va savoir&#8221; (2001) or the nearly thirteen hours [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Audrey the Trainwreck</title>
		<link>http://newcityfilm.com/2010/06/16/review-audrey-the-trainwreck/</link>
		<comments>http://newcityfilm.com/2010/06/16/review-audrey-the-trainwreck/#comments</comments>
		<pubDate>Wed, 16 Jun 2010 21:50:11 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[Alexander the Last]]></category>
		<category><![CDATA[Alexi Wasser]]></category>
		<category><![CDATA[Anthony Baker]]></category>
		<category><![CDATA[Audrey The Trainwreck]]></category>
		<category><![CDATA[Danny Rhodes]]></category>
		<category><![CDATA[David Lowery]]></category>
		<category><![CDATA[Frank V. Ross]]></category>
		<category><![CDATA[Harmony and Me]]></category>
		<category><![CDATA[Jess Weixler]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[John Modeski]]></category>
		<category><![CDATA[Nick Offman]]></category>
		<category><![CDATA[Rebecca Spence]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[St. Nick]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=4876</guid>
		<description><![CDATA[RECOMMENDED Life&#8217;s a grind, but it&#8217;s better than the other option, right? The lovingly bruised &#8220;Audrey the Trainwreck&#8221; is a melancholy meditation on early-onset adulthood, told through the interactions of two young depressives who may be tumbling toward a relationship,  characters adrift in their own ways, hoping for love, or perhaps just a little reassuring [...]]]></description>
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		<item>
		<title>Happiness, Actually: Rocking the boat with Richard Curtis</title>
		<link>http://newcityfilm.com/2009/11/11/happiness-actually-rocking-the-boat-with-richard-curtis/</link>
		<comments>http://newcityfilm.com/2009/11/11/happiness-actually-rocking-the-boat-with-richard-curtis/#comments</comments>
		<pubDate>Thu, 12 Nov 2009 00:00:36 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Animal House]]></category>
		<category><![CDATA[Bill Nighy]]></category>
		<category><![CDATA[Blackadder]]></category>
		<category><![CDATA[Emma Thompson]]></category>
		<category><![CDATA[Kenneth Branagh]]></category>
		<category><![CDATA[Love Actually]]></category>
		<category><![CDATA[M*A*S*H]]></category>
		<category><![CDATA[Notting Hill]]></category>
		<category><![CDATA[Philip Seymour Hoffman]]></category>
		<category><![CDATA[Pirate Radio]]></category>
		<category><![CDATA[Richard Curtis]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[The Boat That Rocks]]></category>
		<category><![CDATA[Tom Sturridge]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=2864</guid>
		<description><![CDATA[By Ray Pride Richard Curtis is happy even if you&#8217;re not. &#8220;I’m a great believer in happiness,&#8221; says the 53-year-old writer of &#8220;Blackadder&#8221; and &#8220;Notting Hill&#8221; and writer-director of &#8220;Love Actually&#8221; and &#8220;Pirate Radio&#8221; on a Monday stopover in Chicago the day after his birthday. &#8220;And, if like me, you&#8217;ve had a happy life and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Taking Woodstock</title>
		<link>http://newcityfilm.com/2009/08/26/review-taking-woodstock/</link>
		<comments>http://newcityfilm.com/2009/08/26/review-taking-woodstock/#comments</comments>
		<pubDate>Wed, 26 Aug 2009 22:48:18 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Stoner]]></category>
		<category><![CDATA[Ang Lee]]></category>
		<category><![CDATA[Elliot Tiber]]></category>
		<category><![CDATA[Emile Hirsch]]></category>
		<category><![CDATA[Eric Gautier]]></category>
		<category><![CDATA[Eugene Levy]]></category>
		<category><![CDATA[Imelda Staunton]]></category>
		<category><![CDATA[James Schamus]]></category>
		<category><![CDATA[Liev Schreiber]]></category>
		<category><![CDATA[LSD]]></category>
		<category><![CDATA[Max Yasgur]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Stonewall]]></category>
		<category><![CDATA[Taking Woodstock]]></category>
		<category><![CDATA[Tom Monte]]></category>
		<category><![CDATA[Woodstock]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=2163</guid>
		<description><![CDATA[RECOMMENDED Director Ang Lee trips lightly for gentle comedy on upstate New York counterculture. In 1969 the poster read: &#8220;Woodstock Music &#38; Art Fair presents An Aquarian Exposition in White Lake, N.Y.; 3 Days of Peace &#38; Music.” Longtime Ang collaborator James Shamus adapts the 2007 memoir “Taking Woodstock: A True Story of a Riot, [...]]]></description>
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		</item>
		<item>
		<title>Review: In the Loop</title>
		<link>http://newcityfilm.com/2009/07/21/review-in-the-loop/</link>
		<comments>http://newcityfilm.com/2009/07/21/review-in-the-loop/#comments</comments>
		<pubDate>Tue, 21 Jul 2009 23:07:49 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Alex Macqueen]]></category>
		<category><![CDATA[Anna Chlumsky]]></category>
		<category><![CDATA[Armando Iannucci]]></category>
		<category><![CDATA[Chris Addison]]></category>
		<category><![CDATA[David Rasche]]></category>
		<category><![CDATA[Gina McKee]]></category>
		<category><![CDATA[In the Loop]]></category>
		<category><![CDATA[James Gandolfini]]></category>
		<category><![CDATA[James Smith]]></category>
		<category><![CDATA[Ken Finkleman]]></category>
		<category><![CDATA[Mimi Kennedy]]></category>
		<category><![CDATA[Olivia Poulet]]></category>
		<category><![CDATA[Paul Higgins]]></category>
		<category><![CDATA[Paul Michaelson]]></category>
		<category><![CDATA[Peter Capaldi]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Steve Coogan]]></category>
		<category><![CDATA[Tom Hollander]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=1719</guid>
		<description><![CDATA[RECOMMENDED Brit TV director Armando Iannucci (&#8220;The Thick of It&#8221; and &#8220;Alan Partridge&#8221; shows) and his co-writers launch a ripping satire of U.K. and U.S. apparatchiks who bumble the allies towards war in the Middle East. Neither &#8220;Blair,&#8221; &#8220;Bush&#8221; nor &#8220;Bin Laden&#8221; are ever named in &#8220;In the Loop,&#8221; which was shot in London, D.C. [...]]]></description>
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		</item>
		<item>
		<title>Review: Rachel Getting Married</title>
		<link>http://newcityfilm.com/2008/10/07/review-rachel-getting-married/</link>
		<comments>http://newcityfilm.com/2008/10/07/review-rachel-getting-married/#comments</comments>
		<pubDate>Tue, 07 Oct 2008 23:14:40 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Anna Deavere Smith]]></category>
		<category><![CDATA[Anne Hathaway]]></category>
		<category><![CDATA[Bill Irwin]]></category>
		<category><![CDATA[Debra Winger]]></category>
		<category><![CDATA[Jenny Lumet]]></category>
		<category><![CDATA[Jonathan Demme]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Robyn Hitchcock]]></category>
		<category><![CDATA[Roger Corman]]></category>
		<category><![CDATA[Rosemarie Dewitt]]></category>
		<category><![CDATA[Tunde Adebimpe]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=564</guid>
		<description><![CDATA[RECOMMENDED Call it &#8220;Another Wedding.&#8221; Jonathan Demme&#8217;s most successful fictional feature in many, many years, &#8220;Rachel Getting Married,&#8221; nods toward Robert Altman&#8217;s multilayered, cast-heavy ensemble enterprises with largely lovely results. The center around which all conflicts inevitably revolve is Anne Hathaway&#8217;s Kym, the freed-from-rehab older sister of Rachel. Sallow, sullen, with hair chopped in a [...]]]></description>
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		<item>
		<title>Review: I Served The King of England</title>
		<link>http://newcityfilm.com/2008/09/03/review-i-served-the-king-of-england/</link>
		<comments>http://newcityfilm.com/2008/09/03/review-i-served-the-king-of-england/#comments</comments>
		<pubDate>Wed, 03 Sep 2008 16:53:17 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Bohumil Hrabal]]></category>
		<category><![CDATA[Charles Dutton]]></category>
		<category><![CDATA[Closely Watched Trains]]></category>
		<category><![CDATA[Cookie's Fortune]]></category>
		<category><![CDATA[I Served The King of England]]></category>
		<category><![CDATA[Ivan Barnev]]></category>
		<category><![CDATA[Ivan Passer]]></category>
		<category><![CDATA[Jiri Menzel]]></category>
		<category><![CDATA[Milos Forman]]></category>
		<category><![CDATA[Robert Altman]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=419</guid>
		<description><![CDATA[RECOMMENDED When &#8220;Cookie&#8217;s Fortune&#8221; was released, I interviewed Robert Altman and Charles Dutton together, and I asked something Altman was game for, but which led Dutton to widen his eyes as if I&#8217;d said something unspeakable and to say with wonderment, laughing, &#8220;Man!&#8221; Question: what&#8217;s the difference between a young director&#8217;s movie and an old [...]]]></description>
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		<item>
		<title>Stealing Beauty: The high crimes and high art of &#8220;Man On Wire&#8221;</title>
		<link>http://newcityfilm.com/2008/08/11/stealing-beauty-the-high-crimes-and-high-art-of-man-on-wire/</link>
		<comments>http://newcityfilm.com/2008/08/11/stealing-beauty-the-high-crimes-and-high-art-of-man-on-wire/#comments</comments>
		<pubDate>Mon, 11 Aug 2008 20:41:40 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Elliot Gould]]></category>
		<category><![CDATA[James Marsh]]></category>
		<category><![CDATA[Man on Wire]]></category>
		<category><![CDATA[Michael Nyman]]></category>
		<category><![CDATA[Philippe Petit]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[The King]]></category>
		<category><![CDATA[The Long Goodbye]]></category>
		<category><![CDATA[The Usual Suspects]]></category>
		<category><![CDATA[True/False Film Festival]]></category>
		<category><![CDATA[Wisconsin Death Trip]]></category>

		<guid isPermaLink="false">http://newcitytest.wordpress.com/?p=518</guid>
		<description><![CDATA[By Ray Pride Even after seeing &#8220;Man on Wire&#8221; three times, at Sundance, as the triumphant closing night of the True/False Film Festival in Columbia, Missouri and back in Chicago, I&#8217;m ready to see it again: just about any place. It&#8217;s far and away my favorite film commercially released in 2008 to date. James Marsh&#8217;s [...]]]></description>
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		</item>
		<item>
		<title>Review: It Always Rains On Sunday</title>
		<link>http://newcityfilm.com/2008/05/29/review-it-always-rains-on-sunday/</link>
		<comments>http://newcityfilm.com/2008/05/29/review-it-always-rains-on-sunday/#comments</comments>
		<pubDate>Thu, 29 May 2008 18:55:05 +0000</pubDate>
		<dc:creator>cheryluce</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Edward Chapman]]></category>
		<category><![CDATA[Googie Withers]]></category>
		<category><![CDATA[It Always Rains On Sunday]]></category>
		<category><![CDATA[Kind Hearts and Coronets]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Robert Hamer]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=290</guid>
		<description><![CDATA[RECOMMENDED &#8220;It Always Rains on Sunday,&#8221; a lost London noir, is a spectacular discovery, a tale mingling sinister lyricism with a depiction of street-level working-class life, while also depicting sexual complications in an uncommonly clear-headed fashion. Hailing from 1947, and directed by Robert Hamer (&#8220;Kind Hearts and Coronets&#8221;), this sweetly downbeat thriller&#8217;s story of a [...]]]></description>
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