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	<title>Newcity Film &#187; Michelle Williams</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>Review: My Week With Marilyn</title>
		<link>http://newcityfilm.com/2011/11/22/review-my-week-with-marilyn/</link>
		<comments>http://newcityfilm.com/2011/11/22/review-my-week-with-marilyn/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 22:53:59 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Biopic]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Alexandre Desplat]]></category>
		<category><![CDATA[Blue Valentine]]></category>
		<category><![CDATA[Colin Clark]]></category>
		<category><![CDATA[Derek Jacobi]]></category>
		<category><![CDATA[Dominic Cooper]]></category>
		<category><![CDATA[Eddie Redmayne]]></category>
		<category><![CDATA[Emma Watson]]></category>
		<category><![CDATA[Incendiary]]></category>
		<category><![CDATA[Jim Cartwright]]></category>
		<category><![CDATA[Judi Dench]]></category>
		<category><![CDATA[Julia Ormond]]></category>
		<category><![CDATA[Kenneth Branagh]]></category>
		<category><![CDATA[Laurence Olivier]]></category>
		<category><![CDATA[Marilyn Monroe]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[My Week With Marilyn]]></category>
		<category><![CDATA[Shutter Island]]></category>
		<category><![CDATA[Simon Russell Beale]]></category>
		<category><![CDATA[Steppenwolf Theater]]></category>
		<category><![CDATA[The Rise And Fall Of Little Voice]]></category>
		<category><![CDATA[Toby Jones]]></category>
		<category><![CDATA[Wendy and Lucy]]></category>
		<category><![CDATA[Zoë Wanamaker]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11149</guid>
		<description><![CDATA[RECOMMENDED In &#8220;My Week With Marilyn,&#8221; Michelle Williams astonishes in an otherwise routine film: the pixie-cut so-serious performer from &#8220;Blue Valentine,&#8221; &#8220;Shutter Island,&#8221; &#8220;Incendiary&#8221; and &#8220;Wendy And Lucy&#8221; finds her way easily, silkily, into Marilyn Monroe&#8217;s fragility but also her teasing intelligence. Set in 1956 during the shooting of &#8220;The Prince and the Showgirl,&#8221; directed [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Meek&#8217;s Cutoff</title>
		<link>http://newcityfilm.com/2011/05/11/review-meeks-cutoff/</link>
		<comments>http://newcityfilm.com/2011/05/11/review-meeks-cutoff/#comments</comments>
		<pubDate>Wed, 11 May 2011 21:11:35 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Christmas]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Stoner]]></category>
		<category><![CDATA[Western]]></category>
		<category><![CDATA[Bruce Greenwood]]></category>
		<category><![CDATA[Christopher Blauvelt]]></category>
		<category><![CDATA[Jeff Grace]]></category>
		<category><![CDATA[Jon Raymond]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Meek's Cutoff]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Old Joy]]></category>
		<category><![CDATA[Paul Dano]]></category>
		<category><![CDATA[Shirley Henderson]]></category>
		<category><![CDATA[Wendy and Lucy]]></category>
		<category><![CDATA[Will Patton]]></category>
		<category><![CDATA[Zoe Kazan]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=8623</guid>
		<description><![CDATA[RECOMMENDED Rugged yet austere, the pioneer drama of &#8220;Meek&#8217;s Cutoff&#8221; is rich with rarefied satisfactions. Some audiences will get little from its apparent minimalism; others will find quiet, deep satisfactions. Like her earlier &#8220;Old Joy&#8221; and &#8220;Wendy and Lucy&#8221; (also written by fiction writer Jon Raymond), Kelly Reichardt honors the impulses shown in even her [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Red White And Boo-Hoo: The deathly romance of &#8220;Blue Valentine&#8221;</title>
		<link>http://newcityfilm.com/2011/01/05/red-white-and-boo-hoo-the-deathly-romance-of-blue-valentine/</link>
		<comments>http://newcityfilm.com/2011/01/05/red-white-and-boo-hoo-the-deathly-romance-of-blue-valentine/#comments</comments>
		<pubDate>Wed, 05 Jan 2011 22:50:37 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Andrij Parekh]]></category>
		<category><![CDATA[Blue Valentine]]></category>
		<category><![CDATA[Derek Cianfrance]]></category>
		<category><![CDATA[Grizzly Bear]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Philip Seymour Hoffman]]></category>
		<category><![CDATA[Ryan Gosling]]></category>
		<category><![CDATA[Stephen Shore]]></category>
		<category><![CDATA[Wilco]]></category>
		<category><![CDATA[William Eggleston]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7235</guid>
		<description><![CDATA[By Ray Pride &#8220;Blue Valentine&#8221; is a hotdog that thinks it&#8217;s a world-beating feast. Derek Cianfrance&#8217;s second feature is a horror movie about American romance, steeped in blue-collar imagery and American flags, performed by two of the most gifted American actors in their thirties. It&#8217;s drenching, wrenching and false in almost every note not involving [...]]]></description>
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		</item>
		<item>
		<title>The Top 5 of Everything 2010: Film</title>
		<link>http://newcityfilm.com/2010/12/21/the-top-5-of-everything-2010-film/</link>
		<comments>http://newcityfilm.com/2010/12/21/the-top-5-of-everything-2010-film/#comments</comments>
		<pubDate>Tue, 21 Dec 2010 20:54:08 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[News and Dish]]></category>
		<category><![CDATA[45365]]></category>
		<category><![CDATA[Aaron Sorkin]]></category>
		<category><![CDATA[Alistair Banks Griffin]]></category>
		<category><![CDATA[Andrei Ujica]]></category>
		<category><![CDATA[Andrew Garfield]]></category>
		<category><![CDATA[Animal Kingdom]]></category>
		<category><![CDATA[Athina Rachel Tsingari]]></category>
		<category><![CDATA[Attenberg]]></category>
		<category><![CDATA[Atticus Ross]]></category>
		<category><![CDATA[Banksy]]></category>
		<category><![CDATA[Bill Ross]]></category>
		<category><![CDATA[Blue Valentine]]></category>
		<category><![CDATA[Cami Delavigne]]></category>
		<category><![CDATA[Carlos]]></category>
		<category><![CDATA[Charles Ferguson]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Daft Punk]]></category>
		<category><![CDATA[Dan Franck]]></category>
		<category><![CDATA[David Fincher]]></category>
		<category><![CDATA[David Michôd]]></category>
		<category><![CDATA[Debra Granik]]></category>
		<category><![CDATA[Denis Lenoir]]></category>
		<category><![CDATA[Derek Cianfrance]]></category>
		<category><![CDATA[Dogtooth]]></category>
		<category><![CDATA[Edgar Ramírez]]></category>
		<category><![CDATA[Enter The Void]]></category>
		<category><![CDATA[Erik Gandini]]></category>
		<category><![CDATA[Everyone Else]]></category>
		<category><![CDATA[Exit Through The Gift Shop]]></category>
		<category><![CDATA[Father of My Children]]></category>
		<category><![CDATA[Film Socialisme]]></category>
		<category><![CDATA[Fish Tank]]></category>
		<category><![CDATA[Gareth Edwards]]></category>
		<category><![CDATA[Gaspar Noe]]></category>
		<category><![CDATA[Geoffrey Rush]]></category>
		<category><![CDATA[Ghost Writer]]></category>
		<category><![CDATA[Hans Zimmer]]></category>
		<category><![CDATA[Harris Savides]]></category>
		<category><![CDATA[Henri-Georges Clouzot's Inferno]]></category>
		<category><![CDATA[I Am Love]]></category>
		<category><![CDATA[Ilisa Barbash]]></category>
		<category><![CDATA[Inception]]></category>
		<category><![CDATA[Inside Job]]></category>
		<category><![CDATA[Jacki Weaver]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jeff Cronenweth]]></category>
		<category><![CDATA[Jeff Malmberg]]></category>
		<category><![CDATA[Jennifer Lawrence]]></category>
		<category><![CDATA[Jesse Eisenberg]]></category>
		<category><![CDATA[Jessica Hausner]]></category>
		<category><![CDATA[Joey Curtis]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[John Hawkes]]></category>
		<category><![CDATA[Last Train Home]]></category>
		<category><![CDATA[Laura Poitras]]></category>
		<category><![CDATA[Lee Chang-dong]]></category>
		<category><![CDATA[Lixin Fan]]></category>
		<category><![CDATA[Lourdes]]></category>
		<category><![CDATA[Luca Guadagnino]]></category>
		<category><![CDATA[Lucien Castaing-Taylor]]></category>
		<category><![CDATA[Maren Ade]]></category>
		<category><![CDATA[Marwencol]]></category>
		<category><![CDATA[Mia Hansen-Løve]]></category>
		<category><![CDATA[Michael Fassbender]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Monsters]]></category>
		<category><![CDATA[New Order]]></category>
		<category><![CDATA[Oliver Assayas]]></category>
		<category><![CDATA[Olivier Assayas]]></category>
		<category><![CDATA[Peter Greenaway]]></category>
		<category><![CDATA[Rafi Pitts]]></category>
		<category><![CDATA[Rembrandt’s J’Accuse]]></category>
		<category><![CDATA[Roger Deakins]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Ruxandra Medrea]]></category>
		<category><![CDATA[Secret Sunshine]]></category>
		<category><![CDATA[Serge Bromberg]]></category>
		<category><![CDATA[Somewhere/Greenberg]]></category>
		<category><![CDATA[Sweetgrass]]></category>
		<category><![CDATA[The Autobiography of Nicolae Ceausescu]]></category>
		<category><![CDATA[The Feelies]]></category>
		<category><![CDATA[The Ghost Writer]]></category>
		<category><![CDATA[The Hunter]]></category>
		<category><![CDATA[The King's Speech]]></category>
		<category><![CDATA[The Oath]]></category>
		<category><![CDATA[The Social Network]]></category>
		<category><![CDATA[Tilda Swinton]]></category>
		<category><![CDATA[Trent Reznor]]></category>
		<category><![CDATA[Tron: Legacy]]></category>
		<category><![CDATA[True Grit]]></category>
		<category><![CDATA[Turner Ross]]></category>
		<category><![CDATA[Two Gates Of Sleep]]></category>
		<category><![CDATA[Videocracy]]></category>
		<category><![CDATA[Winter's Bone]]></category>
		<category><![CDATA[Wire]]></category>
		<category><![CDATA[Yorgos Lanthimos]]></category>
		<category><![CDATA[Yorick Le Saux]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7211</guid>
		<description><![CDATA[Top 5 Domestic Films &#8220;The Social Network,&#8221; David Fincher &#8220;Winter&#8217;s Bone,&#8221; Debra Granik &#8220;Ghost Writer,&#8221; Roman Polanski &#8220;Exit Through the Gift Shop,&#8221; Banksy &#8220;Inception,&#8221; Christopher Nolan — Ray Pride Top 5 Foreign Films &#8220;Carlos,&#8221; Olivier Assayas &#8220;Everyone Else,&#8221; Maren Ade &#8220;Dogtooth,&#8221; Yorgos Lanthimos &#8220;Father of My Children,&#8221; Mia Hansen-Løve &#8220;I Am Love,&#8221; Luca Guadagnino — [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Life In the Mind: With &#8220;Shutter Island,&#8221; Scorsese goes for baroque (review)</title>
		<link>http://newcityfilm.com/2010/02/17/a-life-in-the-mind-with-shutter-island-scorsese-goes-for-baroque-review/</link>
		<comments>http://newcityfilm.com/2010/02/17/a-life-in-the-mind-with-shutter-island-scorsese-goes-for-baroque-review/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 23:51:40 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Horror]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Ben Kingsley]]></category>
		<category><![CDATA[Brian Eno]]></category>
		<category><![CDATA[Caligari]]></category>
		<category><![CDATA[Dachau]]></category>
		<category><![CDATA[Dinah Washington]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[Mark Ruffalo]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Out of the Past]]></category>
		<category><![CDATA[Robert Wiene]]></category>
		<category><![CDATA[Shutter Island]]></category>
		<category><![CDATA[Val Lewton]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3600</guid>
		<description><![CDATA[By Ray Pride Martin Scorsese&#8217;s &#8220;Shutter Island,&#8221; a consummate genre exercise, is not—and this is for the best—another &#8220;Cape Fear.&#8221; Instead, it&#8217;s a thrill of form and function, a fully crafted exercise in visual style and classical genre legerdemain. In some of Scorsese&#8217;s pictures of the past couple of decades, &#8220;Casino&#8221; being the example that [...]]]></description>
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		</item>
		<item>
		<title>Review: Mammoth</title>
		<link>http://newcityfilm.com/2009/12/16/review-mammoth/</link>
		<comments>http://newcityfilm.com/2009/12/16/review-mammoth/#comments</comments>
		<pubDate>Wed, 16 Dec 2009 22:04:19 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Family]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Cat Power]]></category>
		<category><![CDATA[Gael Garcia Bernal]]></category>
		<category><![CDATA[Ladytron]]></category>
		<category><![CDATA[Lilja 4-Ever]]></category>
		<category><![CDATA[Mammoth]]></category>
		<category><![CDATA[Mammut]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Show Me Love]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3123</guid>
		<description><![CDATA[RECOMMENDED (Mammut) Lukas Moodysson worries for the world but not the chance of his own embarrassment: while &#8220;Mammoth&#8221; is at its weakest points of inspiration only so much Babel, the Swedish writer-director does strain with intermittent success toward the lyrical. Leo (Gael García Bernal) is a childish videogame designer about to seal a deal in [...]]]></description>
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		</item>
		<item>
		<title>Review: Wendy and Lucy</title>
		<link>http://newcityfilm.com/2009/01/27/review-wendy-and-lucy/</link>
		<comments>http://newcityfilm.com/2009/01/27/review-wendy-and-lucy/#comments</comments>
		<pubDate>Wed, 28 Jan 2009 01:22:03 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Wendy and Lucy]]></category>
		<category><![CDATA[Will Oldham]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=1020</guid>
		<description><![CDATA[RECOMMENDED In Kelly Reichardt&#8217;s &#8220;Wendy and Lucy,&#8221; Michelle Williams continues to astonish with her quiet range in a too-timely story of contemporary working-class despair. What is acting? When I read the best reviewers of theater, I feel less than suited for the task of describing performance, but watching Kelly Reichardt&#8217;s &#8220;Wendy and Lucy,&#8221; with the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Exquisite Tenderness: Ache &#8217;til you laugh in Synecdoche, New York</title>
		<link>http://newcityfilm.com/2008/11/04/exquisite-tenderness-ache-til-you-laugh-in-synecdoche-new-york/</link>
		<comments>http://newcityfilm.com/2008/11/04/exquisite-tenderness-ache-til-you-laugh-in-synecdoche-new-york/#comments</comments>
		<pubDate>Tue, 04 Nov 2008 21:27:56 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Arthur Miller]]></category>
		<category><![CDATA[Catherine Keener]]></category>
		<category><![CDATA[Charlie Kaufman]]></category>
		<category><![CDATA[Dianne Weist]]></category>
		<category><![CDATA[Emily Watson]]></category>
		<category><![CDATA[Hope Davis]]></category>
		<category><![CDATA[Jennifer Jason Leigh]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Philip Seymour Hoffman]]></category>
		<category><![CDATA[Samantha Morton]]></category>
		<category><![CDATA[Tom Noonan]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=659</guid>
		<description><![CDATA[By Ray Pride &#8220;A part that suggests the whole,&#8221; there&#8217;s the definition. &#8220;Synecdoche, New York&#8221; is also a dauntingly ambitious movie from a first-time director, even an Oscar-winner as idiosyncratic as Charlie Kaufman. And especially considering its mood and brood: &#8220;Synecdoche&#8221; is loss; &#8220;Synecdoche&#8221; is bruise; &#8220;Synecdoche&#8221; is forgetting; &#8220;Synecdoche&#8221; is not forgetting; &#8220;Synecdoche&#8221; is [...]]]></description>
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		</item>
		<item>
		<title>A Sense of Places: Chicago International at 44</title>
		<link>http://newcityfilm.com/2008/10/15/a-sense-of-places-chicago-international-at-44/</link>
		<comments>http://newcityfilm.com/2008/10/15/a-sense-of-places-chicago-international-at-44/#comments</comments>
		<pubDate>Wed, 15 Oct 2008 01:29:35 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Abdel Kechiche]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Cai Shangjun]]></category>
		<category><![CDATA[Charlie Kaufman]]></category>
		<category><![CDATA[Chicago International Film Festival]]></category>
		<category><![CDATA[Danny Boyle]]></category>
		<category><![CDATA[Darren Aronofsky]]></category>
		<category><![CDATA[Dostoevsky]]></category>
		<category><![CDATA[Greta Gerwig]]></category>
		<category><![CDATA[James Gray]]></category>
		<category><![CDATA[Jerzy Skolimowski]]></category>
		<category><![CDATA[Jia Zhang-ke]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Kevin Smith]]></category>
		<category><![CDATA[Kiyoshi Kurosawa]]></category>
		<category><![CDATA[Kristin Scott-Thomas]]></category>
		<category><![CDATA[Lance Hammer]]></category>
		<category><![CDATA[Marisa Tomei]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Mickey Rourke]]></category>
		<category><![CDATA[Mike Leigh]]></category>
		<category><![CDATA[Nacho Vigalondo]]></category>
		<category><![CDATA[Nina Paley]]></category>
		<category><![CDATA[Philippe Claudel]]></category>
		<category><![CDATA[Sergio Leone]]></category>
		<category><![CDATA[Tanaz Eshaghian]]></category>
		<category><![CDATA[Terence Davis]]></category>
		<category><![CDATA[Valdis Oskarsdottir]]></category>
		<category><![CDATA[Veit Helmer]]></category>
		<category><![CDATA[Wesley Willis]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=598</guid>
		<description><![CDATA[By Ray Pride Of all the things you could possibly say about the potential of this year&#8217;s installment of the Chicago International Film Festival, I&#8217;ll start with two: most of the attractions are at two theaters within walking distance of each other, the River East and 600 North Michigan, and of a claimed 175 movies, [...]]]></description>
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		</item>
		<item>
		<title>Review: Deception</title>
		<link>http://newcityfilm.com/2008/04/24/review-deception/</link>
		<comments>http://newcityfilm.com/2008/04/24/review-deception/#comments</comments>
		<pubDate>Thu, 24 Apr 2008 17:22:58 +0000</pubDate>
		<dc:creator>cheryluce</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[Brokeback Mountain]]></category>
		<category><![CDATA[Cassandra's Dream]]></category>
		<category><![CDATA[Deception]]></category>
		<category><![CDATA[Ewan McGregor]]></category>
		<category><![CDATA[Hugh Jackman]]></category>
		<category><![CDATA[Live Free or Die Hard]]></category>
		<category><![CDATA[Marcel Langenegger]]></category>
		<category><![CDATA[Mark Bomback]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Star Wars]]></category>
		<category><![CDATA[X-Men]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=377</guid>
		<description><![CDATA[From the undeceptively clear title you can guess that there&#8217;s a deceiver afoot in this competent thriller scripted by Mark Bomback (&#8220;Live Free or Die Hard&#8221;). First-time director Marcel Langenegger packages a workable genre piece set in late-night Manhattan. The corporate elite on &#8220;The List&#8221; book fuck appointments with one another in hip hotels. Auditor [...]]]></description>
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