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	<title>Newcity Film &#187; Martin Scorsese</title>
	<atom:link href="http://newcityfilm.com/tag/martin-scorsese/feed/" rel="self" type="application/rss+xml" />
	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>Review: Hugo</title>
		<link>http://newcityfilm.com/2011/11/23/review-hugo/</link>
		<comments>http://newcityfilm.com/2011/11/23/review-hugo/#comments</comments>
		<pubDate>Wed, 23 Nov 2011 19:15:55 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[3-D]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Family]]></category>
		<category><![CDATA[Asa Butterfield]]></category>
		<category><![CDATA[Ben Kingsley]]></category>
		<category><![CDATA[Brian Selznick]]></category>
		<category><![CDATA[Chloë Grace Moretz]]></category>
		<category><![CDATA[Christopher Lee]]></category>
		<category><![CDATA[Emily Mortimer]]></category>
		<category><![CDATA[Georges Méliès]]></category>
		<category><![CDATA[Hugo]]></category>
		<category><![CDATA[Jude Law]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Michael Stuhlbarg]]></category>
		<category><![CDATA[Ray Winstone]]></category>
		<category><![CDATA[Richard Griffiths]]></category>
		<category><![CDATA[Sacha Baron Cohen]]></category>
		<category><![CDATA[The Invention of Hugo Cabret]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11141</guid>
		<description><![CDATA[RECOMMENDED &#8220;Hugo&#8221; is Martin Scorsese&#8217;s most personal film, a pop-up picture book of a metaphor for his own childhood. He, as a boy, small, asthmatic, watched from a Little Italy window the goings-on on the street below, captivated by the narrative that he could construct in his mind but never fully participate in, swept away [...]]]></description>
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		</item>
		<item>
		<title>Review: World On A Wire</title>
		<link>http://newcityfilm.com/2011/10/19/review-world-on-a-wire/</link>
		<comments>http://newcityfilm.com/2011/10/19/review-world-on-a-wire/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 21:51:18 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Avatar]]></category>
		<category><![CDATA[Barbara Valentin]]></category>
		<category><![CDATA[Blade Runner]]></category>
		<category><![CDATA[Eddie Constantine]]></category>
		<category><![CDATA[Ektachrome]]></category>
		<category><![CDATA[Gottfried John]]></category>
		<category><![CDATA[Günter Lamprecht]]></category>
		<category><![CDATA[Hedi Ben Salem]]></category>
		<category><![CDATA[Inception]]></category>
		<category><![CDATA[Ingrid Caven]]></category>
		<category><![CDATA[Ivan Desny]]></category>
		<category><![CDATA[James L. Brooks]]></category>
		<category><![CDATA[Karl Raab]]></category>
		<category><![CDATA[Klaus Löwitsch]]></category>
		<category><![CDATA[Magdalena Montezuma]]></category>
		<category><![CDATA[Margit Carstensen]]></category>
		<category><![CDATA[Marisa Silver]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Mascha Rabben]]></category>
		<category><![CDATA[Peter Kern]]></category>
		<category><![CDATA[Peter Moland]]></category>
		<category><![CDATA[Prince]]></category>
		<category><![CDATA[Rainer Werner Fassbinder]]></category>
		<category><![CDATA[Robert Redford]]></category>
		<category><![CDATA[The Matrix]]></category>
		<category><![CDATA[The Thirteenth Floor]]></category>
		<category><![CDATA[Ulli Lommel]]></category>
		<category><![CDATA[Werner Schroeter]]></category>
		<category><![CDATA[Wolfgang Petersen]]></category>
		<category><![CDATA[World On A Wire]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=10831</guid>
		<description><![CDATA[RECOMMENDED &#8220;World On A Wire,&#8221; (Welt am Draht) the late Rainer Werner Fassbinder&#8217;s 1973 science-fiction epic about virtual reality, made for German television, has been restored from its 16mm Ektachrome origins and into 35mm visual splendor. Among other things, it&#8217;s a gorgeous, strange time capsule of futurism past, with dollops of Philip K. Dick, intriguingly [...]]]></description>
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		</item>
		<item>
		<title>Review: Margaret</title>
		<link>http://newcityfilm.com/2011/10/05/review-margaret/</link>
		<comments>http://newcityfilm.com/2011/10/05/review-margaret/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 21:47:25 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Allison Janney]]></category>
		<category><![CDATA[Anthony Minghella]]></category>
		<category><![CDATA[J. Smith-Cameron]]></category>
		<category><![CDATA[Jeannie Berlin]]></category>
		<category><![CDATA[Kenneth Lonergan]]></category>
		<category><![CDATA[Kieran Culkin]]></category>
		<category><![CDATA[Margaret]]></category>
		<category><![CDATA[Mark Ruffalo]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[Matthew Broderick]]></category>
		<category><![CDATA[Nico Muhly]]></category>
		<category><![CDATA[Ryszard Lenczewski]]></category>
		<category><![CDATA[Sydney Pollack]]></category>
		<category><![CDATA[You Can Count on me]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=10655</guid>
		<description><![CDATA[RECOMMENDED &#8220;RIP: &#8216;Margaret&#8217; 2003-2011.&#8221; A curtailed potential masterpiece: six years of legal wrangling over running time have kept Kenneth Lonergan&#8217;s drenching study of a seventeen-year-old New Yorker&#8217;s inner life in the years immediately after 9/11 from being seen. Lonergan&#8217;s follow-up to 2001&#8242;s &#8220;You Can Count On Me&#8221; is a straightforward yet lovingly structured examination of [...]]]></description>
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		</item>
		<item>
		<title>Talk of the Town: Fran Lebowitz&#8217;s Chip Off the Old Writer&#8217;s Block</title>
		<link>http://newcityfilm.com/2011/07/13/talk-of-the-town-fran-lebowitzs-chip-off-the-old-writers-block/</link>
		<comments>http://newcityfilm.com/2011/07/13/talk-of-the-town-fran-lebowitzs-chip-off-the-old-writers-block/#comments</comments>
		<pubDate>Wed, 13 Jul 2011 22:00:56 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Biopic]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[American Boy]]></category>
		<category><![CDATA[Conversations with Scorsese]]></category>
		<category><![CDATA[Ellen Kuras]]></category>
		<category><![CDATA[Fran Lebowitz]]></category>
		<category><![CDATA[Gore Vidal]]></category>
		<category><![CDATA[Greydon Carter]]></category>
		<category><![CDATA[Italianamerican]]></category>
		<category><![CDATA[James Baldwin]]></category>
		<category><![CDATA[Joseph Mitchell]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Oscar Levant]]></category>
		<category><![CDATA[Public Speaking]]></category>
		<category><![CDATA[Richard Schickel]]></category>
		<category><![CDATA[Rupert Pupkin]]></category>
		<category><![CDATA[Serge Gainsbourg]]></category>
		<category><![CDATA[Toni Morrison]]></category>
		<category><![CDATA[Wes Anderson]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=9532</guid>
		<description><![CDATA[By Ray Pride Fran Lebowitz has been around the block. The writer&#8217;s block, famously. Still not yet the most constipated of talented Manhattan-centric writers—that dubious honor falls to Joseph Mitchell, the brilliant miniaturist who remained on staff at the New Yorker, doing daily rounds, taking notes, making genial small talk, years after he&#8217;d stopped producing—Lebowitz [...]]]></description>
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		</item>
		<item>
		<title>Review: The The Art Of Getting By</title>
		<link>http://newcityfilm.com/2011/06/15/review-the-the-art-of-getting-by/</link>
		<comments>http://newcityfilm.com/2011/06/15/review-the-the-art-of-getting-by/#comments</comments>
		<pubDate>Wed, 15 Jun 2011 21:45:45 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Blair Underwood]]></category>
		<category><![CDATA[Emma Roberts]]></category>
		<category><![CDATA[Freddie Highmore]]></category>
		<category><![CDATA[Life Lessons]]></category>
		<category><![CDATA[Marcus Carl Franklin]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Michael Angarano]]></category>
		<category><![CDATA[New York Stories]]></category>
		<category><![CDATA[Rita Wilson]]></category>
		<category><![CDATA[Sam Robards]]></category>
		<category><![CDATA[Sasha Spielberg]]></category>
		<category><![CDATA[The Art Of Getting By]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=9125</guid>
		<description><![CDATA[RECOMMENDED English actor Freddie Highmore from &#8220;Finding Neverland&#8221; (2004) and &#8220;Charlie and the Chocolate Factory&#8221; (2005) here plays George, a Manhattan teen on the verge of expulsion from Morgan Preparatory School. He draws all over his textbooks, reads unassigned Albert Camus and lays in bed listening to Leonard Cohen when feeling low. Writer-director- New Yorker [...]]]></description>
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		</item>
		<item>
		<title>Review: On The Bowery</title>
		<link>http://newcityfilm.com/2011/02/23/review-on-the-bowery/</link>
		<comments>http://newcityfilm.com/2011/02/23/review-on-the-bowery/#comments</comments>
		<pubDate>Wed, 23 Feb 2011 22:49:47 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Anthology Film Archives]]></category>
		<category><![CDATA[Cineteca del Comune di Bologna]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[Kent Mackenzie]]></category>
		<category><![CDATA[Lionel Rogosin]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Milestone Films]]></category>
		<category><![CDATA[On The Bowery]]></category>
		<category><![CDATA[The Exiles]]></category>
		<category><![CDATA[Weegee]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7724</guid>
		<description><![CDATA[RECOMMENDED A glistening landmark of the down-at-hell past of an only-just-gentrifucked patch of Manhattan, Lionel Rogosin&#8217;s 1957 &#8220;On The Bowery&#8221; is an outright masterpiece of urban ethnography and observant compassion. &#8220;A milestone in American cinema&#8221; is what Martin Scorsese has said of its evocation of a lost time, a lost place. Scorsese&#8217;s Little Italy childhood [...]]]></description>
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		</item>
		<item>
		<title>Review: The Leopard</title>
		<link>http://newcityfilm.com/2011/02/02/review-the-leopard/</link>
		<comments>http://newcityfilm.com/2011/02/02/review-the-leopard/#comments</comments>
		<pubDate>Wed, 02 Feb 2011 22:21:37 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Alain Delon]]></category>
		<category><![CDATA[Burt Lancaster]]></category>
		<category><![CDATA[Claudia Cardinale]]></category>
		<category><![CDATA[Francis Coppola]]></category>
		<category><![CDATA[Gangs of New York]]></category>
		<category><![CDATA[Giuseppe Rotunno]]></category>
		<category><![CDATA[Heaven's Gate]]></category>
		<category><![CDATA[Il Gattopardo]]></category>
		<category><![CDATA[Luchino Visconti]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Michael Cimino]]></category>
		<category><![CDATA[The Godfather]]></category>
		<category><![CDATA[The Leopard]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7492</guid>
		<description><![CDATA[RECOMMENDED (Il gattopardo) One of Luchino Visconti’s many masterpieces, &#8220;The Leopard&#8221; (1963) was restored only a few years ago to its three-hour-plus original Italian-language release version, and it&#8217;s the kind of movie that deserves to be seen in luminous big-screen glory. This release is of a new 35mm print, restored under the guidance of Martin [...]]]></description>
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		<title>A Life In the Mind: With &#8220;Shutter Island,&#8221; Scorsese goes for baroque (review)</title>
		<link>http://newcityfilm.com/2010/02/17/a-life-in-the-mind-with-shutter-island-scorsese-goes-for-baroque-review/</link>
		<comments>http://newcityfilm.com/2010/02/17/a-life-in-the-mind-with-shutter-island-scorsese-goes-for-baroque-review/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 23:51:40 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Horror]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Ben Kingsley]]></category>
		<category><![CDATA[Brian Eno]]></category>
		<category><![CDATA[Caligari]]></category>
		<category><![CDATA[Dachau]]></category>
		<category><![CDATA[Dinah Washington]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[Mark Ruffalo]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Out of the Past]]></category>
		<category><![CDATA[Robert Wiene]]></category>
		<category><![CDATA[Shutter Island]]></category>
		<category><![CDATA[Val Lewton]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3600</guid>
		<description><![CDATA[By Ray Pride Martin Scorsese&#8217;s &#8220;Shutter Island,&#8221; a consummate genre exercise, is not—and this is for the best—another &#8220;Cape Fear.&#8221; Instead, it&#8217;s a thrill of form and function, a fully crafted exercise in visual style and classical genre legerdemain. In some of Scorsese&#8217;s pictures of the past couple of decades, &#8220;Casino&#8221; being the example that [...]]]></description>
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		</item>
		<item>
		<title>Top 50 Films: 2000-2009</title>
		<link>http://newcityfilm.com/2009/12/21/top-50-films-2000-2009/</link>
		<comments>http://newcityfilm.com/2009/12/21/top-50-films-2000-2009/#comments</comments>
		<pubDate>Tue, 22 Dec 2009 00:26:06 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[Alex Gibney]]></category>
		<category><![CDATA[Alfonso Cuarón]]></category>
		<category><![CDATA[All the Real Girls]]></category>
		<category><![CDATA[Almost Famous]]></category>
		<category><![CDATA[American Splendor]]></category>
		<category><![CDATA[and Good Luck]]></category>
		<category><![CDATA[Andrew Dominik]]></category>
		<category><![CDATA[Andrew Jarecki]]></category>
		<category><![CDATA[Ang Lee]]></category>
		<category><![CDATA[Before Sunset]]></category>
		<category><![CDATA[Best in Show]]></category>
		<category><![CDATA[Black Hawk Down]]></category>
		<category><![CDATA[Brokeback Mountain]]></category>
		<category><![CDATA[Cameron Crowe]]></category>
		<category><![CDATA[Capturing the Friedmans]]></category>
		<category><![CDATA[Children of Men]]></category>
		<category><![CDATA[Christopher Guest]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Clint Eastwood]]></category>
		<category><![CDATA[Closer]]></category>
		<category><![CDATA[Collateral]]></category>
		<category><![CDATA[Curtis Hanson]]></category>
		<category><![CDATA[David Fincher]]></category>
		<category><![CDATA[David Gordon Green]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[David Mamet]]></category>
		<category><![CDATA[Enron: The Smartest Guys in the Room]]></category>
		<category><![CDATA[Errol Morris]]></category>
		<category><![CDATA[Eternal Sunshine of the Spotless Mind]]></category>
		<category><![CDATA[Ethan Coen]]></category>
		<category><![CDATA[Florian Henckel Von Donnersmarck]]></category>
		<category><![CDATA[George Clooney]]></category>
		<category><![CDATA[Ghost World]]></category>
		<category><![CDATA[Good Night]]></category>
		<category><![CDATA[Guillermo del Toro]]></category>
		<category><![CDATA[Gus Van Sant]]></category>
		<category><![CDATA[High Fidelity]]></category>
		<category><![CDATA[In America]]></category>
		<category><![CDATA[In the Bedroom]]></category>
		<category><![CDATA[Jim Sheridan]]></category>
		<category><![CDATA[Joel Coen]]></category>
		<category><![CDATA[John Hillcoat]]></category>
		<category><![CDATA[Julian Schnabel]]></category>
		<category><![CDATA[Kenneth Lonergan]]></category>
		<category><![CDATA[Kiss Kiss Bang Bang]]></category>
		<category><![CDATA[Lost in Translation]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Michael Clayton]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Michel Gondry]]></category>
		<category><![CDATA[Mike Nichols]]></category>
		<category><![CDATA[Milk]]></category>
		<category><![CDATA[Mulholland Drive]]></category>
		<category><![CDATA[Mystic River]]></category>
		<category><![CDATA[No Country For Old Men]]></category>
		<category><![CDATA[Pan's Labyrinth]]></category>
		<category><![CDATA[Paul Greengrass]]></category>
		<category><![CDATA[Paul Thomas Anderson]]></category>
		<category><![CDATA[Punch-Drunk Love]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[Ridley Scott]]></category>
		<category><![CDATA[Robert Pulcini]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Sam Raimi]]></category>
		<category><![CDATA[Shane Black]]></category>
		<category><![CDATA[Shari Springer Berman]]></category>
		<category><![CDATA[Sofia Coppola]]></category>
		<category><![CDATA[Spartan]]></category>
		<category><![CDATA[Spider-Man 2]]></category>
		<category><![CDATA[Spike Jonze]]></category>
		<category><![CDATA[Spike Lee]]></category>
		<category><![CDATA[Stephen Frears]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Terry Zwigoff]]></category>
		<category><![CDATA[The 25th Hour]]></category>
		<category><![CDATA[The Assassination of Jesse James by The Coward Robert F]]></category>
		<category><![CDATA[The Dark Knight]]></category>
		<category><![CDATA[The Departed]]></category>
		<category><![CDATA[The Diving Bell and the Butterfly]]></category>
		<category><![CDATA[The Fog of War]]></category>
		<category><![CDATA[The Lives of Others]]></category>
		<category><![CDATA[The Pianist]]></category>
		<category><![CDATA[The Proposition]]></category>
		<category><![CDATA[The Queen]]></category>
		<category><![CDATA[The Royal Tenenbaums]]></category>
		<category><![CDATA[The Station Agent]]></category>
		<category><![CDATA[There Will Be Blood]]></category>
		<category><![CDATA[Thomas McCarthy]]></category>
		<category><![CDATA[Todd Field]]></category>
		<category><![CDATA[Tony Gilroy]]></category>
		<category><![CDATA[Traffic]]></category>
		<category><![CDATA[United 93]]></category>
		<category><![CDATA[Wes Anderson]]></category>
		<category><![CDATA[Where the Wild Things Are]]></category>
		<category><![CDATA[Wonder Boys]]></category>
		<category><![CDATA[You Can Count on me]]></category>
		<category><![CDATA[Zodiac]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3168</guid>
		<description><![CDATA[By Tom Lynch 50. “Kiss Kiss Bang Bang,” Shane Black, 2005 49. “In America,” Jim Sheridan, 2002 48. “The Lives of Others,” Florian Henckel von Donnersmarck, 2006 47. “Pan’s Labyrinth,” Guillermo del Toro, 2006 46. “Best in Show,&#8221; Christopher Guest, 2000 45. “Michael Clayton,” Tony Gilroy, 2007 44. “The Dark Knight,” Christopher Nolan, 2008 43. [...]]]></description>
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		<title>This Seventies Show: How deep is the loathing in &#8220;Tony Manero&#8221;?</title>
		<link>http://newcityfilm.com/2009/09/02/this-seventies-show-how-deep-is-the-loathing-in-tony-manero/</link>
		<comments>http://newcityfilm.com/2009/09/02/this-seventies-show-how-deep-is-the-loathing-in-tony-manero/#comments</comments>
		<pubDate>Wed, 02 Sep 2009 22:16:53 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Alfredo Castro]]></category>
		<category><![CDATA[Grease]]></category>
		<category><![CDATA[John Travolta]]></category>
		<category><![CDATA[King of Comedy]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Nik Cohn]]></category>
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		<category><![CDATA[Saturday Night Fever]]></category>
		<category><![CDATA[Taxi Driver]]></category>
		<category><![CDATA[Tony Manero]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=2209</guid>
		<description><![CDATA[By Ray Pride Small things bedevil small men. In Pablo Larraín&#8217;s inexorable, insistent nightmare, &#8220;Tony Manero,&#8221; we are cast into four grimy nights and days of a middle-aged man, Raúl Peralta, who has the countenance of a grave-robber and the pallor of a ghoul. The 52-year-old Raúl, played by co-writer Alfredo Castro without a speck [...]]]></description>
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