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	<title>Newcity Film &#187; Kristin Scott-Thomas</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>Review: Love Crime</title>
		<link>http://newcityfilm.com/2011/09/21/review-love-crime/</link>
		<comments>http://newcityfilm.com/2011/09/21/review-love-crime/#comments</comments>
		<pubDate>Wed, 21 Sep 2011 21:09:55 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Alain Corneau]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[Gérald Laroche]]></category>
		<category><![CDATA[Guillaume Marquet]]></category>
		<category><![CDATA[Julien Rochefort]]></category>
		<category><![CDATA[Kristin Scott-Thomas]]></category>
		<category><![CDATA[Love Crime]]></category>
		<category><![CDATA[Ludivine Sagnier]]></category>
		<category><![CDATA[Olivier Rabourdin]]></category>
		<category><![CDATA[Patrick Mille]]></category>
		<category><![CDATA[Pharoah Sanders]]></category>
		<category><![CDATA[Tous les Matins du Monde]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=10426</guid>
		<description><![CDATA[RECOMMENDED It&#8217;s Sphinx vs. Minx in the late Alain Corneau&#8217;s seventeenth feature, &#8220;Love Crime,&#8221; a cunning construct of what he knowingly described as one of &#8220;my little Fritz Lang labyrinths.&#8221; (Or  Brigitte vs. Bordeaux?) Corneau pits two career women in the Paris office of an American agricultural conglomerate against each other: chilly mentor Christine (Kristin [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Review: Leaving</title>
		<link>http://newcityfilm.com/2010/12/22/review-leaving/</link>
		<comments>http://newcityfilm.com/2010/12/22/review-leaving/#comments</comments>
		<pubDate>Wed, 22 Dec 2010 22:45:21 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Agnès Godard]]></category>
		<category><![CDATA[Catherine Corsini]]></category>
		<category><![CDATA[Claire Denis]]></category>
		<category><![CDATA[Kristin Scott-Thomas]]></category>
		<category><![CDATA[Leaving]]></category>
		<category><![CDATA[Partir]]></category>
		<category><![CDATA[Phillippe Claudel]]></category>
		<category><![CDATA[Sergi Lopez]]></category>
		<category><![CDATA[Yann Attal]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7146</guid>
		<description><![CDATA[RECOMMENDED A turn to working largely in French film has given Kristin Scott Thomas the kind of leading roles that are as much inhabited as performed, including &#8220;Tell No One,&#8221; (2006) and especially Philippe Claudel&#8217;s &#8220;I&#8217;ve Loved You So Long&#8221; (2008), where every motion, every gesture was weighted with her character&#8217;s tragic history. Catherine Corsini&#8217;s [...]]]></description>
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		</item>
		<item>
		<title>Nowhere Boy</title>
		<link>http://newcityfilm.com/2010/10/13/nowhere-boy/</link>
		<comments>http://newcityfilm.com/2010/10/13/nowhere-boy/#comments</comments>
		<pubDate>Wed, 13 Oct 2010 21:15:45 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Aaron Johnson]]></category>
		<category><![CDATA[Anne-Marie Duffbut]]></category>
		<category><![CDATA[David Morrissey]]></category>
		<category><![CDATA[David Threlfall]]></category>
		<category><![CDATA[John Lennon]]></category>
		<category><![CDATA[Josh Bolt]]></category>
		<category><![CDATA[Kristin Scott-Thomas]]></category>
		<category><![CDATA[Matt Greenhalgh]]></category>
		<category><![CDATA[Nowhere Boy]]></category>
		<category><![CDATA[Ophelia Lovibond]]></category>
		<category><![CDATA[Sam Bell]]></category>
		<category><![CDATA[Sam Taylor-Wood]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=6351</guid>
		<description><![CDATA[In &#8220;Nowhere Boy,&#8221; Sam Taylor-Wood directs a sensitive script by Matt Greenhalgh (&#8220;Control&#8221;) about a 15-year-old lad in 1955 finding his mother and figuring out where he&#8217;s headed, besides out of Liverpool. One day John (Aaron Johnson, the teen hero in &#8220;Kick-Ass&#8221;) flashes his penis at school girls for a giggle. Another day, his frisky [...]]]></description>
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		<item>
		<title>Newcity&#8217;s Top 5 of Everything 2008: Film</title>
		<link>http://newcityfilm.com/2008/12/30/newcitys-top-5-of-everything-2008-film/</link>
		<comments>http://newcityfilm.com/2008/12/30/newcitys-top-5-of-everything-2008-film/#comments</comments>
		<pubDate>Tue, 30 Dec 2008 21:31:48 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[News and Dish]]></category>
		<category><![CDATA[Add new tag]]></category>
		<category><![CDATA[Anil Kapoor]]></category>
		<category><![CDATA[Ann Savage]]></category>
		<category><![CDATA[Ari Folman]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Baz Luhrmann]]></category>
		<category><![CDATA[Ben Kingsley]]></category>
		<category><![CDATA[Benicio Del Toro]]></category>
		<category><![CDATA[Charlie Kaufman]]></category>
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		<category><![CDATA[Kat Dennings]]></category>
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		<category><![CDATA[Kristin Scott-Thomas]]></category>
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		<category><![CDATA[Laura Dunn]]></category>
		<category><![CDATA[Lisandro Alonso]]></category>
		<category><![CDATA[Margaret Brown]]></category>
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		<category><![CDATA[Mathieu Amalric]]></category>
		<category><![CDATA[Melissa Leo]]></category>
		<category><![CDATA[Michael Shannon]]></category>
		<category><![CDATA[Michel Blanc]]></category>
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		<category><![CDATA[Nurgul Yesilçay]]></category>
		<category><![CDATA[Paul Schrader]]></category>
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		<category><![CDATA[Peter Gilbert]]></category>
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		<category><![CDATA[Sally Hawkins]]></category>
		<category><![CDATA[Sean Penn]]></category>
		<category><![CDATA[Simon Beaufoy]]></category>
		<category><![CDATA[Stephen Walker]]></category>
		<category><![CDATA[Steve James]]></category>
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		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Tarsem]]></category>
		<category><![CDATA[Terence Davies]]></category>
		<category><![CDATA[Toby Jones]]></category>
		<category><![CDATA[Tomas Alfredson]]></category>
		<category><![CDATA[Viola Davis]]></category>
		<category><![CDATA[Wachowski]]></category>
		<category><![CDATA[Werner Herzog]]></category>
		<category><![CDATA[Wong Kar-Wai]]></category>
		<category><![CDATA[Yung Chang]]></category>
		<category><![CDATA[Zoe Kazan]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=919</guid>
		<description><![CDATA[Top 5 Domestic Films “The Dark Knight,” Christopher Nolan “Che,” Steven Soderbergh “Paranoid Park,” Gus Van Sant “Rachel Getting Married,” Jonathan Demme “Ballast,” Lance Hammer —Ray Pride Top 5 Foreign Films “Man on Wire,” James Marsh “Reprise,” Joachim Trier “Happy-Go-Lucky,” Mike Leigh “Slumdog Millionaire,” Danny Boyle “A Christmas Tale,” Arnaud Desplechin —Ray Pride Top 5 [...]]]></description>
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		<item>
		<title>Totally Mute: It&#8217;s all in the details in &#8220;I&#8217;ve Loved You So Long&#8221;</title>
		<link>http://newcityfilm.com/2008/10/28/totally-mute-its-all-in-the-details-in-ive-loved-you-so-long/</link>
		<comments>http://newcityfilm.com/2008/10/28/totally-mute-its-all-in-the-details-in-ive-loved-you-so-long/#comments</comments>
		<pubDate>Tue, 28 Oct 2008 23:09:38 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Elsa Zylberstein]]></category>
		<category><![CDATA[Kristin Scott-Thomas]]></category>
		<category><![CDATA[Paul Haggis]]></category>
		<category><![CDATA[Philippe Claudel]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=643</guid>
		<description><![CDATA[By Ray Pride French novelist Philippe Claudel&#8217;s first feature as director, &#8220;I&#8217;ve Loved You So Long,&#8221; is a quiet, layered narrative with a remarkable central performance by Kristin Scott-Thomas as a woman, Juliette, closed-off for reasons we slowly discover, who keeps to herself. The plot is simple: it is her return to society on parole [...]]]></description>
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		</item>
		<item>
		<title>A Sense of Places: Chicago International at 44</title>
		<link>http://newcityfilm.com/2008/10/15/a-sense-of-places-chicago-international-at-44/</link>
		<comments>http://newcityfilm.com/2008/10/15/a-sense-of-places-chicago-international-at-44/#comments</comments>
		<pubDate>Wed, 15 Oct 2008 01:29:35 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Abdel Kechiche]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Cai Shangjun]]></category>
		<category><![CDATA[Charlie Kaufman]]></category>
		<category><![CDATA[Chicago International Film Festival]]></category>
		<category><![CDATA[Danny Boyle]]></category>
		<category><![CDATA[Darren Aronofsky]]></category>
		<category><![CDATA[Dostoevsky]]></category>
		<category><![CDATA[Greta Gerwig]]></category>
		<category><![CDATA[James Gray]]></category>
		<category><![CDATA[Jerzy Skolimowski]]></category>
		<category><![CDATA[Jia Zhang-ke]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Kevin Smith]]></category>
		<category><![CDATA[Kiyoshi Kurosawa]]></category>
		<category><![CDATA[Kristin Scott-Thomas]]></category>
		<category><![CDATA[Lance Hammer]]></category>
		<category><![CDATA[Marisa Tomei]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Mickey Rourke]]></category>
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		<category><![CDATA[Nacho Vigalondo]]></category>
		<category><![CDATA[Nina Paley]]></category>
		<category><![CDATA[Philippe Claudel]]></category>
		<category><![CDATA[Sergio Leone]]></category>
		<category><![CDATA[Tanaz Eshaghian]]></category>
		<category><![CDATA[Terence Davis]]></category>
		<category><![CDATA[Valdis Oskarsdottir]]></category>
		<category><![CDATA[Veit Helmer]]></category>
		<category><![CDATA[Wesley Willis]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=598</guid>
		<description><![CDATA[By Ray Pride Of all the things you could possibly say about the potential of this year&#8217;s installment of the Chicago International Film Festival, I&#8217;ll start with two: most of the attractions are at two theaters within walking distance of each other, the River East and 600 North Michigan, and of a claimed 175 movies, [...]]]></description>
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		</item>
		<item>
		<title>Review: Tell No One</title>
		<link>http://newcityfilm.com/2008/07/10/review-tell-no-one/</link>
		<comments>http://newcityfilm.com/2008/07/10/review-tell-no-one/#comments</comments>
		<pubDate>Thu, 10 Jul 2008 21:05:46 +0000</pubDate>
		<dc:creator>cheryluce</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
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		<category><![CDATA[Thriller]]></category>
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		<category><![CDATA[Dustin Hoffman]]></category>
		<category><![CDATA[François Cluzet]]></category>
		<category><![CDATA[Guillaume Canet]]></category>
		<category><![CDATA[Harlan Coben]]></category>
		<category><![CDATA[Kristin Scott-Thomas]]></category>
		<category><![CDATA[Marathon Man]]></category>
		<category><![CDATA[Marie-Josée Croze]]></category>
		<category><![CDATA[Tell No One]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=189</guid>
		<description><![CDATA[RECOMMENDED (Ne Le Dis À Personne, 2006) The world of grown-ups, those not beleaguered by the pressures of fate-versus-choice in life-challenging, life-affirming journeys of superheroic stature, has almost vanished in U.S. movies. Lives that have been lived a little are relegated to cable, it seems, with David Simon&#8217;s &#8220;The Wire&#8221; being the most notable example [...]]]></description>
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