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	<title>Newcity Film &#187; Joe Swanberg</title>
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		<title>Review: Audrey the Trainwreck</title>
		<link>http://newcityfilm.com/2010/06/16/review-audrey-the-trainwreck/</link>
		<comments>http://newcityfilm.com/2010/06/16/review-audrey-the-trainwreck/#comments</comments>
		<pubDate>Wed, 16 Jun 2010 21:50:11 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[Alexander the Last]]></category>
		<category><![CDATA[Alexi Wasser]]></category>
		<category><![CDATA[Anthony Baker]]></category>
		<category><![CDATA[Audrey The Trainwreck]]></category>
		<category><![CDATA[Danny Rhodes]]></category>
		<category><![CDATA[David Lowery]]></category>
		<category><![CDATA[Frank V. Ross]]></category>
		<category><![CDATA[Harmony and Me]]></category>
		<category><![CDATA[Jess Weixler]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[John Modeski]]></category>
		<category><![CDATA[Nick Offman]]></category>
		<category><![CDATA[Rebecca Spence]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[St. Nick]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=4876</guid>
		<description><![CDATA[RECOMMENDED Life&#8217;s a grind, but it&#8217;s better than the other option, right? The lovingly bruised &#8220;Audrey the Trainwreck&#8221; is a melancholy meditation on early-onset adulthood, told through the interactions of two young depressives who may be tumbling toward a relationship,  characters adrift in their own ways, hoping for love, or perhaps just a little reassuring [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>What Just Happened: Separating the ones from the zeroes</title>
		<link>http://newcityfilm.com/2009/12/21/what-just-happened-separating-the-ones-from-the-zeroes/</link>
		<comments>http://newcityfilm.com/2009/12/21/what-just-happened-separating-the-ones-from-the-zeroes/#comments</comments>
		<pubDate>Tue, 22 Dec 2009 00:26:53 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[2012]]></category>
		<category><![CDATA[A.O. Scott]]></category>
		<category><![CDATA[Avatar]]></category>
		<category><![CDATA[High Fidelity]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Jeremy Piven]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[John Cusack]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Oscar Wilde]]></category>
		<category><![CDATA[Public Enemies]]></category>
		<category><![CDATA[Stephen Malkmus]]></category>
		<category><![CDATA[The Dark Knight]]></category>
		<category><![CDATA[The Hurt Locker]]></category>
		<category><![CDATA[The White Ribbon]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3183</guid>
		<description><![CDATA[By Ray Pride Ten years is greater than the blink of an eye. Trying to fashion some sort of great overarching structure for an arbitrary patch of lifetime always leaves me like the kid at the end of &#8220;Kids,&#8221; who wakes from a ruckus to ask, &#8220;What just happened?&#8221; How do you summarize a city&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Hoping for Harmony: On Bob Byington&#8217;s lo-lo-fi comedies</title>
		<link>http://newcityfilm.com/2009/10/28/coming-through-the-wry-on-bob-byingtons-lo-lo-fi-comedies/</link>
		<comments>http://newcityfilm.com/2009/10/28/coming-through-the-wry-on-bob-byingtons-lo-lo-fi-comedies/#comments</comments>
		<pubDate>Wed, 28 Oct 2009 21:43:09 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[Andrew Bujalski]]></category>
		<category><![CDATA[Anish Savjani]]></category>
		<category><![CDATA[Austin]]></category>
		<category><![CDATA[Bishop Allen]]></category>
		<category><![CDATA[Bob Byington]]></category>
		<category><![CDATA[Broadcast News]]></category>
		<category><![CDATA[Harmony and Me]]></category>
		<category><![CDATA[James L. Brooks]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[Justin Rice]]></category>
		<category><![CDATA[Kristen Tucker]]></category>
		<category><![CDATA[Mad Men]]></category>
		<category><![CDATA[Martin Donovan]]></category>
		<category><![CDATA[Matthew Weiner]]></category>
		<category><![CDATA[Mutual Appreciation]]></category>
		<category><![CDATA[Pixies]]></category>
		<category><![CDATA[Syd Barrett]]></category>
		<category><![CDATA[Terms of Endearment]]></category>
		<category><![CDATA[Trust]]></category>
		<category><![CDATA[Woody Allen]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=2731</guid>
		<description><![CDATA[By Ray Pride Monday afternoon is cold and rainy in Chicago and it&#8217;s cold and rainy in Austin, Texas, &#8220;a rarity,&#8221; Bob Byington, writer-director of &#8220;Harmony and Me&#8221; tells me. &#8220;I&#8217;ve put the Pixies on for our chat,&#8221; he types from Texas; Syd Barrett sings &#8220;Dark Globe&#8221; in the café where I stare out onto [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Composition and Composure: Which frame is which?</title>
		<link>http://newcityfilm.com/2009/03/24/composition-and-composure-which-frame-is-which/</link>
		<comments>http://newcityfilm.com/2009/03/24/composition-and-composure-which-frame-is-which/#comments</comments>
		<pubDate>Tue, 24 Mar 2009 16:20:05 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[News and Dish]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Carl-Theodor Dreyer]]></category>
		<category><![CDATA[Carlos Reygadas]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[Noah Baumbach]]></category>
		<category><![CDATA[Sigur Ros]]></category>
		<category><![CDATA[Silent Light]]></category>
		<category><![CDATA[Vilmos Zsigmond]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=1201</guid>
		<description><![CDATA[By Ray Pride Come to think of it, every frame of every film asks, &#8220;What is cinema?&#8221; Some frames scream, others mutter, some stumble in literal and figurative darkness. Then there are filmmakers like Carlos Reygadas, whose stubborn, implacable, sublime spiritual tale &#8220;Silent Light&#8221; has emerged from distribution backwaters to limited theatrical exhibition (it opened [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Sense of Places: Chicago International at 44</title>
		<link>http://newcityfilm.com/2008/10/15/a-sense-of-places-chicago-international-at-44/</link>
		<comments>http://newcityfilm.com/2008/10/15/a-sense-of-places-chicago-international-at-44/#comments</comments>
		<pubDate>Wed, 15 Oct 2008 01:29:35 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Abdel Kechiche]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Cai Shangjun]]></category>
		<category><![CDATA[Charlie Kaufman]]></category>
		<category><![CDATA[Chicago International Film Festival]]></category>
		<category><![CDATA[Danny Boyle]]></category>
		<category><![CDATA[Darren Aronofsky]]></category>
		<category><![CDATA[Dostoevsky]]></category>
		<category><![CDATA[Greta Gerwig]]></category>
		<category><![CDATA[James Gray]]></category>
		<category><![CDATA[Jerzy Skolimowski]]></category>
		<category><![CDATA[Jia Zhang-ke]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[Kelly Reichardt]]></category>
		<category><![CDATA[Kevin Smith]]></category>
		<category><![CDATA[Kiyoshi Kurosawa]]></category>
		<category><![CDATA[Kristin Scott-Thomas]]></category>
		<category><![CDATA[Lance Hammer]]></category>
		<category><![CDATA[Marisa Tomei]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Mickey Rourke]]></category>
		<category><![CDATA[Mike Leigh]]></category>
		<category><![CDATA[Nacho Vigalondo]]></category>
		<category><![CDATA[Nina Paley]]></category>
		<category><![CDATA[Philippe Claudel]]></category>
		<category><![CDATA[Sergio Leone]]></category>
		<category><![CDATA[Tanaz Eshaghian]]></category>
		<category><![CDATA[Terence Davis]]></category>
		<category><![CDATA[Valdis Oskarsdottir]]></category>
		<category><![CDATA[Veit Helmer]]></category>
		<category><![CDATA[Wesley Willis]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=598</guid>
		<description><![CDATA[By Ray Pride Of all the things you could possibly say about the potential of this year&#8217;s installment of the Chicago International Film Festival, I&#8217;ll start with two: most of the attractions are at two theaters within walking distance of each other, the River East and 600 North Michigan, and of a claimed 175 movies, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Baghead</title>
		<link>http://newcityfilm.com/2008/07/31/review-baghead/</link>
		<comments>http://newcityfilm.com/2008/07/31/review-baghead/#comments</comments>
		<pubDate>Thu, 31 Jul 2008 21:06:41 +0000</pubDate>
		<dc:creator>cheryluce</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Elise Muller]]></category>
		<category><![CDATA[Greta Gerwig]]></category>
		<category><![CDATA[Hannah Takes the Stairs]]></category>
		<category><![CDATA[Jay Duplass]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[Mark Duplass]]></category>
		<category><![CDATA[Nights and Weekends]]></category>
		<category><![CDATA[Ross Partridge]]></category>
		<category><![CDATA[Steve Zissis]]></category>
		<category><![CDATA[The Puffy Chair]]></category>

		<guid isPermaLink="false">http://newcitytest.wordpress.com/?p=525</guid>
		<description><![CDATA[RECOMMENDED Greta Gerwig: ditz of steel or inspired genius? Discuss. In Mark and Jay Duplass&#8217; follow-up to &#8220;The Puffy Chair,&#8221; a quartet of friends, all failing actors, retreat to the backwoods after a film-festival exposure to an absolute piece of shit that impresses them, and amid double-talk, flirtations, misbegotten making-out, umming, hemming, hawing, and with [...]]]></description>
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