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	<title>Newcity Film &#187; Jean-Luc Godard</title>
	<atom:link href="http://newcityfilm.com/tag/jean-luc-godard/feed/" rel="self" type="application/rss+xml" />
	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>Review: Miss Bala</title>
		<link>http://newcityfilm.com/2012/01/27/review-miss-bala/</link>
		<comments>http://newcityfilm.com/2012/01/27/review-miss-bala/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 15:37:55 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Canana]]></category>
		<category><![CDATA[Diego Luna]]></category>
		<category><![CDATA[Fox International]]></category>
		<category><![CDATA[Gael Garcia Bernal]]></category>
		<category><![CDATA[Gerardo Naranjo]]></category>
		<category><![CDATA[J. G. Ballard]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Mátyás Erdély]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Miss Bala]]></category>
		<category><![CDATA[Weekend]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11766</guid>
		<description><![CDATA[RECOMMENDED Mexican director Gerardo Naranjo&#8217;s brilliant, urgent &#8220;Miss Bala,&#8221; which was his country&#8217;s entry for the Best Foreign Language Film, and easily the best film of 2012 so far, is getting an abrupt release in the Chicago area after failing to make the final five for the Academy Awards. It&#8217;s under the Fox International banner, [...]]]></description>
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		<item>
		<title>Review: The Imperialists Are Still Alive!</title>
		<link>http://newcityfilm.com/2011/06/29/review-the-imperialists-are-still-alive/</link>
		<comments>http://newcityfilm.com/2011/06/29/review-the-imperialists-are-still-alive/#comments</comments>
		<pubDate>Wed, 29 Jun 2011 21:17:47 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Coati Mundi]]></category>
		<category><![CDATA[Élodie Bouchez]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[José María de Tavira]]></category>
		<category><![CDATA[Karen Lynn Gorney]]></category>
		<category><![CDATA[Karim Saleh]]></category>
		<category><![CDATA[Magela Crosignani]]></category>
		<category><![CDATA[Marianna Kulukundis]]></category>
		<category><![CDATA[Oksana Lada]]></category>
		<category><![CDATA[Pierluca Arancio]]></category>
		<category><![CDATA[Rita Ackerman]]></category>
		<category><![CDATA[Sophie Auster]]></category>
		<category><![CDATA[The Imperialists Are Still Alive!]]></category>
		<category><![CDATA[Whit Stillman]]></category>
		<category><![CDATA[Zeina Durra]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=9347</guid>
		<description><![CDATA[RECOMMENDED Zeina Durra&#8217;s wry, distanced &#8220;The Imperialists Are Still Alive&#8221; opens with a shot of full-frontal nudity (adorned only by a face-covering Arabic scarf) with Élodie Bouchez (&#8220;The Dreamlife of Angels&#8221;) playing Asya, a Paris-born &#8220;Jordanian-Lebanese, Bosnian-Palestinian&#8221; performance artist. It&#8217;s literally the film&#8217;s most revealing instant. She lives in a crumb-bum loft in Manhattan while [...]]]></description>
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		</item>
		<item>
		<title>Review: Film Socialisme</title>
		<link>http://newcityfilm.com/2011/06/10/review-film-socialisme/</link>
		<comments>http://newcityfilm.com/2011/06/10/review-film-socialisme/#comments</comments>
		<pubDate>Fri, 10 Jun 2011 13:06:21 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Christie Lemire]]></category>
		<category><![CDATA[Film Socialisme]]></category>
		<category><![CDATA[Ignatiy Vishnevetsky]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Patti Smith]]></category>
		<category><![CDATA[Roger Ebert]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=9038</guid>
		<description><![CDATA[RECOMMENDED The 80-year-old Jean-Luc Godard&#8217;s &#8220;Film Socialisme&#8221; is a disarmingly beautiful rash of video imagery that ranges from HD in gleaming blues on a luxury liner late at night to cell-phone images that stutter, blanch and bleed, accompanied by murmorous dialogues turning over familiar political idées fixe and the crisp musique concrète-style sound mixes of [...]]]></description>
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		</item>
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		<title>Review: Inspector Bellamy</title>
		<link>http://newcityfilm.com/2011/02/09/review-inspector-bellamy/</link>
		<comments>http://newcityfilm.com/2011/02/09/review-inspector-bellamy/#comments</comments>
		<pubDate>Wed, 09 Feb 2011 22:57:14 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Claude Chabrol]]></category>
		<category><![CDATA[Eric Rohmer]]></category>
		<category><![CDATA[François Truffaut]]></category>
		<category><![CDATA[Gerard Depardieu]]></category>
		<category><![CDATA[Inspector Bellamy]]></category>
		<category><![CDATA[Jacques Rivette]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Matthieu Chabrol.]]></category>
		<category><![CDATA[Wild Grass]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7557</guid>
		<description><![CDATA[RECOMMENDED When an artist is prolific and productive until the end of a long life lived well, it&#8217;s a source of marvel when they pass, to finally realize just how easy it was to have taken them for granted. That would count with much of the French New Wave; while François Truffaut was only 52 [...]]]></description>
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		<item>
		<title>Something to Do: The undulating poetry of Godard&#8217;s &#8220;Every Man&#8221;</title>
		<link>http://newcityfilm.com/2011/01/19/something-to-do-the-undulating-poetry-of-godards-every-man/</link>
		<comments>http://newcityfilm.com/2011/01/19/something-to-do-the-undulating-poetry-of-godards-every-man/#comments</comments>
		<pubDate>Wed, 19 Jan 2011 23:00:23 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[2 or 3 Things I Know About Her]]></category>
		<category><![CDATA[Alexandre Astruc]]></category>
		<category><![CDATA[Charles Mudede]]></category>
		<category><![CDATA[Christopher Noland]]></category>
		<category><![CDATA[Every Man For Himself]]></category>
		<category><![CDATA[Fassbinder]]></category>
		<category><![CDATA[Francis Coppola]]></category>
		<category><![CDATA[Gabriel Yared]]></category>
		<category><![CDATA[Inception]]></category>
		<category><![CDATA[Isabelle Huppert]]></category>
		<category><![CDATA[Jacques Dutronc]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Lee Smith]]></category>
		<category><![CDATA[Marguerite Duras]]></category>
		<category><![CDATA[Natalie Baye]]></category>
		<category><![CDATA[Ornette Coleman]]></category>
		<category><![CDATA[Pierrot Le Fou]]></category>
		<category><![CDATA[Rube Goldberg]]></category>
		<category><![CDATA[Sauve qui peut (la vie)]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7370</guid>
		<description><![CDATA[By Ray Pride Contrails crosshatch and feather a deep blue sky to the sound of planes. A camera pointed upward, soon to come to earth to trace how the lives of three adults&#8217; lives criss-cross. Shocking and shockingly beautiful, Jean-Luc Godard&#8217;s &#8220;Every Man For Himself&#8221; [Sauve qui peut (la vie)] is as brutish as it [...]]]></description>
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		</item>
		<item>
		<title>The Top 5 of Everything 2010: Film</title>
		<link>http://newcityfilm.com/2010/12/21/the-top-5-of-everything-2010-film/</link>
		<comments>http://newcityfilm.com/2010/12/21/the-top-5-of-everything-2010-film/#comments</comments>
		<pubDate>Tue, 21 Dec 2010 20:54:08 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[News and Dish]]></category>
		<category><![CDATA[45365]]></category>
		<category><![CDATA[Aaron Sorkin]]></category>
		<category><![CDATA[Alistair Banks Griffin]]></category>
		<category><![CDATA[Andrei Ujica]]></category>
		<category><![CDATA[Andrew Garfield]]></category>
		<category><![CDATA[Animal Kingdom]]></category>
		<category><![CDATA[Athina Rachel Tsingari]]></category>
		<category><![CDATA[Attenberg]]></category>
		<category><![CDATA[Atticus Ross]]></category>
		<category><![CDATA[Banksy]]></category>
		<category><![CDATA[Bill Ross]]></category>
		<category><![CDATA[Blue Valentine]]></category>
		<category><![CDATA[Cami Delavigne]]></category>
		<category><![CDATA[Carlos]]></category>
		<category><![CDATA[Charles Ferguson]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Daft Punk]]></category>
		<category><![CDATA[Dan Franck]]></category>
		<category><![CDATA[David Fincher]]></category>
		<category><![CDATA[David Michôd]]></category>
		<category><![CDATA[Debra Granik]]></category>
		<category><![CDATA[Denis Lenoir]]></category>
		<category><![CDATA[Derek Cianfrance]]></category>
		<category><![CDATA[Dogtooth]]></category>
		<category><![CDATA[Edgar Ramírez]]></category>
		<category><![CDATA[Enter The Void]]></category>
		<category><![CDATA[Erik Gandini]]></category>
		<category><![CDATA[Everyone Else]]></category>
		<category><![CDATA[Exit Through The Gift Shop]]></category>
		<category><![CDATA[Father of My Children]]></category>
		<category><![CDATA[Film Socialisme]]></category>
		<category><![CDATA[Fish Tank]]></category>
		<category><![CDATA[Gareth Edwards]]></category>
		<category><![CDATA[Gaspar Noe]]></category>
		<category><![CDATA[Geoffrey Rush]]></category>
		<category><![CDATA[Ghost Writer]]></category>
		<category><![CDATA[Hans Zimmer]]></category>
		<category><![CDATA[Harris Savides]]></category>
		<category><![CDATA[Henri-Georges Clouzot's Inferno]]></category>
		<category><![CDATA[I Am Love]]></category>
		<category><![CDATA[Ilisa Barbash]]></category>
		<category><![CDATA[Inception]]></category>
		<category><![CDATA[Inside Job]]></category>
		<category><![CDATA[Jacki Weaver]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jeff Cronenweth]]></category>
		<category><![CDATA[Jeff Malmberg]]></category>
		<category><![CDATA[Jennifer Lawrence]]></category>
		<category><![CDATA[Jesse Eisenberg]]></category>
		<category><![CDATA[Jessica Hausner]]></category>
		<category><![CDATA[Joey Curtis]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[John Hawkes]]></category>
		<category><![CDATA[Last Train Home]]></category>
		<category><![CDATA[Laura Poitras]]></category>
		<category><![CDATA[Lee Chang-dong]]></category>
		<category><![CDATA[Lixin Fan]]></category>
		<category><![CDATA[Lourdes]]></category>
		<category><![CDATA[Luca Guadagnino]]></category>
		<category><![CDATA[Lucien Castaing-Taylor]]></category>
		<category><![CDATA[Maren Ade]]></category>
		<category><![CDATA[Marwencol]]></category>
		<category><![CDATA[Mia Hansen-Løve]]></category>
		<category><![CDATA[Michael Fassbender]]></category>
		<category><![CDATA[Michelle Williams]]></category>
		<category><![CDATA[Monsters]]></category>
		<category><![CDATA[New Order]]></category>
		<category><![CDATA[Oliver Assayas]]></category>
		<category><![CDATA[Olivier Assayas]]></category>
		<category><![CDATA[Peter Greenaway]]></category>
		<category><![CDATA[Rafi Pitts]]></category>
		<category><![CDATA[Rembrandt’s J’Accuse]]></category>
		<category><![CDATA[Roger Deakins]]></category>
		<category><![CDATA[Roman Polanski]]></category>
		<category><![CDATA[Ruxandra Medrea]]></category>
		<category><![CDATA[Secret Sunshine]]></category>
		<category><![CDATA[Serge Bromberg]]></category>
		<category><![CDATA[Somewhere/Greenberg]]></category>
		<category><![CDATA[Sweetgrass]]></category>
		<category><![CDATA[The Autobiography of Nicolae Ceausescu]]></category>
		<category><![CDATA[The Feelies]]></category>
		<category><![CDATA[The Ghost Writer]]></category>
		<category><![CDATA[The Hunter]]></category>
		<category><![CDATA[The King's Speech]]></category>
		<category><![CDATA[The Oath]]></category>
		<category><![CDATA[The Social Network]]></category>
		<category><![CDATA[Tilda Swinton]]></category>
		<category><![CDATA[Trent Reznor]]></category>
		<category><![CDATA[Tron: Legacy]]></category>
		<category><![CDATA[True Grit]]></category>
		<category><![CDATA[Turner Ross]]></category>
		<category><![CDATA[Two Gates Of Sleep]]></category>
		<category><![CDATA[Videocracy]]></category>
		<category><![CDATA[Winter's Bone]]></category>
		<category><![CDATA[Wire]]></category>
		<category><![CDATA[Yorgos Lanthimos]]></category>
		<category><![CDATA[Yorick Le Saux]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7211</guid>
		<description><![CDATA[Top 5 Domestic Films &#8220;The Social Network,&#8221; David Fincher &#8220;Winter&#8217;s Bone,&#8221; Debra Granik &#8220;Ghost Writer,&#8221; Roman Polanski &#8220;Exit Through the Gift Shop,&#8221; Banksy &#8220;Inception,&#8221; Christopher Nolan — Ray Pride Top 5 Foreign Films &#8220;Carlos,&#8221; Olivier Assayas &#8220;Everyone Else,&#8221; Maren Ade &#8220;Dogtooth,&#8221; Yorgos Lanthimos &#8220;Father of My Children,&#8221; Mia Hansen-Løve &#8220;I Am Love,&#8221; Luca Guadagnino — [...]]]></description>
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		<item>
		<title>Review: Breathless</title>
		<link>http://newcityfilm.com/2010/06/16/review-breathless/</link>
		<comments>http://newcityfilm.com/2010/06/16/review-breathless/#comments</comments>
		<pubDate>Wed, 16 Jun 2010 21:55:34 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Anna Karina]]></category>
		<category><![CDATA[Breathless]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Jean-Paul Belmondo]]></category>
		<category><![CDATA[Jean-Pierre Melville]]></category>
		<category><![CDATA[Raoul Coutard]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=4880</guid>
		<description><![CDATA[RECOMMENDED The Godardian knot: how can a nifty movie fifty years on seem so fresh? For its immersion in signifiers: of snips of pop culture passing for personality. Flip, fluid &#8220;Breathless&#8221; (Á bout de souffle), in a celluloid restoration with updated subtitles (with no current plans to replace the recent Criterion double disc) is kinetic [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Made in U.S.A.</title>
		<link>http://newcityfilm.com/2009/07/07/review-made-in-usa/</link>
		<comments>http://newcityfilm.com/2009/07/07/review-made-in-usa/#comments</comments>
		<pubDate>Tue, 07 Jul 2009 23:02:39 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Made in U.S.A.]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=1656</guid>
		<description><![CDATA[RECOMMENDED While some reviewers have disdained this never-released-in-the-U.S. Godard entry from 1966, &#8220;Made in U.S.A.&#8221; as a semi-coherent hodgepodge, it&#8217;s also been a kind of phantom limb for those who admire the Swissman&#8217;s prolific output from that time, immediately preceded by &#8220;Masculin féminin&#8221; (also 1966) and &#8220;Pierrot le fou&#8221; (1965) and succeeded by &#8220;Two or [...]]]></description>
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		<item>
		<title>Review: Vivre sa vie</title>
		<link>http://newcityfilm.com/2009/05/12/review-vivre-sa-vie/</link>
		<comments>http://newcityfilm.com/2009/05/12/review-vivre-sa-vie/#comments</comments>
		<pubDate>Tue, 12 May 2009 23:09:03 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Anna Karina]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Vivre sa vie]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=1412</guid>
		<description><![CDATA[RECOMMENDED Godard&#8217;s crunchy 1962 masterpiece was only his fourth feature. But the mix of extended passages of meditative dialogue and striking, wordless stretches of beautifully observant visuals perhaps set the template for the work that&#8217;s come in the decades since. Nana Kleinfrankenheim (Anna Karina) stands in for Joan of Arc, Louise Brooks, modern woman, wife [...]]]></description>
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		<title>Review: Contempt</title>
		<link>http://newcityfilm.com/2008/09/03/review-contempt-2/</link>
		<comments>http://newcityfilm.com/2008/09/03/review-contempt-2/#comments</comments>
		<pubDate>Wed, 03 Sep 2008 16:56:45 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Brigitte Bardot]]></category>
		<category><![CDATA[Contempt]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[Jack Palance]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Le Mépris]]></category>
		<category><![CDATA[Michel Piccoli]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=421</guid>
		<description><![CDATA[RECOMMENDED (Le Mépris, 1963) &#8220;Contempt,&#8221; a couple years on from its theatrical revival, is a revelation, an overlooked, shockingly accessible masterpiece amid Godard&#8217;s oft-challenging canon. Michel Piccoli plays Paul Javal, a playwright who needs money, and producer Prokosch is embodied by Jack Palance, that heavy among heavies, waving a packet of cash in Paul&#8217;s direction [...]]]></description>
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