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	<title>Newcity Film &#187; Hou Hsiao-hsien</title>
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	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>Top of the Pops: Letting go with &#8220;You Wont Miss Me&#8221;</title>
		<link>http://newcityfilm.com/2010/12/15/top-of-the-pops-letting-go-with-you-wont-miss-me/</link>
		<comments>http://newcityfilm.com/2010/12/15/top-of-the-pops-letting-go-with-you-wont-miss-me/#comments</comments>
		<pubDate>Wed, 15 Dec 2010 23:00:54 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Claire Denis]]></category>
		<category><![CDATA[Friday Night]]></category>
		<category><![CDATA[Greta Gerwig]]></category>
		<category><![CDATA[Hou Hsiao-hsien]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[Jon Brion]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Peter Luger Steakhouse]]></category>
		<category><![CDATA[Peter Luger's]]></category>
		<category><![CDATA[Punch-Drunk Love]]></category>
		<category><![CDATA[Ry Russo-Young]]></category>
		<category><![CDATA[Shu Qi]]></category>
		<category><![CDATA[Stella Schnabel]]></category>
		<category><![CDATA[The Other Side Of the Wind]]></category>
		<category><![CDATA[Will Bates]]></category>
		<category><![CDATA[You Wont Miss Me]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7074</guid>
		<description><![CDATA[By Ray Pride The moment is past but the moment is now: In 2009 Williamsburg, Shelly, a woman of 23 or so, (Stella Schnabel) contends with intense desires, average expectations, quotidian disappointments. Shelly’s inner life is suggested by a voice-over that’s as much interior monologue as it is diary entry or recitation to a therapist, [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Pursuit of Happiness: Throwing empty bottles out the window with Claire Denis (Review)</title>
		<link>http://newcityfilm.com/2010/01/20/the-pursuit-of-happiness-throwing-empty-bottles-out-the-window-with-claire-denis-review/</link>
		<comments>http://newcityfilm.com/2010/01/20/the-pursuit-of-happiness-throwing-empty-bottles-out-the-window-with-claire-denis-review/#comments</comments>
		<pubDate>Wed, 20 Jan 2010 22:45:18 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[35 Rhums]]></category>
		<category><![CDATA[35 Shots of Rum]]></category>
		<category><![CDATA[Alan Garfield]]></category>
		<category><![CDATA[Alex Descas]]></category>
		<category><![CDATA[Avatar]]></category>
		<category><![CDATA[B. Ruby Rich]]></category>
		<category><![CDATA[Beau Travail]]></category>
		<category><![CDATA[Café Lumière]]></category>
		<category><![CDATA[Chick Flicks: Theories and Memories of the Feminist Film Movement]]></category>
		<category><![CDATA[Chris Marker]]></category>
		<category><![CDATA[Claire Denis]]></category>
		<category><![CDATA[Francis Coppola]]></category>
		<category><![CDATA[Friday Night]]></category>
		<category><![CDATA[Grégoire Colin]]></category>
		<category><![CDATA[Hou Hsiao-hsien]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Kathryn Bigelow]]></category>
		<category><![CDATA[L'intrus]]></category>
		<category><![CDATA[Near Dark]]></category>
		<category><![CDATA[Nicole Dogué]]></category>
		<category><![CDATA[Patrick Bachau]]></category>
		<category><![CDATA[The Hurt Locker]]></category>
		<category><![CDATA[The State of Things]]></category>
		<category><![CDATA[Tokyo Story]]></category>
		<category><![CDATA[Wim Wenders]]></category>
		<category><![CDATA[Yasujiro Ozu]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3390</guid>
		<description><![CDATA[By Ray Pride Sunday night pitted two powerful action directors in what seems the journalists&#8217; favorite subject of the season: what&#8217;s the difference between a movie made by a man and a movie made by a woman? Wrathful winter rain fell on Hollywood as James Cameron won Golden Globes for the number two highest-grossing film [...]]]></description>
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		</item>
		<item>
		<title>At Zeroes End: Best Films, 2000-2009</title>
		<link>http://newcityfilm.com/2009/12/21/at-zeroes-end-best-films-2000-2009/</link>
		<comments>http://newcityfilm.com/2009/12/21/at-zeroes-end-best-films-2000-2009/#comments</comments>
		<pubDate>Tue, 22 Dec 2009 00:26:24 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[A Christmas Tale]]></category>
		<category><![CDATA[Adam McKay]]></category>
		<category><![CDATA[Alfonso Cuarón]]></category>
		<category><![CDATA[Anchorman: The Legend of Ron Burgundy]]></category>
		<category><![CDATA[Arnaud Desplechin]]></category>
		<category><![CDATA[Beau Travail]]></category>
		<category><![CDATA[Before Sunset]]></category>
		<category><![CDATA[Birol Unel]]></category>
		<category><![CDATA[Catherine Deneuve]]></category>
		<category><![CDATA[Children of Men]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Claire Denis]]></category>
		<category><![CDATA[Cristi Puiu]]></category>
		<category><![CDATA[Demonlover]]></category>
		<category><![CDATA[Donnie Darko]]></category>
		<category><![CDATA[Edward Yang]]></category>
		<category><![CDATA[Emmanuelle Devos]]></category>
		<category><![CDATA[Fatih Akin]]></category>
		<category><![CDATA[Florian Henckel Von Donnersmarck]]></category>
		<category><![CDATA[Head-On]]></category>
		<category><![CDATA[Heath Ledger]]></category>
		<category><![CDATA[Herman Melville]]></category>
		<category><![CDATA[Hou Hsiao-hsien]]></category>
		<category><![CDATA[In the Mood for Love]]></category>
		<category><![CDATA[James Marsh]]></category>
		<category><![CDATA[James Salter]]></category>
		<category><![CDATA[Joachim Trier]]></category>
		<category><![CDATA[John Carney]]></category>
		<category><![CDATA[Lilja 4-Ever]]></category>
		<category><![CDATA[Lukas Moodysson]]></category>
		<category><![CDATA[Man on Wire]]></category>
		<category><![CDATA[Mathieu Amalric]]></category>
		<category><![CDATA[Michael Nyman]]></category>
		<category><![CDATA[Millennium Mambo]]></category>
		<category><![CDATA[Mulholland Drive]]></category>
		<category><![CDATA[Naomi Watts]]></category>
		<category><![CDATA[Oksana Akinshina]]></category>
		<category><![CDATA[Olivier Assayas]]></category>
		<category><![CDATA[Once]]></category>
		<category><![CDATA[Paul Greengrass]]></category>
		<category><![CDATA[Paul Thomas Anderson]]></category>
		<category><![CDATA[Philippe Petit]]></category>
		<category><![CDATA[Phillippe Garrel]]></category>
		<category><![CDATA[Regular Lovers]]></category>
		<category><![CDATA[Reprise]]></category>
		<category><![CDATA[Richard Kelly]]></category>
		<category><![CDATA[Richard Linklater]]></category>
		<category><![CDATA[Shu Qui]]></category>
		<category><![CDATA[Sibel Kekilli]]></category>
		<category><![CDATA[Steve James]]></category>
		<category><![CDATA[Stevie]]></category>
		<category><![CDATA[Terrence Malick]]></category>
		<category><![CDATA[The Darjeeling Limited]]></category>
		<category><![CDATA[The Dark Knight]]></category>
		<category><![CDATA[The Death of Mr. Lazarescu]]></category>
		<category><![CDATA[The Kinks]]></category>
		<category><![CDATA[The Lives of Others]]></category>
		<category><![CDATA[The New World]]></category>
		<category><![CDATA[There Will Be Blood]]></category>
		<category><![CDATA[Ulrich Mühe]]></category>
		<category><![CDATA[United 93]]></category>
		<category><![CDATA[Wong Kar-Wai]]></category>
		<category><![CDATA[Yi Yi]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3165</guid>
		<description><![CDATA[By Ray Pride 1. &#8220;In the Mood for Love,&#8221; Wong Kar-Wai, 2000 Repetition, proximity, music, exchange of glances. Looks of desire, clouds, rain. Unconsummated romance = cinema. 2. &#8220;Yi Yi,&#8221; Edward Yang, 2000 Perfection. It&#8217;s taken for granted because it seems so simple, so easy, so natural. Family as lovingly detailed soap opera; at just [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2009/12/21/at-zeroes-end-best-films-2000-2009/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Summer Hours</title>
		<link>http://newcityfilm.com/2009/05/19/review-summer-hours/</link>
		<comments>http://newcityfilm.com/2009/05/19/review-summer-hours/#comments</comments>
		<pubDate>Tue, 19 May 2009 22:39:50 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Charles Berling]]></category>
		<category><![CDATA[Edith Scob]]></category>
		<category><![CDATA[Edward Yang]]></category>
		<category><![CDATA[Eric Gautier]]></category>
		<category><![CDATA[Hou Hsiao-hsien]]></category>
		<category><![CDATA[Jérémie Renier]]></category>
		<category><![CDATA[Juliette Binoche]]></category>
		<category><![CDATA[Oliver Assayas]]></category>
		<category><![CDATA[Summer Hours]]></category>
		<category><![CDATA[Tsai Ming-Liang]]></category>
		<category><![CDATA[Wong Kar-Wai]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=1427</guid>
		<description><![CDATA[RECOMMENDED Oliver Assayas&#8217; &#8220;Summer Hours&#8221; (L&#8217;heure d&#8217;été, 2008) is a mature masterpiece from one of the best filmmakers working today. I&#8217;m sure it can countenance all manner of rigorous analysis, yet its gentle touch belies how he&#8217;s masterfully woven all of his diverse themes and concerns in a seemingly simple telling of a family story. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Blind Mountain</title>
		<link>http://newcityfilm.com/2008/06/19/review-blind-mountain/</link>
		<comments>http://newcityfilm.com/2008/06/19/review-blind-mountain/#comments</comments>
		<pubDate>Thu, 19 Jun 2008 15:40:43 +0000</pubDate>
		<dc:creator>cheryluce</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Blind Mountain]]></category>
		<category><![CDATA[Blind Shaft]]></category>
		<category><![CDATA[Dong]]></category>
		<category><![CDATA[François Truffaut]]></category>
		<category><![CDATA[Hou Hsiao-hsien]]></category>
		<category><![CDATA[Jia Zhang-ke]]></category>
		<category><![CDATA[Li Yang]]></category>
		<category><![CDATA[Still Life]]></category>
		<category><![CDATA[Summer Palace]]></category>
		<category><![CDATA[Up the Yangtze]]></category>
		<category><![CDATA[Yang Chung]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=226</guid>
		<description><![CDATA[RECOMMENDED Can anyone master any aspect of modern China? Not even its bureaucrats and commissars and Army seem capable. For a Westerner with better-than-average knowledge of cultural currents, a few remarkable exports seem to arrive each season. In film alone, the U.S. has recently seen releases of &#8220;Summer Palace,&#8221; a film about a young woman&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Flight of the Red Balloon</title>
		<link>http://newcityfilm.com/2008/04/17/review-the-flight-of-the-red-balloon/</link>
		<comments>http://newcityfilm.com/2008/04/17/review-the-flight-of-the-red-balloon/#comments</comments>
		<pubDate>Thu, 17 Apr 2008 20:24:51 +0000</pubDate>
		<dc:creator>cheryluce</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Albert Lamorisse]]></category>
		<category><![CDATA[Fang Song]]></category>
		<category><![CDATA[Hou Hsiao-hsien]]></category>
		<category><![CDATA[Juliette Binoche]]></category>
		<category><![CDATA[Krzysztof Kieslowski]]></category>
		<category><![CDATA[Millenium Mambo]]></category>
		<category><![CDATA[Qi Shu]]></category>
		<category><![CDATA[Red Balloon]]></category>
		<category><![CDATA[Simon Iteanu]]></category>
		<category><![CDATA[The Flight of the Red Balloon]]></category>
		<category><![CDATA[Three Times]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=392</guid>
		<description><![CDATA[RECOMMENDED Taiwanese master Hou Hsiao-hsien is an artist of light and color and the inflection of what could be the most banal of moments. In his lyrical French-language riff on the recently re-released 1956 short &#8220;Red Balloon&#8221; by Albert Lamorisse, Hou allows the balloon to move through the streets and across the skies of Paris, [...]]]></description>
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