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	<title>Newcity Film</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
	<lastBuildDate>Wed, 01 Sep 2010 21:55:30 +0000</lastBuildDate>
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		<title>Thirtysomething for the Twenty-First Century: Documenting comedy with Nanette Burstein</title>
		<link>http://newcityfilm.com/2010/09/01/thirtysomething-for-the-twenty-first-century-documenting-comedy-with-nanette-burstein/</link>
		<comments>http://newcityfilm.com/2010/09/01/thirtysomething-for-the-twenty-first-century-documenting-comedy-with-nanette-burstein/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 21:55:30 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[American Teen]]></category>
		<category><![CDATA[Charlie Day]]></category>
		<category><![CDATA[Christina Applegate]]></category>
		<category><![CDATA[Drew Barrymore]]></category>
		<category><![CDATA[Geoff LaTulippe]]></category>
		<category><![CDATA[Going The Distance]]></category>
		<category><![CDATA[Jason Sudeikis]]></category>
		<category><![CDATA[Justin Long]]></category>
		<category><![CDATA[Nanette Burstein]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5844</guid>
		<description><![CDATA[By Ray Pride Long-distance relationships never work, and romantic comedies about long relationships? Nanette Burstein ups the average with confident glee in the zippy romantic comedy &#8220;Going the Distance.&#8221; In the New York-set feature debut of the director of &#8220;American Teen,&#8221; Drew Barrymore is Erin, a would-be journalist six weeks away from moving to San [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Machete</title>
		<link>http://newcityfilm.com/2010/09/01/review-machete/</link>
		<comments>http://newcityfilm.com/2010/09/01/review-machete/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 21:45:40 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Political]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Cheech Marin]]></category>
		<category><![CDATA[Danny Trejo]]></category>
		<category><![CDATA[Fast Food Nation]]></category>
		<category><![CDATA[Grindhouse]]></category>
		<category><![CDATA[Jessica Alba]]></category>
		<category><![CDATA[Lindsay Lohan]]></category>
		<category><![CDATA[Machete]]></category>
		<category><![CDATA[Michelle Rodriguez]]></category>
		<category><![CDATA[Robert De Niro]]></category>
		<category><![CDATA[Robert Rodriguez]]></category>
		<category><![CDATA[Steven Seagal]]></category>
		<category><![CDATA[The Parallax View]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5834</guid>
		<description><![CDATA[RECOMMENDED What on earth is &#8220;Machete&#8221;? More properly, what in Texas is it? Originally one of the fake coming attractions that was part of the &#8220;Grindhouse&#8221; package—&#8221;You fucked with the wrong Mexican&#8221;—Robert Rodriguez&#8217;s expansion of his pungent &#8220;Mexploitation&#8221; joke to feature length is, surprisingly, an urgent political polemic that still pays tribute to violent and [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The American</title>
		<link>http://newcityfilm.com/2010/09/01/review-the-american/</link>
		<comments>http://newcityfilm.com/2010/09/01/review-the-american/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 21:40:10 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Anton Corbijn]]></category>
		<category><![CDATA[George Clooney]]></category>
		<category><![CDATA[Johan Leyse]]></category>
		<category><![CDATA[Martin Ruhe]]></category>
		<category><![CDATA[Paolo Bonacelli]]></category>
		<category><![CDATA[Rowan Joffe]]></category>
		<category><![CDATA[The American]]></category>
		<category><![CDATA[Thekla Reuten]]></category>
		<category><![CDATA[Violante Placido]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5840</guid>
		<description><![CDATA[International hitmen are over-represented in the database of screen characters&#8217; careers. George Clooney is kept employed playing all manner of worldly operatives—though he only fired workers, not weapons in &#8220;Up in the Air&#8221;—who never get the girl. We feel so bad for the guy who can&#8217;t make his deadly living work out for his love [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Tillman Story</title>
		<link>http://newcityfilm.com/2010/09/01/review-the-tillman-story/</link>
		<comments>http://newcityfilm.com/2010/09/01/review-the-tillman-story/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 21:38:49 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Amir Bar-Lev]]></category>
		<category><![CDATA[Joe Bini]]></category>
		<category><![CDATA[Noam Chomsky]]></category>
		<category><![CDATA[Pat Tillman]]></category>
		<category><![CDATA[The Tillman Story]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5838</guid>
		<description><![CDATA[RECOMMENDED &#8220;I&#8217;m Pat Fucking Tillman!&#8221; were the last words of Pat Tillman, a professional football player who gave up his career in 2002 to become an Army Ranger. It was also the original title of director Amir Bar-Lev&#8217;s simmering, furious &#8220;The Tillman Story,&#8221; a documentary that unravels the military and government cover-up of his death [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Mesrine: Public Enemy # 1</title>
		<link>http://newcityfilm.com/2010/09/01/review-mesrine-public-enemy-1/</link>
		<comments>http://newcityfilm.com/2010/09/01/review-mesrine-public-enemy-1/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 21:30:34 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Jean-François Richet]]></category>
		<category><![CDATA[Mathieu Amalric]]></category>
		<category><![CDATA[Mesrine: Public Enemy # 1]]></category>
		<category><![CDATA[Oliver Gourmet]]></category>
		<category><![CDATA[Vincent Cassel]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5831</guid>
		<description><![CDATA[RECOMMENDED Freed from establishing the background of the French gangster in &#8220;Mesrine: Killer Instinct,&#8221; director Jean-François Richet (“Assault on Precinct 13,” 2005) is able to leap into courtroom escape and prison-break setpieces for their own explosive pop movie virtues in the second film, &#8220;Mesrine: Public Enemy # 1.&#8221; The joy that crosses Vincent Cassel&#8217;s plumped-up [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Valhalla Rising</title>
		<link>http://newcityfilm.com/2010/09/01/review-valhalla-rising/</link>
		<comments>http://newcityfilm.com/2010/09/01/review-valhalla-rising/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 21:22:17 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Alexander Morton]]></category>
		<category><![CDATA[Callum Mitchell]]></category>
		<category><![CDATA[Ewan Stewart]]></category>
		<category><![CDATA[Gary Lewis]]></category>
		<category><![CDATA[Jamie Sives]]></category>
		<category><![CDATA[Mads Mikkelsen]]></category>
		<category><![CDATA[Nicholas Winding Refn]]></category>
		<category><![CDATA[Valhalla Rising]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5836</guid>
		<description><![CDATA[RECOMMENDED The barbarians are coming. From Neil Marshall&#8217;s upcoming &#8220;Centurion&#8221; to Kevin Macdonald&#8217;s &#8220;The Eagle of the Ninth,&#8221; the glories of tactical slaughter are being celebrated by filmmakers across Europe. In this case, it&#8217;s Nicolas Winding Refn, the Danish scholar of brutalism (&#8220;Bronson,&#8221; the &#8220;Pusher&#8221; trilogy) going full force in the opening passages of &#8220;Valhalla [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Mugabe and the White African</title>
		<link>http://newcityfilm.com/2010/09/01/review-mugabe-and-the-white-african/</link>
		<comments>http://newcityfilm.com/2010/09/01/review-mugabe-and-the-white-african/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 21:20:12 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Andrew Thompson]]></category>
		<category><![CDATA[Johnny Pilcher]]></category>
		<category><![CDATA[Lucy Bailey]]></category>
		<category><![CDATA[Mike Campbell]]></category>
		<category><![CDATA[Mugabe and the White African]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5825</guid>
		<description><![CDATA[RECOMMENDED The Oscar-shortlisted &#8220;Mugabe and the White African&#8221; charts the determination of one of the few white farm families left in Zimbabwe since President Robert Mugabe&#8217;s violent land-seizure program took effect in 2000. As the country descended further and further into confusion, an indignant Mike Campbell pressed charges of human-rights violations and racial discrimination against [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: John Rabe</title>
		<link>http://newcityfilm.com/2010/09/01/review-john-rabe/</link>
		<comments>http://newcityfilm.com/2010/09/01/review-john-rabe/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 21:00:00 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Biopic]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Anne Consigny]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[Daniel Brühl]]></category>
		<category><![CDATA[Florian Gallenberger]]></category>
		<category><![CDATA[John Rabe]]></category>
		<category><![CDATA[Steve Buscemi]]></category>
		<category><![CDATA[Teruyuki Kagawa]]></category>
		<category><![CDATA[Ulrich Tukur]]></category>
		<category><![CDATA[Zhang Jingchu]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5827</guid>
		<description><![CDATA[Writer-director Florian Gallenberger&#8217;s earnest, self-important &#8220;John Rabe&#8221; won four 2009 Lola Awards at the German Film Awards, for best film, lead actor, art direction and costume design. An indifferently mounted historical epic, &#8220;Rabe&#8221; tells the story of the &#8220;Schindler of China,&#8221; (Ulrich Tukur, &#8220;The White Ribbon&#8221;) as some have dubbed him, a German Nazi businessman [...]]]></description>
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		</item>
		<item>
		<title>Review: Takers</title>
		<link>http://newcityfilm.com/2010/08/27/review-takers/</link>
		<comments>http://newcityfilm.com/2010/08/27/review-takers/#comments</comments>
		<pubDate>Fri, 27 Aug 2010 19:29:23 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Chris Brown]]></category>
		<category><![CDATA[dris Elba]]></category>
		<category><![CDATA[Hayden Christensen]]></category>
		<category><![CDATA[Jay Hernandez]]></category>
		<category><![CDATA[John Luessenhop]]></category>
		<category><![CDATA[Marianne Jean-Baptiste]]></category>
		<category><![CDATA[Matt Dillon]]></category>
		<category><![CDATA[Michael Ealy]]></category>
		<category><![CDATA[Paul Walker]]></category>
		<category><![CDATA[Steve Harris]]></category>
		<category><![CDATA[Takers]]></category>
		<category><![CDATA[Zoë Saldana]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5727</guid>
		<description><![CDATA[&#8220;Takers&#8221; is reportedly the largest-budgeted production ever from Sony&#8217;s Screen Gems division, at $32 million, and several action setpieces show where much of that money must have gone. Alternating between sun-streaked Los Angeles streets and glam, glum-lit club spaces, director John Luessenhop&#8217;s bitter, cynical cops-vs.-robbers-vs.-robbers-vs.-Russians über-mastermind heist movie resembles nothing so much as a late [...]]]></description>
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		</item>
		<item>
		<title>Coming of Age: In &#8220;Flipped,&#8221; Rob Reiner makes a movie out of time</title>
		<link>http://newcityfilm.com/2010/08/25/coming-of-age-in-flipped-rob-reiner-makes-a-movie-out-of-time/</link>
		<comments>http://newcityfilm.com/2010/08/25/coming-of-age-in-flipped-rob-reiner-makes-a-movie-out-of-time/#comments</comments>
		<pubDate>Wed, 25 Aug 2010 21:55:13 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Family]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[Aidan Quinn]]></category>
		<category><![CDATA[Anthony Edwards]]></category>
		<category><![CDATA[Avatar]]></category>
		<category><![CDATA[Elephant]]></category>
		<category><![CDATA[Flipped]]></category>
		<category><![CDATA[Gus Van Sant]]></category>
		<category><![CDATA[John Mahoney]]></category>
		<category><![CDATA[Julia "Butterfly" Hill]]></category>
		<category><![CDATA[Madeline Carroll]]></category>
		<category><![CDATA[Rob Reiner]]></category>
		<category><![CDATA[The Wonder Years]]></category>
		<category><![CDATA[When Harry Met Sally]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=5729</guid>
		<description><![CDATA[RECOMMENDED By Ray Pride I went into Rob Reiner&#8217;s &#8220;Flipped&#8221; fearing a coming-of-age romantic comedy that would live up to Roger Ebert&#8217;s notorious pan of the director&#8217;s &#8220;North&#8221;: &#8220;I hated this movie. Hated hated hated hated hated this movie. Hated it.&#8221; I love being wrong when foolish expectations get stamped out, and there are moments [...]]]></description>
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		<slash:comments>0</slash:comments>
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