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	<title>Newcity Film</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>The Girls in the Band: The queens of noise live again in &#8220;The Runaways&#8221; (Review)</title>
		<link>http://newcityfilm.com/2010/03/17/the-girls-in-the-band-recreating-the-fire-that-time-with-the-runaways-review/</link>
		<comments>http://newcityfilm.com/2010/03/17/the-girls-in-the-band-recreating-the-fire-that-time-with-the-runaways-review/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 21:42:28 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Biopic]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Art Linson]]></category>
		<category><![CDATA[Cherie Currie]]></category>
		<category><![CDATA[Dakota Fanning]]></category>
		<category><![CDATA[Eugenio Caballero]]></category>
		<category><![CDATA[Floria Sigismondi]]></category>
		<category><![CDATA[Joan Jett]]></category>
		<category><![CDATA[Kim Fowley]]></category>
		<category><![CDATA[Kristen Stewart]]></category>
		<category><![CDATA[Michael Shannon]]></category>
		<category><![CDATA[Neon Angel]]></category>
		<category><![CDATA[The Runaways]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3878</guid>
		<description><![CDATA[By Ray Pride
&#8220;These bitches suck&#8221; was Creem magazine&#8217;s timeless takedown of The Runaways when the teenage girl band bobbed to the surface of the 1970s.
In Floria Sigismondi&#8217;s writing-directing debut, the making-of-the-band, life-on-the-road, taking-of-the-drugs telling of 1970s teen rockers who made it right to the middle (despite mostly sucking, musically) has the right attitude if not [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The 13th European Union Film Festival (Week 3)</title>
		<link>http://newcityfilm.com/2010/03/17/the-13th-european-union-film-festival-week-3/</link>
		<comments>http://newcityfilm.com/2010/03/17/the-13th-european-union-film-festival-week-3/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 21:22:51 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Dogtooth]]></category>
		<category><![CDATA[European Union Film Center]]></category>
		<category><![CDATA[Helsinki Forever]]></category>
		<category><![CDATA[Jacques Doillon]]></category>
		<category><![CDATA[Jessica Hausner]]></category>
		<category><![CDATA[Just Anybody]]></category>
		<category><![CDATA[Lourdes]]></category>
		<category><![CDATA[Peter von Bagh]]></category>
		<category><![CDATA[Sylvie Testud]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3891</guid>
		<description><![CDATA[RECOMMENDED
Sylvie Testud, an axiom of contemporary French cinema, a waif of steel, has made her bold mark in movies like &#8220;La France&#8221; (Serge Bozon&#8217;s lovely, bizarre musical, soon on DVD). In one of this week&#8217;s highlights from Siskel&#8217;s European Union Film Festival, &#8220;Lourdes&#8221; (Sat, Thu), she plays a paraplegic in a wheelchair who travels to [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2010/03/17/the-13th-european-union-film-festival-week-3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Girl With The Dragon Tattoo</title>
		<link>http://newcityfilm.com/2010/03/17/review-the-girl-with-the-dragon-tattoo/</link>
		<comments>http://newcityfilm.com/2010/03/17/review-the-girl-with-the-dragon-tattoo/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 21:17:33 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Michael Nyqvis]]></category>
		<category><![CDATA[Niels Arden Oplev]]></category>
		<category><![CDATA[Noomi Rapace]]></category>
		<category><![CDATA[Stieg Larsson]]></category>
		<category><![CDATA[The Girl With The Dragon Tattoo]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3876</guid>
		<description><![CDATA[RECOMMENDED
&#8220;The Men Who Hate Women&#8221; is the blunt original title of the late Swedish writer Stieg Larsson&#8217;s worldwide bestseller; its harsh portrait of that country&#8217;s industry and welfare state earns it. But can a story about misogyny inadvertently traffic in it? As &#8220;The Girl With The Dragon Tattoo,&#8221; it&#8217;s a barn-burner of a page-turner, the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Nick Nolte: No Exit</title>
		<link>http://newcityfilm.com/2010/03/17/review-nick-nolte-no-exit/</link>
		<comments>http://newcityfilm.com/2010/03/17/review-nick-nolte-no-exit/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 21:01:05 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Biopic]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Alan Rudolph]]></category>
		<category><![CDATA[Barbara Hershey]]></category>
		<category><![CDATA[F.X. Feeney]]></category>
		<category><![CDATA[Jacqueline Bisset]]></category>
		<category><![CDATA[Mike Medavoy]]></category>
		<category><![CDATA[Nick Nolte]]></category>
		<category><![CDATA[Nick Nolte No Exit]]></category>
		<category><![CDATA[Paul Mazursky]]></category>
		<category><![CDATA[Powers Boothe]]></category>
		<category><![CDATA[Tom Thurman]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3874</guid>
		<description><![CDATA[RECOMMENDED
An auto-interview with the fantastically flaky Nick Nolte (interviewed by a TV journalist alter ego) amuses far more than you&#8217;d think: Nolte&#8217;s bemused knack for toying with interviewers is matched by his passion for performance. What should the gimmick here be called, one-on-one? Nick-on-Nick action? In making &#8220;Nick Nolte: No Exit,&#8221; director Tom Thurman is [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Neil Young Trunk Show</title>
		<link>http://newcityfilm.com/2010/03/17/review-neil-young-trunk-show/</link>
		<comments>http://newcityfilm.com/2010/03/17/review-neil-young-trunk-show/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 21:00:33 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Declan Quinn]]></category>
		<category><![CDATA[Ellen Kuras]]></category>
		<category><![CDATA[Jonathan Demme]]></category>
		<category><![CDATA[Neil Young Trunk Show]]></category>
		<category><![CDATA[Neil Young: Heart of Gold]]></category>
		<category><![CDATA[Rust Never Sleeps]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3880</guid>
		<description><![CDATA[RECOMMENDED
In a follow-up to &#8220;Neil Young: Heart of Gold,&#8221; Jonathan Demme shoots Young rocking two nights three years ago in Upper Darby, Pennsylvania. On this Chrome Dreams II tour, Young and his band had played two nights at the Chicago Theater the month before. Demme skips the interviews and backstage footage found in his 2006 [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Subtitle Town USA: Can Music Box Films turn Chicago into a home for world cinema?</title>
		<link>http://newcityfilm.com/2010/03/16/subtitle-town-usa-can-music-box-films-turn-chicago-into-a-home-for-world-cinema/</link>
		<comments>http://newcityfilm.com/2010/03/16/subtitle-town-usa-can-music-box-films-turn-chicago-into-a-home-for-world-cinema/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 19:28:37 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[News and Dish]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[A Prophet]]></category>
		<category><![CDATA[Avatar]]></category>
		<category><![CDATA[Bill Schopf]]></category>
		<category><![CDATA[Brian Andreotti]]></category>
		<category><![CDATA[Ed Arentz]]></category>
		<category><![CDATA[Guillaume Canet]]></category>
		<category><![CDATA[Il Divo]]></category>
		<category><![CDATA[Music Box Films]]></category>
		<category><![CDATA[Music Box Theatre]]></category>
		<category><![CDATA[OSS 117]]></category>
		<category><![CDATA[Roger Ebert]]></category>
		<category><![CDATA[Seraphine]]></category>
		<category><![CDATA[Shall We Kiss?]]></category>
		<category><![CDATA[Tell No One]]></category>
		<category><![CDATA[Terry Gilliam]]></category>
		<category><![CDATA[The Girl with the Dragon Tatto]]></category>
		<category><![CDATA[The Hurt Locker]]></category>
		<category><![CDATA[Tuya's Marriage]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3884</guid>
		<description><![CDATA[By Tom Lynch
You’re probably sick of hearing it by now, but “The Hurt Locker” is the least-seen of all Best Picture Oscar winners in history. In an age when funding for modest pictures is scarce, and studios are less interested in taking risks with films lacking marquee names, an art-house action drama (of considerable caliber, [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Green Zone</title>
		<link>http://newcityfilm.com/2010/03/16/review-green-zone/</link>
		<comments>http://newcityfilm.com/2010/03/16/review-green-zone/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 18:15:42 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[Amy Ryan]]></category>
		<category><![CDATA[Brendan Gleeson]]></category>
		<category><![CDATA[Brian Helgeland]]></category>
		<category><![CDATA[Green Zone]]></category>
		<category><![CDATA[Greg Kinnear]]></category>
		<category><![CDATA[Iraq]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[No End in Sight]]></category>
		<category><![CDATA[Paul Greengrass]]></category>
		<category><![CDATA[United 93]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3875</guid>
		<description><![CDATA[RECOMMENDED
When would’ve been the right time for Paul Greengrass&#8217; latest headlong movie, a heady venture into a foreign land, the Morocco-shot Iraq War fable &#8220;Green Zone,&#8221; which suggests one honest man, Chief Warrant Officer Roy Miller (played by a more-than-solid Matt Damon) could have unburied the truth about nonexistent WMDs, or weapons of mass destruction. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Miss Leading Roles: A night with &#8220;Babes in B-Movies&#8221;</title>
		<link>http://newcityfilm.com/2010/03/15/miss-leading-roles-a-night-with-babes-in-b-movies/</link>
		<comments>http://newcityfilm.com/2010/03/15/miss-leading-roles-a-night-with-babes-in-b-movies/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 04:05:32 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Chicago Filmmakers]]></category>
		<category><![CDATA[Dyke Delicious]]></category>
		<category><![CDATA[Reeling Festival]]></category>
		<category><![CDATA[Sharon Zurek]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3905</guid>
		<description><![CDATA[Walking up the stairs in the space owned by Chicago Filmmakers is not weird. Walking up those wooden stairs on the second Saturday of the month when a group with the name Dyke Delicious hosting a “Babes in B-Movies” night really isn’t even that weird. In fact, it’s downright inviting. On the second floor, amid [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Frame Game: &#8220;The Art of the Steal&#8221;&#8217;s Don Argott</title>
		<link>http://newcityfilm.com/2010/03/10/the-frame-game-the-art-of-the-steals-don-argott/</link>
		<comments>http://newcityfilm.com/2010/03/10/the-frame-game-the-art-of-the-steals-don-argott/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 22:45:56 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Art of the Steal]]></category>
		<category><![CDATA[Barnes Museum]]></category>
		<category><![CDATA[Don Argott]]></category>
		<category><![CDATA[Rock School]]></category>
		<category><![CDATA[The Wire]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3838</guid>
		<description><![CDATA[By Ray Pride
An assured polemic that plays as an eyes-wide thriller, Don Argott&#8217;s &#8220;The Art of the Steal&#8221; is also a rousing entertainment as layered and skeptical as a marathon of episodes of &#8220;The Wire.&#8221;
The Barnes Foundation operates a museum, five miles from Philadelphia, in Lower Merion, Pennsylvania, created by the late Dr. Albert C. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Red Riding Trilogy</title>
		<link>http://newcityfilm.com/2010/03/10/review-the-red-riding-trilogy/</link>
		<comments>http://newcityfilm.com/2010/03/10/review-the-red-riding-trilogy/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 22:20:30 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[Political]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Anand Tucker]]></category>
		<category><![CDATA[Andrew Garfield]]></category>
		<category><![CDATA[David Thomson]]></category>
		<category><![CDATA[Eddie Marsan]]></category>
		<category><![CDATA[James Marsh]]></category>
		<category><![CDATA[Julian Jarrold]]></category>
		<category><![CDATA[Paddy Considine]]></category>
		<category><![CDATA[Peter Mullan]]></category>
		<category><![CDATA[Rebecca Hall]]></category>
		<category><![CDATA[Red Riding 1974]]></category>
		<category><![CDATA[Red Riding 1980]]></category>
		<category><![CDATA[Red Riding 1983]]></category>
		<category><![CDATA[The Red Riding Trilogy]]></category>
		<category><![CDATA[Tony Grisoni]]></category>
		<category><![CDATA[Yorkshire Ripper]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3836</guid>
		<description><![CDATA[David Peace&#8217;s &#8220;Red Riding&#8221; books, drawing on the real-life &#8220;Yorkshire Ripper&#8221; cases, are a marvel of surrealism and despair, finding language both vernacular and incantatory to capture the failed attempts of investigators and journalists to solve brutal serial killings in Leeds, Yorkshire, across two decades. The quartet of novels is pared to a trilogy, rich, [...]]]></description>
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		<slash:comments>0</slash:comments>
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