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	<title>Newcity Film &#187; World Cinema</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
	<lastBuildDate>Fri, 03 Feb 2012 00:00:27 +0000</lastBuildDate>
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		<title>The Projection on the Wall: The Visual Language of &#8220;A Separation&#8221;</title>
		<link>http://newcityfilm.com/2012/02/01/the-projection-on-the-wall-the-visual-psychology-of-a-separation/</link>
		<comments>http://newcityfilm.com/2012/02/01/the-projection-on-the-wall-the-visual-psychology-of-a-separation/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 10:00:50 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[A Separation]]></category>
		<category><![CDATA[Asghar Farhadi]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11820</guid>
		<description><![CDATA[By Ray Pride On the simplest level, &#8220;A Separation&#8221; is about the end of a marriage, or the attempt to separate. But that&#8217;s too simple. In Asghar Farhadi&#8217;s fifth feature, the mere fact of one life in contemporary Tehran brushing up against another leads to fateful conflict. Simin (Leila Hatami) wants husband Nader (Peyman Moadi) [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Miss Bala</title>
		<link>http://newcityfilm.com/2012/01/27/review-miss-bala/</link>
		<comments>http://newcityfilm.com/2012/01/27/review-miss-bala/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 15:37:55 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Canana]]></category>
		<category><![CDATA[Diego Luna]]></category>
		<category><![CDATA[Fox International]]></category>
		<category><![CDATA[Gael Garcia Bernal]]></category>
		<category><![CDATA[Gerardo Naranjo]]></category>
		<category><![CDATA[J. G. Ballard]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Mátyás Erdély]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Miss Bala]]></category>
		<category><![CDATA[Weekend]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11766</guid>
		<description><![CDATA[RECOMMENDED Mexican director Gerardo Naranjo&#8217;s brilliant, urgent &#8220;Miss Bala,&#8221; which was his country&#8217;s entry for the Best Foreign Language Film, and easily the best film of 2012 so far, is getting an abrupt release in the Chicago area after failing to make the final five for the Academy Awards. It&#8217;s under the Fox International banner, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Pina</title>
		<link>http://newcityfilm.com/2012/01/18/review-pina/</link>
		<comments>http://newcityfilm.com/2012/01/18/review-pina/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 22:45:13 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11689</guid>
		<description><![CDATA[RECOMMENDED A simple scrim, lightly dancing, a sheer of muslin, ripples across the screen at an acute angle, like a movie screen, but translucent, in the briefest instance of prestidigitation introducing the 3D element to Wim Wenders&#8217; &#8220;Pina,&#8221; a film for his late friend, dance choreographer Pina Bausch. In its own fashion, it&#8217;s as revolutionary [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Men at Work: Takeshi Kitano and a Director&#8217;s Drive</title>
		<link>http://newcityfilm.com/2012/01/04/men-at-work-takeshi-kitano-and-the-directors-drive/</link>
		<comments>http://newcityfilm.com/2012/01/04/men-at-work-takeshi-kitano-and-the-directors-drive/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 23:00:23 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[David Fincher]]></category>
		<category><![CDATA[Edward Burns]]></category>
		<category><![CDATA[Joe Swanberg]]></category>
		<category><![CDATA[Newlyweds]]></category>
		<category><![CDATA[Outrage]]></category>
		<category><![CDATA[Takeshi Kitano]]></category>
		<category><![CDATA[The Girl With The Dragon Tattoo (2011)]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11538</guid>
		<description><![CDATA[By Ray Pride When does work become a &#8220;work&#8221;? Almost as fascinating as the cool, perfectionist sheen of David Fincher&#8217;s version of &#8220;The Girl With The Dragon Tattoo&#8221; is the tattoo of tales of the making of the movie. Collaborators seem to go to special lengths to point out that the painstaking focus Fincher applies to [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Conquest</title>
		<link>http://newcityfilm.com/2012/01/04/review-the-conquest/</link>
		<comments>http://newcityfilm.com/2012/01/04/review-the-conquest/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 22:37:17 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Bernard Le Coq]]></category>
		<category><![CDATA[Denis Podalydès]]></category>
		<category><![CDATA[Emmanuel Noblet]]></category>
		<category><![CDATA[Florence Pernel]]></category>
		<category><![CDATA[Hippolyte Girardot]]></category>
		<category><![CDATA[Jacques Chirac]]></category>
		<category><![CDATA[Michèle Moretti]]></category>
		<category><![CDATA[Music Box Films]]></category>
		<category><![CDATA[Nicolas Sarkozy]]></category>
		<category><![CDATA[Samuel Labarthe]]></category>
		<category><![CDATA[Xavier Durringer]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11531</guid>
		<description><![CDATA[RECOMMENDED Xavier Durringer&#8217;s &#8220;The Conquest&#8221; (La conquete) is a perky, cheeky take on the rise of French President Nicolas Sarkozy from 2002-2007, featuring a fine turn by veteran comic actor Denis Podalydès as the wife-shedding social striver. Podalydès does a splendid job of typing the small, schlumpfy man&#8217;s apparent (and reported) well of arrogance. While [...]]]></description>
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		</item>
		<item>
		<title>Review: Miss Minoes</title>
		<link>http://newcityfilm.com/2011/12/21/review-miss-minoes/</link>
		<comments>http://newcityfilm.com/2011/12/21/review-miss-minoes/#comments</comments>
		<pubDate>Wed, 21 Dec 2011 22:28:03 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Carice van Houten]]></category>
		<category><![CDATA[Hans Kesting]]></category>
		<category><![CDATA[Jack Wouterse]]></category>
		<category><![CDATA[Miss Minoes]]></category>
		<category><![CDATA[Olga Zuiderhoek]]></category>
		<category><![CDATA[Pierre Bokma]]></category>
		<category><![CDATA[Sarah Bannier]]></category>
		<category><![CDATA[Theo Maassen]]></category>
		<category><![CDATA[Vincent Bal]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11435</guid>
		<description><![CDATA[RECOMMENDED Nothing more than felines. Vincent Bal&#8217;s 2001 beguiling Dutch family film, &#8220;Miss Minoes,&#8221; which won a Best International Feature nod from the Chicago International Children&#8217;s Film Festival (2002), gets a worthy big-screen outing. Talking cats! But without rampant CGI and conga-line-scaled musical numbers. (A puppet here, a daffy mouth there.) A Siamese cat who [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Let No One In: Chilly, Thrilling Paranoia in &#8220;Tinker Tailor Soldier Spy&#8221;</title>
		<link>http://newcityfilm.com/2011/12/14/let-no-one-in-the-paranoid-chill-of-tinker-tailor/</link>
		<comments>http://newcityfilm.com/2011/12/14/let-no-one-in-the-paranoid-chill-of-tinker-tailor/#comments</comments>
		<pubDate>Wed, 14 Dec 2011 23:00:39 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[Political]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Benedict Cumberbatch]]></category>
		<category><![CDATA[Ciaran Hinds]]></category>
		<category><![CDATA[Colin Firth]]></category>
		<category><![CDATA[Gary Oldman]]></category>
		<category><![CDATA[John Hurt]]></category>
		<category><![CDATA[Let The Right One In]]></category>
		<category><![CDATA[Maria Djurkovic]]></category>
		<category><![CDATA[Mark Strong]]></category>
		<category><![CDATA[Simon McBurney]]></category>
		<category><![CDATA[Tinker Tailor Soldier Spy]]></category>
		<category><![CDATA[Toby Jones]]></category>
		<category><![CDATA[Tom Hardy]]></category>
		<category><![CDATA[Tomas Alfredson]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11388</guid>
		<description><![CDATA[By Ray Pride &#8220;Tinker Tailor Soldier Spy,&#8221; a labyrinthine tale about British espionage and spycraft, is an adaptation of John le Carre&#8217;s 1974 novel, from Tomas Alfredson, the director of &#8220;Let The Right One In.&#8221; The level of patience and control is similar between the two films: in the superb, measured &#8220;Tinker Tailor,&#8221; we realize [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Lads &amp; Jockeys</title>
		<link>http://newcityfilm.com/2011/12/14/review-lads-jockeys/</link>
		<comments>http://newcityfilm.com/2011/12/14/review-lads-jockeys/#comments</comments>
		<pubDate>Wed, 14 Dec 2011 22:49:33 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Benjamin Marquet]]></category>
		<category><![CDATA[Lads & Jockeys]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11381</guid>
		<description><![CDATA[RECOMMENDED Benjamin Marquet&#8217;s 2008 documentary falls neatly between two equine film studies this year, the inspirational &#8220;Buck&#8221; and the soaring &#8220;The War Horse.&#8221; (More on this next week.) A study of Steve, Florian and Flavien, three petit fourteen-year-old jockeys and their education at a rudimentary training center for future male and female &#8220;Lads &#38; Jockeys&#8221; [...]]]></description>
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		</item>
		<item>
		<title>Review: Tyrannosaur</title>
		<link>http://newcityfilm.com/2011/11/30/review-tyrannosaur/</link>
		<comments>http://newcityfilm.com/2011/11/30/review-tyrannosaur/#comments</comments>
		<pubDate>Wed, 30 Nov 2011 22:46:23 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Eddie Marsan]]></category>
		<category><![CDATA[Olivia Colman]]></category>
		<category><![CDATA[Paddy Considine]]></category>
		<category><![CDATA[Tyrannosaur]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11268</guid>
		<description><![CDATA[RECOMMENDED &#8220;Tyrannosaur,&#8221; Paddy Considine&#8217;s violent, profane, engulfing debut as feature writer-director, has the hallmarks of his performances as a natural actor: sincerity that can scintillate or scald in unpredictable measure. As production began, Considine reportedly told his actors they were making &#8220;cinema,&#8221; not just another small British movie. Shot on seedy locations in Leeds, &#8220;Tyrannosaur&#8221; [...]]]></description>
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		</item>
		<item>
		<title>Review: Elite Squad 2: The Enemy Within</title>
		<link>http://newcityfilm.com/2011/11/30/review-elite-squad-the-enemy-within/</link>
		<comments>http://newcityfilm.com/2011/11/30/review-elite-squad-the-enemy-within/#comments</comments>
		<pubDate>Wed, 30 Nov 2011 22:39:44 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[André Ramiro]]></category>
		<category><![CDATA[Elite Squad: The Enemy Within]]></category>
		<category><![CDATA[José Padilha]]></category>
		<category><![CDATA[Milhem Cortaz]]></category>
		<category><![CDATA[Seu Jorge]]></category>
		<category><![CDATA[Tainá Müller]]></category>
		<category><![CDATA[The Life Aquatic]]></category>
		<category><![CDATA[Tropa de elite: O inimigo agora e outro]]></category>
		<category><![CDATA[Wagner Moura]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11266</guid>
		<description><![CDATA[RECOMMENDED Very few storytellers have the wherewithal to attempt something as comprehensive and kaleidoscopic as &#8220;The Wire,&#8221; but in his second police fiction set in the favelas, the huge slums that surround and envelope Rio de Janeiro, José Padilha is on the scent. &#8220;Elite Squad 2:  The Enemy Within&#8221; (Tropa de elite: O inimigo agora [...]]]></description>
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