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	<title>Newcity Film &#187; World Cinema</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>Review: Where Do We Go Now?</title>
		<link>http://newcityfilm.com/2012/05/16/review-where-do-we-go-now/</link>
		<comments>http://newcityfilm.com/2012/05/16/review-where-do-we-go-now/#comments</comments>
		<pubDate>Wed, 16 May 2012 21:04:50 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Nadine Labaki]]></category>
		<category><![CDATA[Where Do We Go Now?]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13396</guid>
		<description><![CDATA[An art-house jaw-dropper, Canadian filmmaker Nadine Labaki&#8217;s &#8220;Where Do We Go Now?&#8221; (Et maintenant on va où?) manages to annoy and offend in almost equal measure in its many miscalculated scenes, from cultural caricature to musical numbers and back again. The opening scene, a dance tableau that seems like it could be drawn from the 1960s [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Headhunters</title>
		<link>http://newcityfilm.com/2012/05/09/review-headhunters/</link>
		<comments>http://newcityfilm.com/2012/05/09/review-headhunters/#comments</comments>
		<pubDate>Wed, 09 May 2012 21:51:10 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Aksel Hennie]]></category>
		<category><![CDATA[Headhunters]]></category>
		<category><![CDATA[Hodejegerne]]></category>
		<category><![CDATA[Jo Nesbø]]></category>
		<category><![CDATA[Morten Tyldum]]></category>
		<category><![CDATA[Nikolaj Coster-Waldau]]></category>
		<category><![CDATA[Synnove Macody Lund]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13271</guid>
		<description><![CDATA[RECOMMENDED &#8220;I&#8217;m Roger Brown, and I’m 5&#8217;6&#8243; tall.&#8221; &#8220;Hodejegerne,&#8221; Jo Nesbø’s best-selling 2008 novel, provides the genetic material for a clever, high-energy, heist-chase thriller. Self-aware, self-assured sociopath Roger Brown (Aksel Hennie), a corporate recruiter living beyond his means and on both sides of the law, is matched by director Morten Tyldum&#8217;s sleek, chilly visual style, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Turin Horse</title>
		<link>http://newcityfilm.com/2012/05/09/review-the-turin-horse/</link>
		<comments>http://newcityfilm.com/2012/05/09/review-the-turin-horse/#comments</comments>
		<pubDate>Wed, 09 May 2012 21:50:59 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Bela Tarr]]></category>
		<category><![CDATA[Erika Bok]]></category>
		<category><![CDATA[Fred Kelemen]]></category>
		<category><![CDATA[Janos Derzsi]]></category>
		<category><![CDATA[László Krasznahork]]></category>
		<category><![CDATA[Mihaly Kormos]]></category>
		<category><![CDATA[Mihály Vig]]></category>
		<category><![CDATA[Robert Koehler]]></category>
		<category><![CDATA[Sátántangó]]></category>
		<category><![CDATA[The Turin Horse]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13117</guid>
		<description><![CDATA[RECOMMENDED Godard famously quipped that a movie has a beginning, a middle and an end, but not necessarily in that order. A Béla Tarr movie has rain, wind and despair, but not necessarily in that order. The Hungarian director of &#8220;The Werckmeister Harmonies&#8221; and &#8220;Sátántangó&#8221; says he&#8217;s chucking it in, at the age of fifty-six, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Children of Paradise</title>
		<link>http://newcityfilm.com/2012/05/09/review-children-of-paradise/</link>
		<comments>http://newcityfilm.com/2012/05/09/review-children-of-paradise/#comments</comments>
		<pubDate>Wed, 09 May 2012 21:50:56 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Artletty]]></category>
		<category><![CDATA[Children of Paradise]]></category>
		<category><![CDATA[Jean-Louis Barrault]]></category>
		<category><![CDATA[Les enfants du paradis]]></category>
		<category><![CDATA[Louis Salou]]></category>
		<category><![CDATA[Marcel Carné]]></category>
		<category><![CDATA[Marcel Herrand]]></category>
		<category><![CDATA[Maria Casares]]></category>
		<category><![CDATA[Pierre Brasseur]]></category>
		<category><![CDATA[Terry Gilliam]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13273</guid>
		<description><![CDATA[RECOMMENDED The proscenium frames life; behind the curtain, another life? More life. In an introduction to the 2002 Criterion edition of &#8220;Children of Paradise&#8221; (Les enfants du paradis), Terry Gilliam swoons in his rocketing enthusiasm that Marcel Carné&#8217;s lavish epic is &#8220;one of those films that seemed to me that we&#8217;ll never see again, because [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Monsieur Lazhar</title>
		<link>http://newcityfilm.com/2012/04/25/review-monsieur-lazhar/</link>
		<comments>http://newcityfilm.com/2012/04/25/review-monsieur-lazhar/#comments</comments>
		<pubDate>Wed, 25 Apr 2012 21:47:29 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Brigitte Poupart]]></category>
		<category><![CDATA[Danielle Proulx]]></category>
		<category><![CDATA[Émilien Néron]]></category>
		<category><![CDATA[Fellag]]></category>
		<category><![CDATA[Philippe Falardeau]]></category>
		<category><![CDATA[Sophie Nélisse]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=12950</guid>
		<description><![CDATA[RECOMMENDED Acute, perceptive, compelling, &#8220;Monsieur Lazhar&#8221; is a rich portrait of a man finding his calling under unlikely circumstances. Canada&#8217;s nominee for this year&#8217;s Best Foreign Language Film Oscar, adapted by Philippe Falardeau from Évelyne de la Chenelière’s one-act stage monologue, keeps its focus on its singular character, Bachir Lazhar (Fellag), an Algerian immigrant who [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: We Have A Pope</title>
		<link>http://newcityfilm.com/2012/04/25/review-we-have-a-pope/</link>
		<comments>http://newcityfilm.com/2012/04/25/review-we-have-a-pope/#comments</comments>
		<pubDate>Wed, 25 Apr 2012 21:39:30 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Jerzy Stuhr]]></category>
		<category><![CDATA[Michel Piccoli]]></category>
		<category><![CDATA[Nanni Moretti]]></category>
		<category><![CDATA[Renato Scarpa]]></category>
		<category><![CDATA[We Have a Pope]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=12956</guid>
		<description><![CDATA[(Habemus Papam) Nanni Moretti wears many hats—actor, writer, director, film distributor, owner of Rome&#8217;s leading art-house cinema—and his movies range from comedies about modern life to melodramas about loss (the heart-shaking &#8220;The Son&#8217;s Room&#8221;). Occasionally, he makes a not-very-good movie, and even when distribution of foreign-language films wasn&#8217;t so uncommon, they would fail to find [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Hunter</title>
		<link>http://newcityfilm.com/2012/04/25/review-the-hunter-2/</link>
		<comments>http://newcityfilm.com/2012/04/25/review-the-hunter-2/#comments</comments>
		<pubDate>Wed, 25 Apr 2012 21:24:37 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Daniel Nettheim]]></category>
		<category><![CDATA[Finn Woodlock]]></category>
		<category><![CDATA[Frances O'Connor]]></category>
		<category><![CDATA[Morgana Davies]]></category>
		<category><![CDATA[Sam Neill]]></category>
		<category><![CDATA[The Hunter]]></category>
		<category><![CDATA[Willem Dafoe]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13024</guid>
		<description><![CDATA[RECOMMENDED &#8220;The Hunter&#8221; shares pedigree with a new generation of Australian filmmaking, including co-producers behind the impressive gangster film &#8220;Animal Kingdom&#8221; (2010), and a novel for source material by Julia Leigh, who made her directorial debut with the controversial sexual allegory &#8220;Sleeping Beauty&#8221; (2011). Willem Dafoe plays a mercenary, dispatched by a Euro-biotech conglomerate to [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Boy</title>
		<link>http://newcityfilm.com/2012/04/25/review-boy/</link>
		<comments>http://newcityfilm.com/2012/04/25/review-boy/#comments</comments>
		<pubDate>Wed, 25 Apr 2012 21:21:31 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Boy]]></category>
		<category><![CDATA[Cherilee Martin]]></category>
		<category><![CDATA[James Rolleston]]></category>
		<category><![CDATA[Moerangi Tihore]]></category>
		<category><![CDATA[RickyLee Waipuka-Russell]]></category>
		<category><![CDATA[Taika Waititi]]></category>
		<category><![CDATA[Te Aho Eketone-Whitu]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=12958</guid>
		<description><![CDATA[RECOMMENDED New Zealand filmmaker Taika Waititi relaxes the quirk a tad after his first feature, &#8220;Eagle Vs. Shark,&#8221; (2007) the memorably eccentric comic love story that introduced Jemaine Clement, one half of &#8220;Flight of the Conchords&#8221; to the larger world. Waititi claims a mild strain of autobiography—&#8221;true and imagined memories&#8221;—in the 1980s-set coming-of-age story, &#8220;Boy,&#8221; [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: This Is Not A Film</title>
		<link>http://newcityfilm.com/2012/04/11/review-this-is-not-a-film/</link>
		<comments>http://newcityfilm.com/2012/04/11/review-this-is-not-a-film/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 21:00:00 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Crimson Gold]]></category>
		<category><![CDATA[Jafar Panahi]]></category>
		<category><![CDATA[Mojtaba Mirtahmasb]]></category>
		<category><![CDATA[Offside]]></category>
		<category><![CDATA[The White Balloon]]></category>
		<category><![CDATA[This is Not A Film]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=12594</guid>
		<description><![CDATA[RECOMMENDED &#8220;If we could tell a film then why make a film?&#8221; Heard the one about the prisoner who had a saw smuggled into prison in a cake? Ollllld joke. The absurdist modern version that ekes only a mordant &#8220;Ha!&#8221; is the journey of &#8220;This Is Not A Film&#8221; (In Film Nist) from Tehran to [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Punk Pictures: Music, Movies and the Chilean Punk Movement at CIMMFest</title>
		<link>http://newcityfilm.com/2012/04/10/punk-pictures-music-movies-and-the-chilean-punk-movement-at-cimmfest/</link>
		<comments>http://newcityfilm.com/2012/04/10/punk-pictures-music-movies-and-the-chilean-punk-movement-at-cimmfest/#comments</comments>
		<pubDate>Tue, 10 Apr 2012 09:00:06 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Augusto Pinochet]]></category>
		<category><![CDATA[Ilko Davidov]]></category>
		<category><![CDATA[Josh Chicoine]]></category>
		<category><![CDATA[Jr.]]></category>
		<category><![CDATA[Martín Núñez]]></category>
		<category><![CDATA[Michael W. Philips]]></category>
		<category><![CDATA[The Chicago International Movies and Music Festival]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=12731</guid>
		<description><![CDATA[As if a daylong lineup of films about music isn’t enough, The Chicago International Movies &#38; Music Festival boasts a lineup of live music by night, inspired by the movies it screened earlier in the day. The festival, which takes place at various venues throughout Wicker Park and Logan Square, is all about highlighting the [...]]]></description>
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		<slash:comments>0</slash:comments>
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