By Ray Pride
“I Origins” blushes with swirls of sensory extravagance, of emotional extremes, of drenching passions and bathetic loss.
It’s the sophomore feature of writer-editor-director Mike Cahill, who made his debut in 2011 with “Another Earth” (co-written with actor-writer Brit Marling), and I could reprise my enthusiastic description of that film upon its release for his marvelously ambitious new movie: “serious, somber, bruised, hopeful, thrilling, shocking, emotions-over-the-line speculative science-fiction romance-tragedy with one scene in it that I cannot tell you how hard it hits and I hope no one else does either.” (For “I Origins,” I’ll add “exhilarating.”)
Michael Pitt gives one of his most concentrated performances as Dr. Ian Gray, a molecular biologist obsessed with defining the evolution of the eye. He also has a fetish of asking people he encounters if he can take a picture of their eye. He’s obsessed with coincidences and numbers, too: among other patterns that materialize in his moment-to-moment life, the pattern “11 11” becomes very important. (And the title itself plays with those figures.) A fervent romance erupts with Sofi (Astrid Berges-Frisbey), a European woman he meets at a party, flirts with on a rooftop, then fucks in a bathroom. Things quickly grow strained, she flees; he pursues. Epic romantic gestures proliferate. His obsessions grow, including with the dazzling character of her eyes. Read the rest of this entry »