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	<title>Newcity Film &#187; Recommended</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<item>
		<title>Review: Chronicle</title>
		<link>http://newcityfilm.com/2012/02/02/review-chronicle/</link>
		<comments>http://newcityfilm.com/2012/02/02/review-chronicle/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 10:00:42 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Alex Russell]]></category>
		<category><![CDATA[Anna Wood]]></category>
		<category><![CDATA[Ashley Hinshaw]]></category>
		<category><![CDATA[Bo Petersen]]></category>
		<category><![CDATA[Chronicle]]></category>
		<category><![CDATA[Cloverfield]]></category>
		<category><![CDATA[Dane DeHaan]]></category>
		<category><![CDATA[Enter The Void]]></category>
		<category><![CDATA[Jackass]]></category>
		<category><![CDATA[Joshua Trank]]></category>
		<category><![CDATA[Max Landis]]></category>
		<category><![CDATA[Michael B. Jordan]]></category>
		<category><![CDATA[Michael Kelly]]></category>
		<category><![CDATA[X Files]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11813</guid>
		<description><![CDATA[RECOMMENDED Three high school seniors get high on life in the Seattle sky with a boost from a crypto-organic crystalline thing inside a small cave. After emanating unspecified energies, the plot ejects it. Gifted with a transfer of telekinetic skills, the trio will crash, burn and battle. Ultimately, in Tibet one transcends a fate of [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Coriolanus</title>
		<link>http://newcityfilm.com/2012/02/01/review-coriolanus/</link>
		<comments>http://newcityfilm.com/2012/02/01/review-coriolanus/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 22:48:32 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Ashraf Barhom]]></category>
		<category><![CDATA[Barry Ackroyd]]></category>
		<category><![CDATA[Brian Cox]]></category>
		<category><![CDATA[Dragan Micanovic]]></category>
		<category><![CDATA[Gerard Butler]]></category>
		<category><![CDATA[Hugo]]></category>
		<category><![CDATA[James Nesbitt]]></category>
		<category><![CDATA[Jessica Chastain]]></category>
		<category><![CDATA[John Logan]]></category>
		<category><![CDATA[Ken Loach]]></category>
		<category><![CDATA[Lubna Azabal]]></category>
		<category><![CDATA[Ralph Fiennes]]></category>
		<category><![CDATA[Rango]]></category>
		<category><![CDATA[Ray Beckett]]></category>
		<category><![CDATA[Vanessa Redgrave]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11816</guid>
		<description><![CDATA[RECOMMENDED Ralph Fiennes&#8217; slashingly bleak directorial debut, &#8220;Coriolanus&#8221; is a raucous modern-dress action-movie read of Shakespeare&#8217;s war-against-Rome play. Contemporary Serbia is the every-conflict setting for &#8220;a place calling itself Rome,&#8221; beset with protest and hunger riots. It&#8217;s a gruff, bold simulacrum of the twenty-first century, media, graffiti and all. (One of the first shots finds [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Projection on the Wall: The Visual Language of &#8220;A Separation&#8221;</title>
		<link>http://newcityfilm.com/2012/02/01/the-projection-on-the-wall-the-visual-psychology-of-a-separation/</link>
		<comments>http://newcityfilm.com/2012/02/01/the-projection-on-the-wall-the-visual-psychology-of-a-separation/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 10:00:50 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[A Separation]]></category>
		<category><![CDATA[Asghar Farhadi]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11820</guid>
		<description><![CDATA[By Ray Pride On the simplest level, &#8220;A Separation&#8221; is about the end of a marriage, or the attempt to separate. But that&#8217;s too simple. In Asghar Farhadi&#8217;s fifth feature, the mere fact of one life in contemporary Tehran brushing up against another leads to fateful conflict. Simin (Leila Hatami) wants husband Nader (Peyman Moadi) [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: A Separation</title>
		<link>http://newcityfilm.com/2012/01/27/review-a-separation/</link>
		<comments>http://newcityfilm.com/2012/01/27/review-a-separation/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 22:22:13 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[A Separation]]></category>
		<category><![CDATA[Asghar Farhadi]]></category>
		<category><![CDATA[Harold Pinter]]></category>
		<category><![CDATA[Jodaeiye Nader az Simin]]></category>
		<category><![CDATA[Tennessee Williams]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11720</guid>
		<description><![CDATA[RECOMMENDED A middle-class Tehran couple separate over differences about whether their family would have better opportunities going abroad or staying in Iran. &#8220;In these circumstances…&#8221; is the phrase the wife uses in front of an unsympathetic judge, never finishing her thought. Complications ensue, and how: seven central characters&#8217; lives are affected by the outward eddying [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Grey</title>
		<link>http://newcityfilm.com/2012/01/27/review-the-grey/</link>
		<comments>http://newcityfilm.com/2012/01/27/review-the-grey/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 22:18:32 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Blood]]></category>
		<category><![CDATA[Bullets and Octane]]></category>
		<category><![CDATA[Dallas Roberts]]></category>
		<category><![CDATA[Dermot Mulroney]]></category>
		<category><![CDATA[Frank Grillo]]></category>
		<category><![CDATA[Guts]]></category>
		<category><![CDATA[James Badge Dale]]></category>
		<category><![CDATA[Joe Anderson]]></category>
		<category><![CDATA[Joe Carnahan]]></category>
		<category><![CDATA[Liam Neeson]]></category>
		<category><![CDATA[Narc]]></category>
		<category><![CDATA[Nonso Anozie]]></category>
		<category><![CDATA[The Grey]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11718</guid>
		<description><![CDATA[RECOMMENDED &#8220;You&#8217;re going to die, that&#8217;s what&#8217;s happening,&#8221; John Ottway soothes a dying colleague, a fear-whisperer, himself a man strangely at peace, reconciled. In the opening narration of &#8220;The Grey&#8221;—a title reflecting the determination of survival, not wolves—Neeson&#8217;s sharpshooter character refers to the Arctic oil roughnecks around him as &#8220;ex-cons, drifters, assholes, men unfit for [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Albert Nobbs</title>
		<link>http://newcityfilm.com/2012/01/27/review-albert-nobbs/</link>
		<comments>http://newcityfilm.com/2012/01/27/review-albert-nobbs/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 15:45:13 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Aaron Johnson]]></category>
		<category><![CDATA[Albert Nobbs]]></category>
		<category><![CDATA[Brenda Fricker]]></category>
		<category><![CDATA[Brendan Gleeson]]></category>
		<category><![CDATA[Gabriella Prekop]]></category>
		<category><![CDATA[Glenn Close]]></category>
		<category><![CDATA[Janet McTeer]]></category>
		<category><![CDATA[John Banville]]></category>
		<category><![CDATA[Jonathan Rhys Meyers]]></category>
		<category><![CDATA[Manhattan Theatre Club]]></category>
		<category><![CDATA[Mia Wasikowska]]></category>
		<category><![CDATA[Pauline Collins]]></category>
		<category><![CDATA[Rodrigo Garcia]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11714</guid>
		<description><![CDATA[RECOMMENDED &#8220;Albert Nobbs&#8221; has been an almost lifelong project for producer-co-screenwriter Glenn Close; she first performed in the play &#8220;The Singular Life of Albert Nobbs&#8221; for Manhattan Theatre Club Downstage in the 1981-82 season. Director Rodrigo García (&#8220;Mother and Child,&#8221; &#8220;Nine Lives&#8221;), with his propensity for sensitive direction of women, seems a proper choice for [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: We Need To Talk About Kevin</title>
		<link>http://newcityfilm.com/2012/01/27/review-we-need-to-talk-about-kevin/</link>
		<comments>http://newcityfilm.com/2012/01/27/review-we-need-to-talk-about-kevin/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 15:43:33 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA["We Need To Talk About Kevin]]></category>
		<category><![CDATA[Ezra Miller]]></category>
		<category><![CDATA[John C. Reilly]]></category>
		<category><![CDATA[Joseph Melendez]]></category>
		<category><![CDATA[Lionel Shriver]]></category>
		<category><![CDATA[Seamus McGarvey]]></category>
		<category><![CDATA[Siobhan Fallon]]></category>
		<category><![CDATA[Tilda Swinton]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11716</guid>
		<description><![CDATA[RECOMMENDED Scottish director Lynne Ramsay&#8217;s last released feature was 2002&#8242;s &#8220;Morvern Callar&#8221;; among the heartbreaks along the way was &#8220;The Lovely Bones&#8221; being wrested away from her for a directorial project for Peter Jackson, whose strange, cruel, bloated adaptation pleased no one. The Criterion edition of Ramsay&#8217;s 1999 &#8220;Ratcatcher&#8221; also holds her shorts &#8220;Gasman,&#8221; &#8220;Kill [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Miss Bala</title>
		<link>http://newcityfilm.com/2012/01/27/review-miss-bala/</link>
		<comments>http://newcityfilm.com/2012/01/27/review-miss-bala/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 15:37:55 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Canana]]></category>
		<category><![CDATA[Diego Luna]]></category>
		<category><![CDATA[Fox International]]></category>
		<category><![CDATA[Gael Garcia Bernal]]></category>
		<category><![CDATA[Gerardo Naranjo]]></category>
		<category><![CDATA[J. G. Ballard]]></category>
		<category><![CDATA[Jean-Luc Godard]]></category>
		<category><![CDATA[Mátyás Erdély]]></category>
		<category><![CDATA[Michael Mann]]></category>
		<category><![CDATA[Miss Bala]]></category>
		<category><![CDATA[Weekend]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11766</guid>
		<description><![CDATA[RECOMMENDED Mexican director Gerardo Naranjo&#8217;s brilliant, urgent &#8220;Miss Bala,&#8221; which was his country&#8217;s entry for the Best Foreign Language Film, and easily the best film of 2012 so far, is getting an abrupt release in the Chicago area after failing to make the final five for the Academy Awards. It&#8217;s under the Fox International banner, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Knuckle</title>
		<link>http://newcityfilm.com/2012/01/27/review-knuckle/</link>
		<comments>http://newcityfilm.com/2012/01/27/review-knuckle/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 15:05:32 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Ian Palmer]]></category>
		<category><![CDATA[Knuckle]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11747</guid>
		<description><![CDATA[RECOMMENDED Ian Palmer&#8217;s rough, ragged &#8220;Knuckle,&#8221; a Sundance 2011 entry, follows over a decade in the brawling, battering life of the warring Irish Traveler Quinn McDonagh and Joyce families, who specialize in bare-knuckle-boxing street fights. The blood and bruises will likely seem excessive in the mooted HBO fictionalization, but in its real-life endless grudge match, [...]]]></description>
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		</item>
		<item>
		<title>Review: Haywire</title>
		<link>http://newcityfilm.com/2012/01/18/review-haywire/</link>
		<comments>http://newcityfilm.com/2012/01/18/review-haywire/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 02:27:44 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Alan J. Pakula]]></category>
		<category><![CDATA[All the President's Men]]></category>
		<category><![CDATA[Antonio Banderas]]></category>
		<category><![CDATA[Bill Paxton]]></category>
		<category><![CDATA[Channing Tatum]]></category>
		<category><![CDATA[Ewan McGregor]]></category>
		<category><![CDATA[Gun Crazy]]></category>
		<category><![CDATA[Haywire]]></category>
		<category><![CDATA[Joseph H. Lewis]]></category>
		<category><![CDATA[Michael Douglas]]></category>
		<category><![CDATA[Michael Fassbender]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[The Big Combo]]></category>
		<category><![CDATA[Walter Coblenz]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11684</guid>
		<description><![CDATA[RECOMMENDED The kick-ass experience: &#8220;Haywire&#8221; is kinetic neo-pulp that lands halfway between the solar plexus and the lizard part of the mind. The latest by prolific director-cinematographer-editor Steven Soderbergh, working a third time with screenwriter Lem Dobbs, after &#8220;Kafka&#8221; and &#8220;The Limey,&#8221; is self-conscious filmmaking, using genre trappings and a multi-double-triple-cross espionage plot to explore [...]]]></description>
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