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	<title>Newcity Film &#187; Shorts</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>Review: Sundance Shorts 2011</title>
		<link>http://newcityfilm.com/2012/01/12/review-sundance-shorts-2011/</link>
		<comments>http://newcityfilm.com/2012/01/12/review-sundance-shorts-2011/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 01:44:34 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Shorts]]></category>
		<category><![CDATA[Ariel Kleinman]]></category>
		<category><![CDATA[David Lowery]]></category>
		<category><![CDATA[Deeper than Yesterday]]></category>
		<category><![CDATA[Incident by a Bank]]></category>
		<category><![CDATA[Pioneer]]></category>
		<category><![CDATA[Ruben Östlund]]></category>
		<category><![CDATA[The High Level Bridge]]></category>
		<category><![CDATA[Trevor Anderson]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11604</guid>
		<description><![CDATA[RECOMMENDED Seven shorts from the 2011 edition of the Sundance Film Festival make it down the slopes via The Sundance Institute Art House Project, including one of my favorite shorts I saw last year. (The best short I saw from Sundance, David Lowery&#8217;s tale-spinning bedtime story of the American empire, &#8220;Pioneer,&#8221; isn&#8217;t in this selection, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Oscar Nominated Short Films 2010 Live Action</title>
		<link>http://newcityfilm.com/2011/02/16/review-the-oscar-nominated-short-films-2010-live-action/</link>
		<comments>http://newcityfilm.com/2011/02/16/review-the-oscar-nominated-short-films-2010-live-action/#comments</comments>
		<pubDate>Wed, 16 Feb 2011 22:46:36 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Shorts]]></category>
		<category><![CDATA[God of Love]]></category>
		<category><![CDATA[Luke Matheny]]></category>
		<category><![CDATA[Michael Creagh]]></category>
		<category><![CDATA[Na Wewe]]></category>
		<category><![CDATA[Tanel Toom]]></category>
		<category><![CDATA[The Confession]]></category>
		<category><![CDATA[The Crush]]></category>
		<category><![CDATA[Wish 143]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7621</guid>
		<description><![CDATA[RECOMMENDED Boys! From the UK, &#8220;The Confession,&#8221; a quiet 9-year-old&#8217;s fear of his first confession is a neatly observed slice of boy&#8217;s life about guilt and temptation that suggests Tanel Toom has a commercial career in the immediate offing. From Ireland, &#8220;The Crush,&#8221; features an 8-year-old boy (played by director Michael Creagh&#8217;s son) challenging his [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Oscar Nominated Short Films 2010 Animated</title>
		<link>http://newcityfilm.com/2011/02/16/review-the-oscar-nominated-short-films-2010-animated/</link>
		<comments>http://newcityfilm.com/2011/02/16/review-the-oscar-nominated-short-films-2010-animated/#comments</comments>
		<pubDate>Wed, 16 Feb 2011 22:44:37 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Animated]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Shorts]]></category>
		<category><![CDATA[Bill Plympton]]></category>
		<category><![CDATA[Day & Night]]></category>
		<category><![CDATA[Geefwee Boedoe]]></category>
		<category><![CDATA[Helena Bonham Carter]]></category>
		<category><![CDATA[Let's Pollute]]></category>
		<category><![CDATA[Teddy Newton]]></category>
		<category><![CDATA[The Cow Who Wanted To be A Hamburger]]></category>
		<category><![CDATA[The Gruffalo]]></category>
		<category><![CDATA[The Lost Thing]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=7623</guid>
		<description><![CDATA[RECOMMENDED Pixar&#8217;s playful &#8220;Day &#38; Night,&#8221; which was the opener for &#8220;Toy Story 3,&#8221; is one of the two best of this quintet, directed by Teddy Newton, a conceptual coup, a hand-drawn treat after the fashion of late caricaturist Al Hirschfeld that in its first iteration exploited 3-D to rich result. The teach-it-to-kids CGI &#8220;The [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Sundance Institute 2010 Shorts</title>
		<link>http://newcityfilm.com/2010/11/24/review-sundance-institute-2010-shorts/</link>
		<comments>http://newcityfilm.com/2010/11/24/review-sundance-institute-2010-shorts/#comments</comments>
		<pubDate>Wed, 24 Nov 2010 22:33:05 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Shorts]]></category>
		<category><![CDATA[DRUNK HISTORY: DOUGLASS & LINCOLN]]></category>
		<category><![CDATA[Mr. Okra]]></category>
		<category><![CDATA[My Invisible Friend]]></category>
		<category><![CDATA[MY RABIT HOPPY]]></category>
		<category><![CDATA[ROB AND VALENTYNA IN SCOTLAND]]></category>
		<category><![CDATA[Sundance Institute 2010 Shorts]]></category>
		<category><![CDATA[The Six Dollar Fifty Man]]></category>
		<category><![CDATA[Wisdom Teeth]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=6807</guid>
		<description><![CDATA[RECOMMENDED The Sundance Film Festival&#8217;s sweetest surprises often come in the form of shorts, not necessarily the ones that are gathered up in feature-length packages throughout the ten January days in Park City, Utah, but the ones that are unexpected delights before features. I&#8217;d class Lynne Ramsay&#8217;s &#8220;Gasman,&#8221; shown before the premiere of Vincent Gallo&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The 22nd Annual Onion City Experimental Film And Video Festival</title>
		<link>http://newcityfilm.com/2010/06/10/review-the-22nd-annual-onion-city-experimental-film-and-video-festival/</link>
		<comments>http://newcityfilm.com/2010/06/10/review-the-22nd-annual-onion-city-experimental-film-and-video-festival/#comments</comments>
		<pubDate>Thu, 10 Jun 2010 17:00:49 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Animated]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Shorts]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA["Uncle Boonmee Who Can Recall His Past Lives]]></category>
		<category><![CDATA[A Letter to Uncle Boonmee]]></category>
		<category><![CDATA[Apichatpong Weerasethakul]]></category>
		<category><![CDATA[Beauty Plus Pity]]></category>
		<category><![CDATA[Cooper Battersby]]></category>
		<category><![CDATA[Cry Me a River]]></category>
		<category><![CDATA[Daïchi Saïto]]></category>
		<category><![CDATA[Emily Vey Duke]]></category>
		<category><![CDATA[Ghost Algebra]]></category>
		<category><![CDATA[Janie Geiser]]></category>
		<category><![CDATA[Jia Zhang-ke]]></category>
		<category><![CDATA[Malcolm Goldstein]]></category>
		<category><![CDATA[Onion City]]></category>
		<category><![CDATA[Podwórka]]></category>
		<category><![CDATA[Sharon Lockhart]]></category>
		<category><![CDATA[Trees of Syntax Leaves of Axis]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=4777</guid>
		<description><![CDATA[RECOMMENDED Experimental filmmaking lives and thrives. Here are highlights of the opening night of the 22nd Onion City festival. School of the Art Institute alum Apichatpong Weerasethakul, who won the Palme d&#8217;Or at Cannes for &#8220;Uncle Boonmee Who Can Recall His Past Lives,&#8221; began that project with the short, &#8220;A Letter to Uncle Boonmee,&#8221; an atmospheric [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2010/06/10/review-the-22nd-annual-onion-city-experimental-film-and-video-festival/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Oscar Nominated Short Films – Live Action</title>
		<link>http://newcityfilm.com/2010/02/17/review-oscar-nominated-short-films-%e2%80%93-live-action/</link>
		<comments>http://newcityfilm.com/2010/02/17/review-oscar-nominated-short-films-%e2%80%93-live-action/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 22:22:07 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Shorts]]></category>
		<category><![CDATA[The State of Cinema]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Anders Thomas Jensen]]></category>
		<category><![CDATA[Gregg Helvey]]></category>
		<category><![CDATA[Joachim Back]]></category>
		<category><![CDATA[Juanita Wilson]]></category>
		<category><![CDATA[Luke Doolan]]></category>
		<category><![CDATA[Oscar Nominated Short Films – Live Action]]></category>
		<category><![CDATA[Patrik Eklund]]></category>
		<category><![CDATA[Simon J. Berger]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=3610</guid>
		<description><![CDATA[RECOMMENDED Juanita Wilson&#8217;s &#8220;The Door&#8221; (Ireland, 17m), is a broodingly photographed, icy heart-pounder of a family&#8217;s exit from their home after the 1986 Chernobyl nuclear disaster in Ukraine. &#8220;Instead of Abracadabra,&#8221; by Patrik Eklund (Sweden, 22m) is a wide-angle variation on contemporary Nordic film comedy; Tomas (Simon J. Berger) still lives at home, after failing [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: New York, I Love You</title>
		<link>http://newcityfilm.com/2009/10/14/review-new-york-i-love-you/</link>
		<comments>http://newcityfilm.com/2009/10/14/review-new-york-i-love-you/#comments</comments>
		<pubDate>Wed, 14 Oct 2009 21:14:14 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Shorts]]></category>
		<category><![CDATA[Anton Yelchin]]></category>
		<category><![CDATA[Bradley Cooper]]></category>
		<category><![CDATA[Carlos Acosta]]></category>
		<category><![CDATA[Chris Cooper]]></category>
		<category><![CDATA[Christina Ricci]]></category>
		<category><![CDATA[Cloris Leachman]]></category>
		<category><![CDATA[Eli Wallach]]></category>
		<category><![CDATA[Ethan Hawke]]></category>
		<category><![CDATA[Hayden Christensen]]></category>
		<category><![CDATA[James Caan]]></category>
		<category><![CDATA[John Hurt]]></category>
		<category><![CDATA[Maggie Q]]></category>
		<category><![CDATA[New York I Love You]]></category>
		<category><![CDATA[Olivia Thilrlby]]></category>
		<category><![CDATA[Orlando Bloom]]></category>
		<category><![CDATA[Robin Wright Penn]]></category>
		<category><![CDATA[Shu Qi]]></category>
		<category><![CDATA[Ugur Yucel]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=2621</guid>
		<description><![CDATA[RECOMMENDED Eleven directors shot scripts by eleven writers in New York City. Two days of shooting was followed by seven days of editing. “Each story had to involve some kind of love encounter, broadly defined,” stipulated producer Emmanuel Benbihy, who is also credited as “Conceptor.” Tristan Carne is credited with the premise for this “collective” [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The 2008 Oscar Nominated Shorts</title>
		<link>http://newcityfilm.com/2009/02/03/review-the-2008-oscar-nominated-shorts/</link>
		<comments>http://newcityfilm.com/2009/02/03/review-the-2008-oscar-nominated-shorts/#comments</comments>
		<pubDate>Tue, 03 Feb 2009 23:27:21 +0000</pubDate>
		<dc:creator>Tom Lynch</dc:creator>
				<category><![CDATA[Animated]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Shorts]]></category>
		<category><![CDATA[Presto]]></category>
		<category><![CDATA[Roddy Doyle]]></category>
		<category><![CDATA[Steph Green]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=1046</guid>
		<description><![CDATA[RECOMMENDED Shorts are made for many reasons, but like all leaps into the artistic-economic abyss, they&#8217;re made to be seen. Ask efficiency experts: the short snip of video on YouTube has become a predominant form of expression worldwide, both for the one with the camera and a daffy kitty-cat and for the one killing time [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Short(s) of It: The Chicago International Reel Shorts Film Festival</title>
		<link>http://newcityfilm.com/2008/09/11/the-shorts-of-it-the-chicago-international-reel-shorts-film-festival/</link>
		<comments>http://newcityfilm.com/2008/09/11/the-shorts-of-it-the-chicago-international-reel-shorts-film-festival/#comments</comments>
		<pubDate>Thu, 11 Sep 2008 23:03:56 +0000</pubDate>
		<dc:creator>Jan Hieggelke</dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[News and Dish]]></category>
		<category><![CDATA[Shorts]]></category>
		<category><![CDATA[Scott Rudolph]]></category>
		<category><![CDATA[The Chicago International Reel Shorts Film Festival]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=10012</guid>
		<description><![CDATA[The Chicago International Reel Shorts Film Festival is celebrating its fifth anniversary by turning its annual fest into more of a party. &#8220;This year we thought we&#8217;d try something different, a little less formal, so people can drink and mingle while the films are showing,&#8221; says Scott Rudolph, co-founder of the festival. The opening event, [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2008/09/11/the-shorts-of-it-the-chicago-international-reel-shorts-film-festival/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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