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	<title>Newcity Film &#187; Drama</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>Review: Polisse</title>
		<link>http://newcityfilm.com/2012/05/22/review-polisse/</link>
		<comments>http://newcityfilm.com/2012/05/22/review-polisse/#comments</comments>
		<pubDate>Tue, 22 May 2012 21:41:08 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Emmanuelle Bercot]]></category>
		<category><![CDATA[Joeystarr]]></category>
		<category><![CDATA[Karin Viard]]></category>
		<category><![CDATA[Maiwenn]]></category>
		<category><![CDATA[Maïwenn Le Besco]]></category>
		<category><![CDATA[Marina Foïs]]></category>
		<category><![CDATA[Nicolas Duvauchelle]]></category>
		<category><![CDATA[Polisse]]></category>
		<category><![CDATA[Sandrine Kiberlain]]></category>
		<category><![CDATA[Stephen Warbeck]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13501</guid>
		<description><![CDATA[RECOMMENDED With as much sprawl as attained ambition, Maïwenn&#8217;s &#8220;Polisse&#8221; is a busy, ragged, largely hand-held procedural mosaic following the workdays of police in the Parisian Child Protection Unit (Brigade de protection des mineurs de Paris). There&#8217;s a whiff of Sidney Lumet in the writer-director&#8217;s rapt attention to group dynamics of a police brigade, mingling [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2012/05/22/review-polisse/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Quill: The Life of a Guide Dog</title>
		<link>http://newcityfilm.com/2012/05/16/review-quill-the-life-of-a-guide-dog/</link>
		<comments>http://newcityfilm.com/2012/05/16/review-quill-the-life-of-a-guide-dog/#comments</comments>
		<pubDate>Wed, 16 May 2012 21:33:41 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Family]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Kengo Ishiguro]]></category>
		<category><![CDATA[Quill: The Life Of A Guide Dog]]></category>
		<category><![CDATA[Ryohei Akimoto]]></category>
		<category><![CDATA[Shoichi Maruyama]]></category>
		<category><![CDATA[Yoichi Sai]]></category>
		<category><![CDATA[Yoshihiro Nakamura]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13383</guid>
		<description><![CDATA[Director Yoichi Sai portrays a Labrador Retriever&#8217;s life  as a seeing-eye dog, from puppy through retirement. Quill is the star of this modest drama that is beige in all too many ways. Like his creamy fur, most of the clothing of the people who train and love him is the same comfortable shade. So too [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Samaritan</title>
		<link>http://newcityfilm.com/2012/05/16/review-the-samaritan/</link>
		<comments>http://newcityfilm.com/2012/05/16/review-the-samaritan/#comments</comments>
		<pubDate>Wed, 16 May 2012 21:29:23 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Andras Hamori]]></category>
		<category><![CDATA[David Weaver]]></category>
		<category><![CDATA[Deborah Kara Unger]]></category>
		<category><![CDATA[Luke Kirby]]></category>
		<category><![CDATA[Martha Burns]]></category>
		<category><![CDATA[Ruth Negga]]></category>
		<category><![CDATA[Samuel L. Jackon]]></category>
		<category><![CDATA[The Samaritan]]></category>
		<category><![CDATA[Todor Kobakov]]></category>
		<category><![CDATA[Tom McCamus]]></category>
		<category><![CDATA[Tom Wilkinson]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13387</guid>
		<description><![CDATA[There are volumes yet to be written about characteristics in movies like &#8220;Canadian-ness&#8221; and &#8220;amateurishness&#8221; that would be well served to include a couple of the not-so-rare examples like &#8220;The Samaritan&#8221; in the proposal pack. Working for a second time with producer Andras Hamori (&#8220;The 51st State&#8221;), Samuel L. Jackson takes a hike to Hogtown [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Where Do We Go Now?</title>
		<link>http://newcityfilm.com/2012/05/16/review-where-do-we-go-now/</link>
		<comments>http://newcityfilm.com/2012/05/16/review-where-do-we-go-now/#comments</comments>
		<pubDate>Wed, 16 May 2012 21:04:50 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Nadine Labaki]]></category>
		<category><![CDATA[Where Do We Go Now?]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13396</guid>
		<description><![CDATA[An art-house jaw-dropper, Canadian filmmaker Nadine Labaki&#8217;s &#8220;Where Do We Go Now?&#8221; (Et maintenant on va où?) manages to annoy and offend in almost equal measure in its many miscalculated scenes, from cultural caricature to musical numbers and back again. The opening scene, a dance tableau that seems like it could be drawn from the 1960s [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Dark Shadows</title>
		<link>http://newcityfilm.com/2012/05/09/review-dark-shadows/</link>
		<comments>http://newcityfilm.com/2012/05/09/review-dark-shadows/#comments</comments>
		<pubDate>Wed, 09 May 2012 21:55:38 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Alice Cooper]]></category>
		<category><![CDATA[Amélie]]></category>
		<category><![CDATA[Bruno Delbonnel]]></category>
		<category><![CDATA[Chloë Grace Moretz]]></category>
		<category><![CDATA[Christopher Lee]]></category>
		<category><![CDATA[Dark Shadows]]></category>
		<category><![CDATA[Gulliver McGrath]]></category>
		<category><![CDATA[Jackie Earle Haley]]></category>
		<category><![CDATA[John August]]></category>
		<category><![CDATA[Johnny Depp]]></category>
		<category><![CDATA[Jonny Lee Miller]]></category>
		<category><![CDATA[Michelle Pfeiffer]]></category>
		<category><![CDATA[Ray Shirley]]></category>
		<category><![CDATA[Seth Grahame-Smith]]></category>
		<category><![CDATA[Tim Burton]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13276</guid>
		<description><![CDATA[RECOMMENDED &#8220;Dark Shadows&#8221; is a weirdly tender mash note to the pop culture of 1972, the year after the vampiric soap opera ended its five-year run, but also when the young Tim Burton would have been all of fourteen years old. It&#8217;s great fun, when things aren&#8217;t exploding, burning or bursting into flame. While the [...]]]></description>
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		</item>
		<item>
		<title>Review: Headhunters</title>
		<link>http://newcityfilm.com/2012/05/09/review-headhunters/</link>
		<comments>http://newcityfilm.com/2012/05/09/review-headhunters/#comments</comments>
		<pubDate>Wed, 09 May 2012 21:51:10 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Aksel Hennie]]></category>
		<category><![CDATA[Headhunters]]></category>
		<category><![CDATA[Hodejegerne]]></category>
		<category><![CDATA[Jo Nesbø]]></category>
		<category><![CDATA[Morten Tyldum]]></category>
		<category><![CDATA[Nikolaj Coster-Waldau]]></category>
		<category><![CDATA[Synnove Macody Lund]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13271</guid>
		<description><![CDATA[RECOMMENDED &#8220;I&#8217;m Roger Brown, and I’m 5&#8217;6&#8243; tall.&#8221; &#8220;Hodejegerne,&#8221; Jo Nesbø’s best-selling 2008 novel, provides the genetic material for a clever, high-energy, heist-chase thriller. Self-aware, self-assured sociopath Roger Brown (Aksel Hennie), a corporate recruiter living beyond his means and on both sides of the law, is matched by director Morten Tyldum&#8217;s sleek, chilly visual style, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Turin Horse</title>
		<link>http://newcityfilm.com/2012/05/09/review-the-turin-horse/</link>
		<comments>http://newcityfilm.com/2012/05/09/review-the-turin-horse/#comments</comments>
		<pubDate>Wed, 09 May 2012 21:50:59 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Bela Tarr]]></category>
		<category><![CDATA[Erika Bok]]></category>
		<category><![CDATA[Fred Kelemen]]></category>
		<category><![CDATA[Janos Derzsi]]></category>
		<category><![CDATA[László Krasznahork]]></category>
		<category><![CDATA[Mihaly Kormos]]></category>
		<category><![CDATA[Mihály Vig]]></category>
		<category><![CDATA[Robert Koehler]]></category>
		<category><![CDATA[Sátántangó]]></category>
		<category><![CDATA[The Turin Horse]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13117</guid>
		<description><![CDATA[RECOMMENDED Godard famously quipped that a movie has a beginning, a middle and an end, but not necessarily in that order. A Béla Tarr movie has rain, wind and despair, but not necessarily in that order. The Hungarian director of &#8220;The Werckmeister Harmonies&#8221; and &#8220;Sátántangó&#8221; says he&#8217;s chucking it in, at the age of fifty-six, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Children of Paradise</title>
		<link>http://newcityfilm.com/2012/05/09/review-children-of-paradise/</link>
		<comments>http://newcityfilm.com/2012/05/09/review-children-of-paradise/#comments</comments>
		<pubDate>Wed, 09 May 2012 21:50:56 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[Artletty]]></category>
		<category><![CDATA[Children of Paradise]]></category>
		<category><![CDATA[Jean-Louis Barrault]]></category>
		<category><![CDATA[Les enfants du paradis]]></category>
		<category><![CDATA[Louis Salou]]></category>
		<category><![CDATA[Marcel Carné]]></category>
		<category><![CDATA[Marcel Herrand]]></category>
		<category><![CDATA[Maria Casares]]></category>
		<category><![CDATA[Pierre Brasseur]]></category>
		<category><![CDATA[Terry Gilliam]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13273</guid>
		<description><![CDATA[RECOMMENDED The proscenium frames life; behind the curtain, another life? More life. In an introduction to the 2002 Criterion edition of &#8220;Children of Paradise&#8221; (Les enfants du paradis), Terry Gilliam swoons in his rocketing enthusiasm that Marcel Carné&#8217;s lavish epic is &#8220;one of those films that seemed to me that we&#8217;ll never see again, because [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Sound of My Voice</title>
		<link>http://newcityfilm.com/2012/05/09/review-sound-of-my-voice/</link>
		<comments>http://newcityfilm.com/2012/05/09/review-sound-of-my-voice/#comments</comments>
		<pubDate>Wed, 09 May 2012 21:47:27 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[Brit Marling]]></category>
		<category><![CDATA[Christopher Denham]]></category>
		<category><![CDATA[Cranberries]]></category>
		<category><![CDATA[Day Night Day Night]]></category>
		<category><![CDATA[Martha Marcy May Marlene]]></category>
		<category><![CDATA[Nicole Vicius]]></category>
		<category><![CDATA[Safe]]></category>
		<category><![CDATA[Sound Of My Voice]]></category>
		<category><![CDATA[Take Shelter]]></category>
		<category><![CDATA[Zal Batmanglij]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13267</guid>
		<description><![CDATA[RECOMMENDED As in &#8220;Another Earth,&#8221; Brit Marling stars as a troubled space-time traveler in &#8220;Sound of My Voice.&#8221; She co-wrote both of these prescient, preternatural dramas with sci-fi elements more subtle than the usual aliens and anomalies. Peter (Christopher Denham) and Lorna (Nicole Vicius) are a young couple making an undercover investigative documentary about a [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Bad Fever</title>
		<link>http://newcityfilm.com/2012/05/09/review-bad-fever/</link>
		<comments>http://newcityfilm.com/2012/05/09/review-bad-fever/#comments</comments>
		<pubDate>Wed, 09 May 2012 21:43:57 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Alex Ross Perry]]></category>
		<category><![CDATA[Audrey The Trainwreck]]></category>
		<category><![CDATA[Bad Fever]]></category>
		<category><![CDATA[David Lowery]]></category>
		<category><![CDATA[Dustin Guy Defa]]></category>
		<category><![CDATA[Eléonore Hendricks]]></category>
		<category><![CDATA[Frank V. Ross]]></category>
		<category><![CDATA[Kentucker Audley]]></category>
		<category><![CDATA[The Color Wheel]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=13269</guid>
		<description><![CDATA[RECOMMENDED There&#8217;s a terrible truism that novels have always been betrayed by feature film adaptation, that the ideal source material is a short story, something that requires thematic amplification rather than narrative compression. Much of the wealth of recent microbudget American movies that&#8217;s meandering through festivals and cinematheques works best with deadpan and apparent minimalism. [...]]]></description>
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