Reviews, profiles and news about movies in Chicago

Don’t Touch that Key! Micro-Comedy finds New Niches on the Web

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The Guild

Niche comedy is thriving online;  web series are finally reaching critical mass. It makes sense: certain topics are geared toward such narrow audiences that they wouldn’t immediately appeal to even the smaller cable networks, but they can find a ready viewership online. Plus, comedy can be done well even on a minuscule budget: comedic timing doesn’t require costly special effects or a running time beyond three to ten minutes. Now that web series aren’t just seen as ideas that established networks have rejected, filmmakers are making use of quality scripts, acting and production. Here are a few lesser-known gems we’ve discovered.

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Review: 21 Jump Street

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RECOMMENDED

“I really thought the job would have more chases and explosions,” says the rookie to his partner on bike patrol. Fresh out of the academy, these two incompetent cops get assigned undercover duty in a high school. Seven years earlier, when they truly were twelfth-graders, Schmidt the shlub (Jonah Hill) and Jenko the jock (Channing Tatum) were worlds apart. Now they relive those days and resolve leftover issues in the buddy vehicle “21 Jump Street” that is based on the 1987-1992 Fox TV series co-created by Patrick Hasburgh and Stephen J. Cannell where Johnny Depp played a Republican rookie on a similar assignment. Advance Placement classes will offer the same challenges. The consistently comic screenplay by Michael Bacall, a co-writer of “Project X” and “Scott Pilgrim vs. the World,” observes the duo’s delayed development graduate from arrested adolescence. Read the rest of this entry »

Review: Casa de mi Padre

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RECOMMENDED
To get “Casa de mi Padre” you need not know your telenova stars or much at all about Mexican moviedom. Shot in “MexicoScope” and subtitled in English, this Spanish-language parody of a global genre is of a piece with past “Saturday Night Live” bits. Their creators, writer Andrew Steele and director Matt Piedmont, reunite here for a feature-length affair that is far more than a mere skit running too long. The genre’s clichés are so copious, there is little risk of running out. Sight gags include continuity gaffes and gaffers reflected in extreme close-up on the lens of sunglasses. Will Ferrell stars as dim Armando, the good-hearted older brother of flashy Raul (Diego Luna) who returns to the family ranch with his super-hot fiancee Sonia (Genesis Rodriguez). Drug dealers and DEA agents supply the backdrop for a classic family drama of romance and redemption. Read the rest of this entry »

Review: Friends with Kids

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Adam Scott, Jennifer Westfeldt

RECOMMENDED

One of the grown-up aspects of Jennifer Westfeldt’s debut as a film director—aside from not being “‘Friends,’ With Kids”—is how she works both blue and red. Her roundelay of couples at the cusp, then hoist upon the cusp of childbearing, make vulgar remarks, drop biting insults and many garish swears, and also casually drink through bottle after bottle of red wine and a couple of copiously displayed brands of bottle beer, one indicating “crass,” the other, “class.” (Talking with her recently, she smiled sweetly and said, “That’s just how my friends talk.”) The how-do-we-make-a-romantic-comedy-in-this-decade gimmick is that two friends since college (Westfeldt, Adam Scott) know each other’s lives inside out but have never become romantic. While they continue to play, their friends—couples Kristen Wiig and Jon Hamm; Chris O’Dowd and Maya Rudolph—have kids. But! What if they shared a kid? But not their lives? Cruel behavior and often crackling banter follow. Read the rest of this entry »

Review: Project X

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In the minor subgenre of high-school-party-when-parents-are-away comedies, “Project X” is slightly better than average, in a small way or so. Co-writers Michael Bacall (a co-writer of “Scott Pilgrim vs. the World”) and Matt Drake (a co-writer of “Tully”) put all the clichés in play, yet first-time director Nima Nourizadeh is indifferent. He just wants to party hard by proxy: “We had fun making it, we want people to have fun watching it.” Mom and dad depart to celebrate their anniversary, leaving son Thomas (Thomas Mann) to celebrate his seventeenth birthday with $40 to order pizza. He can invite “four or five friends, tops.” Fifteen hundred turn up. Read the rest of this entry »

What’s Old Europe Is New Again: A Snapshot of EU Filmmaking

Comedy, Drama, Recommended, World Cinema No Comments »

"Beats Being Dead" from "Dreileben"

By Ray Pride

Here’s an impressive statistic: in its fifteenth edition, the Siskel Film Center’s European Union Film Festival, the largest North American showcase for films from the EU, boasts sixty-five films from all twenty-seven EU countries.

As impressive, but slightly confusing are the four different formats the movies are being shown in: It’s a buffet of selections from among the choices theaters still have, at least until next year.  There are thirty-three being shown on projected celluloid in thirty-five millimeter; nineteen in HDCAM video (a format often mandated by film festivals), seven in DigiBeta and seven in the DCP format, which is the heavily protected format that the U.S. film industry has chosen to replace 35mm as an exhibition medium. Read the rest of this entry »

Review: Tim & Eric’s Billion Dollar Movie

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Fans of “Tim and Eric Awesome Show, Great Job” and “Check It Out! With Dr. Steve Brule” by Tim Heidecker and Eric Wareheim may be suckers for “Tim and Eric’s Billion Dollar Movie,” but their first feature makes me unlikely to seek out their TV fare. An early bit teases: a Schlaaang Super Seat ad for multiplexes that sort of riffs on AMC’s in-theater spot. The onetime Temple University classmates, who like to title their output with their names, call this “kind of a meta-movie” and intercut “Understanding Your Movie” spoof segments. Read the rest of this entry »

Review: Wanderlust

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RECOMMENDED
One fine morning in New York City, Linda (Jennifer Aniston) pitches HBO on her documentary on penguins with testicular cancer, while her husband George (Paul Rudd, “Our Idiot Brother,” “Role Models”) sees his white-collar workplace aswarm with FBI agents and finds out he’s fired. The couple’s newly acquired “micro-loft” is instantly unaffordable and they decamp the West Village for an alternate latitude. Producer Judd Apatow extends his brand in the smartly funny “Wanderlust,” directed by David Wain (“Role Models,” “Wet Hot American Summer”) and co-scripted by Ken Marino and David Wain (among the writers credited on “Role Models.”) Read the rest of this entry »

Review: This Means War

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A candy bar of a film, “This Means War” is a buddy comedy about two hotshot CIA operatives dating the same woman. FDR (Chris  Pine, “Unstoppable,” “Star Trek”) and Tuck (Tom Hardy, “Warrior,” “Inception”) enter and exit this no-nutrient “action-comedy” on high-risk missions. In between they compete to date Lauren (Reese Witherspoon), who runs focus groups on consumer products. The workplace partners run competing intel-gathering operations to uncover her love life. They deploy all the resources of the CIA’s Los Angeles office to invade Lauren’s privacy and increase their respective odds of scoring with, while sabotaging one another’s dates with her. Read the rest of this entry »

Review: Newlyweds

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RECOMMENDED

Synopsis is the devil, but sometimes the devil is in the details. Here’s Tribeca Film’s synopsis of writer-director-actor-producer Edward Burns’ microbudget romantic comedy and fan letter to New York’s upscale Tribeca neighborhood, “Newlyweds”: “Buzzy (Edward Burns) and Katie (Caitlin FitzGerald) are a newly married couple living a seemingly conflict-free life. But when Buzzy’s damaged and impulsive half-sister Linda (Kerry Bishé) arrives at their doorstep expecting to stay for an indefinite period in their Tribeca loft, her antics threaten to disrupt the couple’s commitment to an ‘easy’ marriage.” Sounds like any romantic comedy, but it’s more like Woody Allen on a designer shoestring. Read the rest of this entry »