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	<title>Newcity Film &#187; Chicago Artists</title>
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	<link>http://newcityfilm.com</link>
	<description>Reviews, profiles and news about movies in Chicago</description>
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		<title>A Short Story: DIY filmmaking with Group 312</title>
		<link>http://newcityfilm.com/2012/01/30/a-short-story-filming-with-group-312/</link>
		<comments>http://newcityfilm.com/2012/01/30/a-short-story-filming-with-group-312/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 10:00:21 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Galina Shevchenko]]></category>
		<category><![CDATA[Group 101]]></category>
		<category><![CDATA[Group 312]]></category>
		<category><![CDATA[Richard Syska]]></category>
		<category><![CDATA[Serena Schonbrun]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11761</guid>
		<description><![CDATA[Group 312, the Chicago chapter of Group 101, is a not-for-profit collective of filmmakers who collaborate every month to produce a short based on a chosen topic. Group 101 began in Los Angeles on New Year’s Day in 2000. A year later, Serena Schonbrun and Galina Schevchenko founded the Chicago chapter. The relaxed group meets [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>America the Beautiful 2: The Thin Commandments</title>
		<link>http://newcityfilm.com/2011/11/30/america-the-beautiful-2-the-thin-commandments/</link>
		<comments>http://newcityfilm.com/2011/11/30/america-the-beautiful-2-the-thin-commandments/#comments</comments>
		<pubDate>Wed, 30 Nov 2011 22:25:07 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[America The Beautiful 2: The Thin Commandments]]></category>
		<category><![CDATA[Beverly Johnson]]></category>
		<category><![CDATA[Christian Lander]]></category>
		<category><![CDATA[Darryl Roberts]]></category>
		<category><![CDATA[Deepak Chopra]]></category>
		<category><![CDATA[Kathleen Sebilius]]></category>
		<category><![CDATA[Timothy Dolan]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=11253</guid>
		<description><![CDATA[Chicago filmmaker Darryl Roberts returns to the subject of body image in &#8220;America The Beautiful 2: The Thin Commandments,&#8221; taking on the American fear of full-figured bodies, taking snapshots of weight-loss industries from diets to surgeries and anecdotes. What the press kit refers to as &#8220;grassroots&#8221; filmmaking, let&#8217;s call &#8220;micro-budget.&#8221; The writer-producer-director puts himself center [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Season&#8217;s Screenings: Chicago International Film Festival at forty-seven</title>
		<link>http://newcityfilm.com/2011/10/05/seasons-screenings-chicago-international-film-festival-at-forty-seven/</link>
		<comments>http://newcityfilm.com/2011/10/05/seasons-screenings-chicago-international-film-festival-at-forty-seven/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 22:00:52 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[World Cinema]]></category>
		<category><![CDATA[A Dangerous Method]]></category>
		<category><![CDATA[Aki Kaurismaki]]></category>
		<category><![CDATA[Bela Tarr]]></category>
		<category><![CDATA[Chicago International Film Festival]]></category>
		<category><![CDATA[Coriolanus]]></category>
		<category><![CDATA[Dardennes]]></category>
		<category><![CDATA[David Cronenberg]]></category>
		<category><![CDATA[Elizabeth Olse]]></category>
		<category><![CDATA[Gerardo Naranjo]]></category>
		<category><![CDATA[Goodbye First Love]]></category>
		<category><![CDATA[Haskell Wexler]]></category>
		<category><![CDATA[I'm Gonna Explode]]></category>
		<category><![CDATA[Joachim Trier]]></category>
		<category><![CDATA[John C. Reilly]]></category>
		<category><![CDATA[John Logan]]></category>
		<category><![CDATA[Ken Nordine]]></category>
		<category><![CDATA[Lars von Trier]]></category>
		<category><![CDATA[Le Havre]]></category>
		<category><![CDATA[Lynne Ramsay]]></category>
		<category><![CDATA[Martha Marcy May Marlene]]></category>
		<category><![CDATA[Melancholia]]></category>
		<category><![CDATA[Mia Hansen-Løve]]></category>
		<category><![CDATA[Michael Fassbender]]></category>
		<category><![CDATA[Miss Bala]]></category>
		<category><![CDATA[Nuri Bilge Ceylan]]></category>
		<category><![CDATA[Once Upon A Time In Anatolia]]></category>
		<category><![CDATA[Oslo August 31]]></category>
		<category><![CDATA[Paddy Considine]]></category>
		<category><![CDATA[Peter Mullan]]></category>
		<category><![CDATA[Rúnar Rúnarsson]]></category>
		<category><![CDATA[Sean Durkin]]></category>
		<category><![CDATA[The Kid With A Bike]]></category>
		<category><![CDATA[The Turin Horse]]></category>
		<category><![CDATA[Tilda Swinton]]></category>
		<category><![CDATA[Tyrannosaur]]></category>
		<category><![CDATA[Viggo Mortensen]]></category>
		<category><![CDATA[Volcano]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=10659</guid>
		<description><![CDATA[By Ray Pride After summer&#8217;s somersaults, autumn through Christmas is when the grownup movies come out to play, and the forty-seventh edition of the Chicago International Film Festival has a lot to celebrate. In this rundown, I&#8217;ll keep &#8220;great&#8221; as a random adjective to a minimum. (Disclosure: I was a program consultant for this year&#8217;s Docufest [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Take Shelter</title>
		<link>http://newcityfilm.com/2011/10/05/review-take-shelter/</link>
		<comments>http://newcityfilm.com/2011/10/05/review-take-shelter/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 21:50:25 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Close Encounters]]></category>
		<category><![CDATA[Don DeLillo]]></category>
		<category><![CDATA[Jeff Nichols]]></category>
		<category><![CDATA[Jessica Chastain]]></category>
		<category><![CDATA[Kathy Baker]]></category>
		<category><![CDATA[Lodge Kerrigan]]></category>
		<category><![CDATA[Michael Shannon]]></category>
		<category><![CDATA[Ordet]]></category>
		<category><![CDATA[Richard Dreyfuss]]></category>
		<category><![CDATA[Shea Whigham]]></category>
		<category><![CDATA[Stephen Shore]]></category>
		<category><![CDATA[Take Shelter]]></category>
		<category><![CDATA[White Noise]]></category>
		<category><![CDATA[William Eggleston]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=10657</guid>
		<description><![CDATA[RECOMMENDED &#8220;It&#8217;s still stormin&#8217;.&#8221; A taut masterpiece of prescient dread, writer-director Jeff Nichols&#8217; control in &#8220;Take Shelter&#8221; is exemplary, and a huge leap from the already strong work in his observant first feature, &#8220;Shotgun Stories.&#8221; Curtis LaForche (Michael Shannon) works as a sand miner and lives along a tornado alley in a rural Ohio town [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: A Good Man</title>
		<link>http://newcityfilm.com/2011/09/21/review-a-good-man/</link>
		<comments>http://newcityfilm.com/2011/09/21/review-a-good-man/#comments</comments>
		<pubDate>Wed, 21 Sep 2011 21:37:08 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[A Good Man]]></category>
		<category><![CDATA[Bill T. Jones]]></category>
		<category><![CDATA[Bob Hercules]]></category>
		<category><![CDATA[Fondly Do We Hope… Fervently Do We Pray]]></category>
		<category><![CDATA[Gordon Quinn]]></category>
		<category><![CDATA[Kartemquin]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=10415</guid>
		<description><![CDATA[RECOMMENDED Process manna: Bob Hercules and Gordon Quinn&#8217;s &#8221; A Good Man&#8221; follows often-controversial choreographer Bill T. Jones during the two-year creation of his &#8220;Fondly Do We Hope… Fervently Do We Pray,&#8221; a piece commissioned by the Ravinia Festival to commemorate the bicentennial of Abraham Lincoln&#8217;s birth. Patient and observant, as the best work from [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>411: Chicago Comedy is a “Phunny Business”</title>
		<link>http://newcityfilm.com/2011/08/25/411-chicago-comedy-is-a-%e2%80%9cphunny-business%e2%80%9d/</link>
		<comments>http://newcityfilm.com/2011/08/25/411-chicago-comedy-is-a-%e2%80%9cphunny-business%e2%80%9d/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 09:00:53 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[All Jokes Aside]]></category>
		<category><![CDATA[Black Harvest International Film Festival]]></category>
		<category><![CDATA[Gene Siskel Film Center]]></category>
		<category><![CDATA[John Davies]]></category>
		<category><![CDATA[Phunny Business]]></category>
		<category><![CDATA[Raymond Lambert]]></category>
		<category><![CDATA[Reid Brody]]></category>
		<category><![CDATA[Siskel and Ebert]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=10066</guid>
		<description><![CDATA[Twenty years ago, John Davies got his first job as a producer working on Siskel and Ebert’s “Sneak Previews.” This month, his documentary “Phunny Business” will premiere at the Gene Siskel Film Center, a fitting return to the Chicago film scene. The documentary focuses on All Jokes Aside, a South Loop comedy club that helped [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Streets of Fire: Why the World Needs &#8220;Interrupters&#8221;</title>
		<link>http://newcityfilm.com/2011/08/10/streets-of-fire-the-world-needs-interrupters/</link>
		<comments>http://newcityfilm.com/2011/08/10/streets-of-fire-the-world-needs-interrupters/#comments</comments>
		<pubDate>Wed, 10 Aug 2011 22:00:56 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Biopic]]></category>
		<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Aaron Wickenden]]></category>
		<category><![CDATA[Alex Kotlowitz]]></category>
		<category><![CDATA[Ameena Matthews]]></category>
		<category><![CDATA[Cobe Williams]]></category>
		<category><![CDATA[David Simon]]></category>
		<category><![CDATA[Eddie Bocanegra]]></category>
		<category><![CDATA[Steve James]]></category>
		<category><![CDATA[The Interrupters]]></category>
		<category><![CDATA[The Wire]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=9878</guid>
		<description><![CDATA[By Ray Pride &#8220;We have over 500 years of prison time at this table. That&#8217;s a lot of fucking wisdom.&#8221; Just over fifteen years after &#8220;Hoop Dreams,&#8221; Steve James and Alex Kotlowitz followed another Chicago group&#8217;s dreams, members of CeaseFire, offenders gone right, across four seasons of interventions in Englewood. Almost every spoken word is [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2011/08/10/streets-of-fire-the-world-needs-interrupters/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rock Capital: Getting to the heart of &#8220;Parallax Sounds,&#8221; a documentary-in-progress about Chicago post-rock in the nineties</title>
		<link>http://newcityfilm.com/2011/08/10/rock-capital-getting-to-the-heart-of-parallax-sounds-a-documentary-in-progress-about-chicago-post-rock-in-the-nineties/</link>
		<comments>http://newcityfilm.com/2011/08/10/rock-capital-getting-to-the-heart-of-parallax-sounds-a-documentary-in-progress-about-chicago-post-rock-in-the-nineties/#comments</comments>
		<pubDate>Wed, 10 Aug 2011 09:00:17 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[News and Dish]]></category>
		<category><![CDATA[Augusto Contento]]></category>
		<category><![CDATA[Damon Locks]]></category>
		<category><![CDATA[Ken Vandermark]]></category>
		<category><![CDATA[Kenya Zanatta]]></category>
		<category><![CDATA[Parallax Sounds]]></category>
		<category><![CDATA[Steve Albini]]></category>
		<category><![CDATA[Tramas]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=9948</guid>
		<description><![CDATA[The debate over which part of the country has the best music has been teetering back and forth since vinyl was first mass-produced and sold in record stores across the country. So it’s natural to think a film about the nineties post-rock scene in Chicago would be a sprawling treatise on how the quality of [...]]]></description>
		<wfw:commentRss>http://newcityfilm.com/2011/08/10/rock-capital-getting-to-the-heart-of-parallax-sounds-a-documentary-in-progress-about-chicago-post-rock-in-the-nineties/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Incredibly Small</title>
		<link>http://newcityfilm.com/2011/07/22/review-incredibly-small/</link>
		<comments>http://newcityfilm.com/2011/07/22/review-incredibly-small/#comments</comments>
		<pubDate>Fri, 22 Jul 2011 17:35:21 +0000</pubDate>
		<dc:creator>Ray Pride</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Recommended]]></category>
		<category><![CDATA[Alex Karpovsky]]></category>
		<category><![CDATA[Bob Byington]]></category>
		<category><![CDATA[Dean Peterson]]></category>
		<category><![CDATA[Eric Rohmer]]></category>
		<category><![CDATA[Incredibly Small]]></category>
		<category><![CDATA[Lovers of Hate]]></category>
		<category><![CDATA[The Color Wheel]]></category>
		<category><![CDATA[Tiny Furniture]]></category>
		<category><![CDATA[Woody Allen]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=9620</guid>
		<description><![CDATA[RECOMMENDED The first feature by Chicago director Dean Peterson, &#8220;Incredibly Small: A 300-Square-Foot Love Story,&#8221; is indeed an incredibly small, incredibly understated and indelibly bittersweet romantic comedy. Shot in Minneapolis on a fourteen-day schedule, &#8220;Small&#8221; follows Anne (Susan Burke) as a proficient law student who moves into a bashed, battered, filthy, too-small apartment with her [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>411: Spiderbug is a Monster Film Festival</title>
		<link>http://newcityfilm.com/2011/07/08/411-spiderbug-is-a-monster-film-festival/</link>
		<comments>http://newcityfilm.com/2011/07/08/411-spiderbug-is-a-monster-film-festival/#comments</comments>
		<pubDate>Fri, 08 Jul 2011 14:12:40 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Chicago Artists]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Bodice Cobra Philharmonic]]></category>
		<category><![CDATA[Catie Olson]]></category>
		<category><![CDATA[Defibrillator Performing Arts Gallery]]></category>
		<category><![CDATA[Erik Brown]]></category>
		<category><![CDATA[Spiderbug]]></category>

		<guid isPermaLink="false">http://newcityfilm.com/?p=9493</guid>
		<description><![CDATA[Catie Olson has always had a fascination with short films. She says they’re a bit like a one-liner. A quick, sometimes simple setup that, if done correctly, can have an enormous response. The 38-year-old artist says she watched several short-film festivals and screenings come and go in her sixteen years in Chicago before she began [...]]]></description>
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		<slash:comments>0</slash:comments>
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